Articles from 1916
A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):
Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.
Click here to read further about the 1913 Armory show.
Robert Henri (Vanity Fair, 1916) Read More »
Ignoring the general unpleasantness taking place outside of town, the taste-makers of Paris soldiered-on as best they could, creating garments for the summer of 1916 that were both original and feminine and bore the mark of Paris’ characteristic opulence.
Click here to read about the New York fashions of 1916.
World War I Fashions: Summer, 1916 (Vanity Fair Magazine, 1916) Read More »
A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):
Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.
Click here to read further about the 1913 Armory show.
Robert Henri (Vanity Fair, 1916) Read More »
Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.
Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »
A one page article regarding Swiss-born painter Paul Thevenaz
Read a 1937 article about another gay artist: Paul Cadmus.
Paul Thevenaz: Rhythmatist Painter (Vanity Fair, 1916) Read More »
Before it was called Playbill it was called the Strauss Magazine Theatre Program and Cora Moore was their fashion critic. During the early spring of 1916 Mrs. Moore took a serious look at the fashion parade on Fifth Avenue and recognized that much of it had been seen before. She offered no thoughts as to why so much from the past was being borrowed but she liked it just fine nonetheless.
New York Fashions for Spring (Strauss Magazine Theatre Program, 1916) Read More »
Before it was called Playbill it was called the Strauss Magazine Theatre Program and Cora Moore was their fashion critic. During the early spring of 1916 Mrs. Moore took a serious look at the fashion parade on Fifth Avenue and recognized that much of it had been seen before. She offered no thoughts as to why so much from the past was being borrowed but she liked it just fine nonetheless.
New York Fashions for Spring (Strauss Magazine Theatre Program, 1916) Read More »
In this letter from the artist Bernard Boutet de Monvel (1884 – 1949) the fellow explains thoroughly his thoughts and adventures as a bombardier in a Vosin bi-plane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of loneliness that an aviator can experience at 2000 feet.
For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you.
The Experiences of a Bombardier in the Young French Air Corps (Vanity Fair, 1916) Read More »
Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.
Men’s Clothing for the Spring of 1916 (Strauss Theater Magazine, 1916) Read More »
The attached article is about Sessue Hayakawa (1889 – 1973), the first Asian actor to achieve star status in Hollywood:
No, Sessue Hayakawa, the world’s most noted Japanese photoplay actor, does not dwell in a papier-mache house amid tea-cup scenery. He is working in pictures in Los Angeles, and he lives in a ‘regular’ bungalow, furnished in mission oak, and dresses very modishly according to American standards.
Seussue Hayakawa (Photoplay Magazine, 1916) Read More »
