A few years after the Great War reached it’s bloody conclusion, literary critic Helen McAfee discovered that a careful reading of the prominent authors and poets writing between 1918 and 1923 revealed that each of them shared a newfound sense of malaise – a despairing, pessimistic voice that was not found in their pre-war predecessors.
Certainly the most striking dramatization of this depth of confusion and bitterness is Mr. Eliot’s The Waste Land. As if by flashes of lightening it reveals the wreck of the storm… The poem is written in the Expressionist manner – a manner peculiarly adapted to the present temper… It is mood more than idea that gives the poem its unity. And the mood is black. It is bitter as gall; not only with a personal bitterness, but also with the bitterness of a man facing a world devastated by a war for a peace without ideals.
If you would like to read another 1920s article about the disillusioned post-war spirit, click here.