1916

Articles from 1916

Blanche Sweet Interviewed (Motion Picture Magazine, 1916)

An interview with the silent film actress, Blanche Sweet (1895-1986) who, at that point in her career, had been a photoplayer (ie. an actor) for only six years. Prior to her contract with The Lasky Company, where she was obliged to perform at the time of this interview, she had toiled in the vineyards of such studios as Reliance and Biograph (where she was nick-named, The Biograph Blonde). Unlike her co-swells in that young industry, who liked to read and re-read their recent interviews from Motion Picture Magazine while loitering around the sets, we read that Blanche Sweet was very fond of reading Tennyson, Kipling and the novels of Edward Phillips Oppenheim (1866-1946). During the course of her career she had appeared in well over one hundred films.

Click here to read magazine articles about D.W. Griffith.
Click here to read articles about another Hollywood blonde: Marilyn Monroe.

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Letter from a Veteran (NY Times, 1916)

An experienced Canadian trench fighter gives some tips to an American Guardsman.

Men enthuse over descriptions of bayonet charges. They are no idle pastimes, so it behooves all soldiers not only to become absolutely perfect in bayonet exercises, but to practice getting under way, keeping abreast with your mates and having a firm hold on your rifle. The soldier may say, ‘Oh, that bayonet exercise isn’t practical in a charge. No? Very well, that may appear right to some, but I should advise every one knowing every parry, thrust and counter so thoroughly that after they become second nature you can then do whatever your intuition at the moment directs.

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Trench Warfare Tips from a Veteran (NY Times, 1916)

An experienced Canadian trench fighter wrote the attached columns offering sound advice to the American National Guardsmen he knew were bound to enter the war at some point.

Men enthuse over descriptions of bayonet charges. They are no idle pastimes, so it behooves all soldiers not only to become absolutely perfect in bayonet exercises, but to practice getting under way, keeping abreast with your mates and having a firm hold on your rifle. The soldier may say, ‘Oh, that bayonet exercise isn’t practical in a charge. No? Very well, that may appear right to some, but I should advise every one knowing every parry, thrust and counter so thoroughly that after they become second nature you can then do whatever your intuition at the moment directs.

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Poilu’ is not the Right Word! (NY Times, 1916)

The novelist, journalist, anti-Semite and French Academy member Maurice Barres (1862 – 1923) had some opinions regarding the word Poilu (the popular and affectionate slang term for the French front line soldier, which translates into English as hairy guy). In the following one page essay he presented a history of the word and continued with an explanation as to why it bugged him:

It lacks dignity. To my taste it belittles those whom it is meant to laud and serve. A hero can hardly be expressed by this brazen-faced and slanderous epithet. And yet, since it has taken root in our battlefields now for more than a year, one hesitates to speak ill of this word, in which so many admirable acts are somehow visible. It is winning it’s historic titles.

In the end, no one really cared what Maurice Barres had to say on this topic and the sobriquet poilu remained in place.

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Poilu’ is not the Right Word! (NY Times, 1916)

The novelist, journalist, anti-Semite and French Academy member Maurice Barres (1862 – 1923) had some opinions regarding the word Poilu (the popular and affectionate slang term for the French front line soldier, which translates into English as hairy guy). In the following one page essay he presented a history of the word and continued with an explanation as to why it bugged him:

It lacks dignity. To my taste it belittles those whom it is meant to laud and serve. A hero can hardly be expressed by this brazen-faced and slanderous epithet. And yet, since it has taken root in our battlefields now for more than a year, one hesitates to speak ill of this word, in which so many admirable acts are somehow visible. It is winning it’s historic titles.

In the end, no one really cared what Maurice Barres had to say on this topic and the sobriquet poilu remained in place.

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Charlie Chaplin and His Imposters (Motion Picture Magazine, 1916)

With the popularity of Charlie Chaplin (1889 – 1977) came a large number of artificial, bootlegged Charlie Chaplin movies and a host of fraudulent ‘Charlies’. All the fake Chaplins were clad the same and all answered to the same name yet all had different biographies and were not terribly funny in the slightest degree. Chaplin No. 1 did not care for this one bit and did not hold back while talking to this correspondent from Motion Picture Magazine.

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