Articles from 1917
When the diplomatic leadership in Washington began to unravel the plot that was revealed behind the Zimmerman telegram, the Wilson administration wisely concluded that the governments of Japan and Mexico were not complicit in the scheme that had been cooked-up by the Germans.
President Wilson Exonerates Mexico & Japan (The Atlanta Georgian, 1917) Read More »
A black and white mechanical drawing illustrating the most famous of British hand grenades that was ever used by British and Commonwealth forces during the course of World War One.
The Mills Bomb (Trench Warfare, 1917) Read More »
For all too few it is understood that fashion need not end in the wilderness: for it is more than likely that that was where the need for fashion was first recognized and it was there, among the toads and the dung, that the Well-Dressed man first crawled out of the muck and civilization
Yachting is one of the things that begin at the bottom. That is to say, at the shoes. They are the foundation, as it were, for the rest of life on the rolling deep.
Clothing the Camper and Yachtsman (Vanity Fair Magazine, 1917) Read More »
Attached is a brief review of Civilization, the silent anti-war film produced by Thomas Ince in 1917. Sadly, Ince underestimated the power of film as a means of persuasion; World War I raged on for another year and a half following it’s release.
Civilization: An Anti-War Film (The Atlanta Georgian, 1917) Read More »
This 1917 article listed the known body count of dead poets who were rotting away in no-man’s land. A number of the scribes are unknown in our era; among the prominent names are Alan Seeger, Julian Grenfel and Rupert Brooke.
Printed in a popular U.S. magazine, it appeared on the newsstands the same week that Wilfred Owen, the most well known of World War I poets, was discharged from Craiglockhart Hospital, where he first resolved to write poetry about his experiences in the war.
Poets in Their Glory: Dead (Literary Digest, 1917) Read More »
Two articles from 1917 heaped praise upon the laureled cranium of the British war correspondent Philip Gibbs (1877 – 1962). Having written diligently for the readers of the DAILY MAIL and DAILY CHRONICLE, who were also anticipating his book THE BATTLE OF THE SOMME (1917), Gibbs was admitted to the VANITY FAIR Hall of Fame (for whatever that was worth at the time):
He has been able to bring the wide, modern, romantic outlook to bear in his survey and analysis of fighting and the conditions of fighting…He is a war-correspondent of a ‘new dispensation’, giving ‘not a realistic or a melodramatic vision of war, but a naturalistic vision’.
At the close of hostilities in 1918, Philip Gibbs was filled with disgust concerning his cooperation with the censors and would begin writing NOW IT CAN BE TOLD (1920), in which he angrily names the bunglers in command and admits that he wrote lies all through the war.
A Tribute to Philip Gibbs: War – Correspondent (The Literary Digest, 1917) Read More »
