1915 – Page 9 – Old Magazine Articles

Charles Baudelaire (Vanity Fair Magazine, 1915)

British poet and literary critic Arthur Symons (1865 – 1945) wrote about the Nineteenth Century French poet Charles Baudelaire (1821 – 1867) more as a subject of art rather than an influential wordsmith:

Few modern poets have been more frequently drawn, and few have better repaid drawing, than Charles Baudelaire.

Among the list of artists who created likenesses of the poet were his fellow dandy Edouard Manet (1832 – 1883), the photographer Etienne Carjat (1828 – 1906) and an obscure sculptor named Zachari Astrue, who created the poet’s death mask.

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Four Photgraphs of the Extended Royal Family (Vanity Fair, 1915)

Assorted photographs of the assembled German, Spanish, Belgian, Russian, Norwegian and British royal families, posed as they gathered to attend the the 1894 and 1896 Royal weddings at Coburg; also pictured is the group photo snapped at the 1898 shooting party at Sandingham. Queen Victoria appears in two of the pictures, while Kaiser Wilhelm II can be seen in all of them.

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William Orpen and the Portrait of Mrs. Oscar Lewisohn (Vanity Fair, 1915)

Here is a petite notice that appeared in a 1915 issue of VANITY FAIR heralding a new portrait by the British painter William Orpen (1878 – 1931), which depicted the likeness of a popular American stage actress Mrs. Oscar Lewisohn (Edna May Pettie 1878 – 1948). The anonymous reviewer compared the portrait styles of Orpen with that of London’s reigning portrait painter, John Singer Sargent:

Sargent had a way of showing his sitters as they didn’t think they looked. On the other hand, Orpen has a trick of making his sitters look like what they would like to be.

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W.B. Yeats and Those He Has Influenced (Vanity Fair,1915)

With the publishing of the first part of his autobiography, Reveries Over Childhood and Youth, W.B. Yeats (1865 – 1939) got some attention in the American press. Here is a small notice from an American society magazine which praises his ability as an artist to influence other writers, such as George Bernard Shaw, John M. Synge, George Moore and Dr. Douglas Hyde.

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The British Rage Against Pacifism (The Literary Digest, 1915)

While Western Europe was all ablaze during the Spring of 1915, many Americans were tapping their toes to a catchy tune titled, I Didn’t Raise my Boy to be a Soldier (by Alfred Bryan and Al Piantadosi). This really irked the editors at THE SPECTATOR who let their fingers trip across the typewriter keyboard at a tremendous speed spewing-out all sorts of unflattering adjectives; they even went so far as to rewrite a few verses.

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British Offcer’s Boots (Magazine Ad, 1915)

An illustrated magazine advertisement from 1915 which displays the variety of private purchase footwear available to British and Commonwealth officers during World War I.

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The British 1912 Officer Jacket (West End Gazette, 1915)

The January, 1915, issue of THE WEST END GAZETTE devoted three pages of tailoring instructions for British officer’s Khaki Service Jacket. The uniform was first issued in 1912:

The latest development in connection with military tailoring is the introduction of a new style of Service Dress for field wear. Its principal distinction from the styles that has superseded is the abolition of the time-honored stand collar in favor of the open step collar style as generally adopted for mufti garments.

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The British Officer’s Trench Cap of W.W. I (Tatler Magazine, 1915)

Attached is a 1915 magazine ad from a British society magazine that illustrates the profile of the British Service Hat (trench cap). This wool headgear was worn by all British and Commonwealth forces prior to the 1916 introduction of the Brody Helmet (tin hat), which was issued in order to reduce the high number of head injuries.

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London Society, 1915 (Vanity Fair, 1915)

Five months into the general unpleasantness going on across the Channel had transformed London into a very different city, and sadly, it was the leisured classes that had to shoulder most of the burden:

London is well worth living in these troubled days if only for its contrasts…The gloom of the streets, the sinister play of the searchlights, the abnormal hour at which the theatres open and and the public houses close, the fact that half the male population is in khaki and the other half would like to be, that Society is wearing Noah’s Ark clothes and that to buy a new hat is a crime, that there are no dances, no dinners, no suppers, no premieres, no shooting, no no posing, no frivolity, nor idling, it’s rather quickening, you know. But the searchlights have absolutely killed all practical romance.

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Marcel Duchamp Returns to New York City (Vanity Fair, 1915)

Exempted from serving with the French military in World War I, the artist Marcel Duchamp returned to New York City where he triumphed during the Armory Show of 1913 – together he and his two brothers, Raymond Duchamp-Villon and Jacques Villon, all showed their groundbreaking art. Marcel was the toast of New York and his modern painting, Nude Descending a Staircase was regarded as a masterwork.

In the attached VANITY FAIR article, Duchamp let’s it be known that he crossed the submarine-infested waters of the Atlantic to see American art.

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