Articles from 1916
Man of letters and all-around swell-guy Frank Moore Colby (1865 – 1925) had a good time reading the flowery writing of the Ballet Connoisseurs who write for the New York papers…
The Critics of the Russian Ballet (Vanity Fair, 1916) Read More »
While so many European men were suffering on the Somme and at Verdun, some American fellows were having a swelligant time on the golf links; beautifully attired in linen golf clothes that are pictured in the accompanying attachment.
Shopping for the Well-Dressed Golfer (Vanity Fair Magazine, 1916) Read More »
Attached is a small column that credited U.S. Representative Charles Hiram Randall (1865 – 1951) of Los Angeles for having proposed legislation before Congress that sought copyright protection for the benefit of scenario writers in Hollywood:
Congressional Randall [Prohibition Party] of California has introduced a bill in the House of Representatives for the protection of scenario authors, by providing for the issuance of a copyright on the scenario upon reciept of two typewritten copies to the proper department in Washington.
Anti-Plagerism Legislation Introduced (Photoplay Magazine, 1916) Read More »
This single column reported on the 1916 busts that were created by the American sculptor Jo Davidson (1883 – 1952), during his tour of war-torn Europe.
By the end of the Twentieth Century, much of his work would be in the collections of many of the finest art museums, such as the National Gallery of Art, Washington, the Fine Arts Museum of San Francisco, the U.S. Senate Art Collection and the National Statuary Hall, both in Washington.
New Portrait Busts by Jo Davidson (Vanity Fair, 1916) Read More »
Henri Gaudier-Brzeska (1891 – 1915) was an avant-garde sculptor of the Vorticist school. Prior to the war he resided in London and broke bread with the talented Bohemians of that burg, and this article is composed of snippets of text from a remembrance written by his close friend, Ezra Pound.
Gaudier-Brzeska (Literary Digest, 1916) Read More »
An article that served to introduce American readers to the new British Prime Minister, David Lloyd George (1863 – 1945), who replaced the incompetent wartime leader Herbert Henry Asquith (1852 – 1928):
People had began to doubt whether or not Mr. Asquith had ‘the will to win’ the necessary determination to make all things work together to that end. There was no doubt in the case of Lloyd George. He had supported credit, he had supplied ammunition, he had inspired general confidence, he had reconciled the irreconcilable. The question arose whether or not the box seat on the coach of state should not be given to him.
The article concentrates primarily on the radical instinct and liberal leanings of Lloyd George, who is often remembered as the Prime Minister who laid the foundations of the British nanny-state.
In 1940 Lloyd George wrote an editorial in which he condemned the leaders of Europe for procrastinating rather than dealing with Hitler when Germany was still weak Click here to read it.
David Lloyd George (Vanity Fair, 1916) Read More »
It must have been a slow news week when the industrious reporters at MOTION PICTURE MAGAZINE opted to write this piece about Sydney Chaplin (1885 – 1965),businessman, aviator, actor,(thirty-four films between 1914 and 1928) and occasional business partner to his younger super-star brother, Charlie:
Charlie Chaplin is small and thin. Sidney is tall and husky. Charlie is dark, with curly hair like a boy. His big brother is light, and looks like a big lumberman. Here is contrast indeed. Their natures are as different as the natures of a flee and a bee. To see them together one would not take them brothers…
Three years after this article was published, Syd Chaplin would started the first domestic airline company in the United States: The Syd Chaplin Airline, Co., which he saw fit to close when the U.S. government began to regulate pilots and all commercial flight ventures.
Charlie Chaplin’s Brother (Motion Pictur Magazine, 1916) Read More »
Those young bucks who golfed and participated in other field and blood-sports during the early Twentieth Century were the lads who benefited most from the tailor’s craft. Pictured here are details of the pivot-sleeve (later to be called the ‘action-back’): a four button, deep-vented, self-belted, pleated golf jacket with matching knickers.
Also featured is a terribly natty English cheviot golf hat.
The Action-Back Jacket for the Golfing Man (Vanity Fair Magazine, 1916) Read More »
