1933

Articles from 1933

Japan and the Road to War (Literary Digest, 1933)

A collection of opinions gathered from the newspapers of the world concerning the belligerency of Imperial Japan and its poor standing in the eyes of the League of Nations:

Feeling grows among the Japanese that events are shaping toward a second world war, with Japan in the position that Germany occupied in 1914…A Canadian Press dispatch from London, in THE NEW YORK TIMES, estimated war supplies sent from England to China and Japan. According to statistics of the British Government for 1932, the largest individual items were 7,735,000 small-arms cartridges for China and 5,361,450 for Japan…Japan also purchased 740 machine guns.


Four years after the Pearl Harbor attack, a Japanese newspaper editorial expressed deep regret for Japan’s aggressiveness in the Second World War, click here to read about it…

Click here to read about a 1925 novel that anticipated the war with Imperial Japan.

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The Governor Who Threatened Martial Law (Literary Digest, 1933)

An article about Governor Floyd B. Olson (1891 – 1936) of Minnesota who allowed his emotions to get the better of him one day in the early Spring of 1933 when he threatened to impose martial law throughout the state in order to confiscate private wealth should his proposed relief legislation fail to pass the Minnesota Senate:


Was former Democratic vice-President Henry Wallace a dirty Red?

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Broadway Costume Design for the Fall (Stage Magazine, 1933)

In his review of contemporary Broadway costume design for the Autumn of 1933, the fashion journalist asked the pressing question:

What is the well-dressed play wearing these days?

There was much talk of Chanel, Schiaparelli and the House of (Elizabeth) Hawes as he heaped the praises high and deep for the the rag-pickers who clothed the ungrateful actresses for such productions as Men in White, Undesirable Lady, Her Master’s Voice and Heat Lightning.

The fashions in the plays are vivid, authentic, and wearable. They have sprung from the gifted brains and fingers of the cream of the crop of designers, Schiaparelli and Chanel in Paris, and our own industrious Americans who, themselves, are becoming hardy annuals. The silhouette is lengthening into slim height but even in sports clothes corners are rounded and curves are accentuated…

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ISAMU NOGUCHI (Creative Art Magazine, 1933)

This is an early Thirties profile of a young American sculptor named Isamu Noguchi (1904 – 1988). In the years to come, Noguchi would become well known for his innovative designs for lamps and furniture; but when this article first appeared he was admired for simply having served as an apprentice to Constantin Brancussi.

Click here to read a 1946 art review concerning the paintings of French architect Le-Corbusier.

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Protestant Churches Forced into Submission (Literary Digest, 1933)

Hitler wasted little time in securing control over the Christian churches in Germany: within six months of taking power he began to put the screws to the Protestant churches. This article devotes much column space to the pastors who had no problem with any of Hitler’s commands.

The issue, then, is broader than the Reich. Jews, Protestants and Catholics the world over have seen another scrap of paper torn up in Hitler’s repudiation of his pledge on taking office that the Nazi regime would respect the freedom and legal rights of German churches… Hitler modified an order requiring all Protestant pastors on a recent Sunday to display Nazi banners from their church spires…. The Nazis have also suppressed the German branch of International Bible Students’ Society, outlawed the Boy Scouts, and, to make their program more effective – given a Nazi cast to the Lord’s Prayer.

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Noël Coward (Stage Magazine, 1933)

Noël Coward (1899 – 1973) was simply the best all-rounder of the theatrical, literary and musical worlds of the 20th century. He invented the concept of celebrity and was the essence of chic in the Jazz Age of the 20s and 30s. His debonair looks and stylishly groomed appearance made him the icon of ‘the Bright Young Things’ that inhabited the world of The Ivy, The Savoy and The Ritz. No one is totally sure when and why it happened but following his success in the 1930s he was called ‘The Master’, a nickname of honor that indicated the level of his talent and achievement in so many of the entertainment arts. -so say the old salts at NoelCoward.net, and they should know because they have a good deal more time to think about him than we do.


The attached article was no doubt written by one of his many groupies for a swank American theater magazine following the successful New York premiere of his play Design for Living:


Click here to read about Cole Porter.


Elsa Maxwell kept the party going during the Great Depression…

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The 1930s March to the Pews (Literary Digest, 1933)

…since the Depression began one out of every six banks has failed, one out of every forty-five hospitals has closed, one out of every twenty-two business and industrial concerns has become bankrupt…


– for those living in the digital age, the quote posted above is simply another mildly interesting, stale line from American history – but when those words were written in 1932 it meant for those who read it that there world was falling apart. So much of what they were taught to believe in was collapsing before their very eyes and as a result they felt a need to know God – and know Him they did; half way through 1932 churches and other religious bodies showed a total net gain of 929,252 members thirteen years of age or over – one of the largest gains ever recorded – and the total membership, thirteen years or more of age, reached the record figure of 50,037,209.


Click here to read about the American South during the Great Depression.

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Foreign Artists Barred from Germany (Literary Digest, 1933)

Shortly after Adolf Hitler took charge in Germany, a law was passed that forbid the hiring of foreign artists, composers, writers and performers. As the attached article clarifies, there were exceptions, but all concerned recognized that it was a new day in Germany but not necessarily a better one. Writing for the New York-based magazine, MODERN MUSIC, German arts critic Hans Heinsheimer (1900 – 1993) wrote:

The aim of the National Socialist is to push us back into the Middle Ages. Their politico-culture demands are radical… They set us up as the German Superman against the ‘inferior foreigners.’

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