Articles from 1918
Attached, you will find three well illustrated advertisements for Paris military tailors that were lovingly scanned and posted after having been crudely ripped from the brittle pages of the U.S. Army newspaper STARS AND STRIPES.
Advertisements for A.E.F. Officer’s Tailoring (Stars and Stripes, 1918-19) Read More »
Some A.E.F. officers realized that industrial war would not provide them with an opportunity for horseback riding and they wisely chose alternative footwear more suited to the discomfort of living in the damp trenches of France.
An Advertisement for Officer’s Ankle Boots (Stars and Stripes, 1918) Read More »
The attached ad makes it quite clear that the American Army was not without its innovators: the Germans may have introduced poison gas, the British may have introduced the tank but it was the Americans who added Chamois Leather Underwear to the arsenal of industrial warfare.
An Underwear Advertisement (Stars and Stripes, 1918) Read More »
Unlike those Poilu who rushed manfully to the recruiting stations in 1914 expecting some sartorial glory in the form of a shiny cavalry breast plate or stylish bright red pantaloons, only to find that the constraints of modern warfare would only provide him with a filthy rat-infested trench and a poor-man’s concept of a camouflage uniform (light-blue wool); the American Doughboy at least had some time to figure out that he would not be as nicely turned out as his uncle was during the Spanish-American War.
This odd notice was printed on the front page of The Stars and Stripes while most of the A.E.F. was still in training. The word was out by this time that the Campaign Hats they were issued back home were out -and so to counter the gripes, the army printed this balderdash to put a ‘nice spin’ on the tin pot
It’s not a helmet
To read more about the old campaign hats of the A.E.F. click here.
The Doughboy Helmet: the Press Release (Stars and Stripes, 1918) Read More »
Six very fine fashion drawings illustrate what was generally perceived to be the chic silhouette during the August of 1918.
There may be some women who can get along without satin frocks, but it is exceedingly doubtful..
Fashions from the Last Summer of the War (Vanity Fair Magazine, 1918) Read More »
It was the Prussian Guard against the American Indian on the morning of October 8 in the hills of Champagne.
Heroism on the Western Front (The Stars and Stripes, 1918) Read More »
A short notice printed in May of 1918 which intended to let the Doughboys know that the U.S. Army Quartermaster Corps was well aware that changes needed to be made in the American uniform in response to the damp French climate.
The additional uniform items never went into production in light of the fact that the war ended six months later.
Changing the Uniforms to Fit the Climate (The Stars and Stripes, 1918) Read More »
One of the most curious aspects of the Great War that generated a good deal of conversation among the civilian populations was camouflage. Many people believed that camouflage was one of many elements that made that war so terribly different from all other wars. One well-read reader from a respectable American magazine would have non of it: she composed a well researched letter explaining that the need for camouflage preceded the era of industrial warfare and was practiced by the ancient combatants of Greece and Rome as well.
Camouflage: An Invention from Ancient Warfare (The Nation, 1918) Read More »
Instructions as to how American insignia was to be worn on the trench coat as well as the officer’s raincoat. An additional notice can be read concerning the Army’s wish that all Doughboys maintain a good, soldierly appearance while not serving in the zone of advance.
Officer’s Dress Regulations & the Trench Coat (The Stars and Stripes, 1918) Read More »
Appearing in The Stars and Stripes in mid-February of 1918 was this column about one of the newest disciplines to be introduced to the photographic section of the U.S. Army Signal Corps: the motion picture branch.
There is one movie-officer at present assigned to every division in the A.E.F.; one might call him the camera battery, if one wanted to get really military about it. Under him is a squad of expert photographers, some movie men, some ‘still’ snappers.
From the time when the sun finally decides that he might as well hobble up in the sky and do part of a day’s work, which isn’t often in this region, until the time that the aged, decrepit old solar luminary decides again, about the middle of the afternoon, that he’s done all he’s going to do while the calender is fixed the way it is, the camera battery is up and around taking pot-shots at everything in sight… They may be ‘covering’ a review, a series of field maneuvers ‘up front’ or merely Blank Company’s wash day at the village fountain. But always when the sun is shining, they are at it.
Click here to read a YANK MAGAZINE article about the Signal Corps films in the Second World War
Signal Corps Movie Men of W.W. I (The Stars and Stripes, 1918) Read More »
