1918

Articles from 1918

Tested in War: the Wrist Watch Becomes Fashionable (The Stars and Stripes, 1918)

The following must have been some sort of creative writing project for one of the many bored World War One Doughboys, however it clearly spells out how the necessities of modern war demanded that the wrist watch no longer be thought of as a piece of jewelry adorned only by fops and fems and evolved into a useful tool for soldiers on the field and men with masculine responsibilities. The column makes it quite clear that prior to the Great War, a good many wrist watch enthusiasts would have had their noses broken if they had worn the ‘gimmick’ into certain neighborhoods.

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THE BETTER ‘OLE On The London Stage (Touchstone Magazine, 1918)

Before there was Sad Sack, there was Old Billstyle=border:none, Bert and Alf -the later three being the creation of World War One British cartoonist Bruce Bairnsfather (1888-1959; and the former was the brainchild of World War Two Army Sergeant George Baker, 1915 – 1975). Bairnsfather was the creator of a popular cartoon called Old Bill which was widely believed by the Tommies to accurately depict the hardships on the Western Front.
This illustrated article is a theater review of The Better ‘Ole; a funny, well received play written by the cartoonist and staged in London during the closing weeks of the war.

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The First of Many Inaccurate War Movies Reviewed (The Stars and Stripes, 1918)

The production of inaccurate war flicks with unlikely plots is a proud tradition that is alive and well in every film capitol around the globe and not likely to vanish any time soon. Today’s film critics seem to have a good deal more patience when reviewing the genre -as compared to the jaded, old ink-slinger who was charged with the task of summing up this silent film from 1918: On to Berlin.


The American-made war dramas must be giving the folks back home a swell idea of what The War isn’t like…William Fox is accused of producing On to Berlin

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Artist Jacob Epstein Drafted… (Vanity Fair Magazine, 1918)

In 1918, the London-based American expatriot sculptor Jacob Epstein was living life to the fullest and enjoying all the benefits his talents had provided him. He had no intention of joining the army of his adopted country and had successfully avoided the draft since the outbreak of the war. However in 1918, conscription caught up with him. Epstein hated the idea of joining the colors, believing that the military would kill his creative soul, but this article puts a nice spin on all that.

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A Diagram of a French WW I Grenade (NY Times, 1918)

A black and white mechanical drawing of a World War One French grenade with all parts labeled. In 1918, the New York Times wrote:

The pine-apple grenade, or as the French are wont to call it, the citron grenade (lemon) is charged with a powerful explosion called shedite, which when exploded on open ground is said to cause injuries at 250 yards. Primed with a sensitive detonator, the grenade is caused to explode when it strikes the ground. Very often the grenade is not thrown far enough, so the that the explosion is likely to cause casualties among one’s own troops. Apart from these disadvantages, the grenade is an excellent weapon for hand to hand fighting.

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The Battle of the Cooties (NY Times, 1918)

Cooties, in the World War One sense of the word, were tiny little bugs that lived in the seams of uniforms for that unlucky multitude who lived in the trenches. Being an equal-opportunity sort of parasite, they plagued all combatants alike, regardless of one’s opinions concerning Belgian neutrality, and were cause for much complaining, scratching, discomfort and the creation of way too much juvenile verse.

The attached article from 1917 tells the tale of some fortunate Doughboys and their encounter with a U.S. Army Cootie Graveyard (read: delousing station):

They entered a bedraggled, dirty, grouchy lot of sorry-looking Doughboys. They came out with faces shinning and spirits new. They knew they had before them the first good night’s rest in some time and sans scratching.

As far as cooties were concerned, the American infantrymen of the Great War had it far easier than his European comrades and counter-parts, for he only had to contend with them for the mere six month time that he lived in the trenches, rather than the full four years.

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