1946

Articles from 1946

Max Beckman Since the War (Art Digest, 1946)

Max Beckmann (1884 – 1950), having fled to Holland from his native Germany in order to escape Hitler, arrived in New York shortly after the end of the war and wasted no time in securing an aggressive dealer eager to arrange liasons between him and the the post-war dollar.

The first exhibition of Max Beckman’s work since 1941 is currently being held at the Bucholz Gallery in New York. Director Kurt Valentin has assembled for this event important examples of Beckman’s brush dating from 1939 to the present…Among the many drawings particularly remembered are a satirical ‘Radio Singer’ and a tongue-in-cheek ‘Anglers’, along with ‘Head Waiters’.

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The Abusive Occupying Army (Collier’s Magazine, 1946)

This editorial lends credibility to Andrei Cherny’s 2007 tome, The Candy Bombersstyle=border:none, in which the author states that there was no love lost between the Berliners and the occupying American army in the immediate aftermath of the German surrender:

Stories keep coming back to this country about American soldiers sticking up Berlin restaurants, or beating up German citizens, or looting German homes. How much of this stuff goes on, we don’t know. We do know that some of it goes on, and that any of it is too much. Not that we believe in sobbing unduly over the German people, they let themselves be razzle-dazzled into the war by Hitler and his mobsters.

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Louis L’Amour on Post-War Paris (Rob Wagner’s Script Magazine, 1946)

During the course of the Second World War, Western fiction writer Louis L’Amour (1908 – 1988) served as a U.S. Army lieutenant in a transport unit. He penned this nifty article about 1946 Paris while waiting to return home:

It is cold in Paris now. There are chill winds blowing down those wide streets. The fuel shortage is serious, and will probably continue to be so as transportation is not yet what it should be.

Vivid with historical background, the city somehow remains modern. It has kept step with the world without losing its beauty or its patina…Easy enough when riding along the Rue St. Antoine to forget that where the jeeps and command cars roll now, there were once Roman chariots. No corner of Paris is without its memories.

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Second Oscar for Tom and Jerry (The Lion’s Roar, 1946)

All told, the animated cartoon series Tom and Jerry would be awarded seven (7) Academy Awards before Oscar’s attention turned elsewhere.


This 1946 article sings the praises of Fred Quimby (1886 – 1965), the animation producer who ran the shop at the Metro-Goldwyn-Mayer cartoon studio between the years 1937 and 1954:

Doff the cap to Metro-Goldwyn-Mayer’s Fred Quimby, producer of Tom and Jerry’, the only cartoon stars to have copped the coveted Oscar for two consecutive years. Even the distinguished Donald Duck has only been Oscarized once.

‘Tom and Jerry‘ reflect in broad comedy the faults and foibles of human beings, even as you and I. Here we have a thoroughly egotistical cat and a very shrewd mouse… a cartoon representation of the eternal conflict between HERO and VILLAIN. Toma always hopes to outwit Jerry who symbolizes the underdogs of the world.

This short notice appeared in The Lion’s Roar, which was the monthly publicity rag for M.G.M. Studio.

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Edwige Feuillère Gets Liberated (Collier’s, 1946)

A 1946 article in which the beloved French actress Edwige Feuillère (1907 – 1998) is personified as the epitome of wounded French Glamor returned to it’s rightful place following the hasty retreat of those nasty Huns from the boulevards of lovely Paris:

Edwige Feuillère, France’s Number One actress, is wearing evening clothes again – and all fashionable Paris rejoices. It is a sort of symbol, the blooming of the lovely Edwige into full-panoplied formality. For she, along with most women of France, abstained from festivities and the clothes that go with them throughout the war.

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David Niven Returns to Hollywood (Rob Wagner’s Script, 1946)

After six years of war British actor David Niven (1910 – 1983) came back to resume his rightful place among the anointed swells of Hollywood. This single page article is interesting and not only touches upon his war years but also his earliest days in North America toiling-away on a series of menial jobs.

He isn’t talkative about what happened to him during that dark period [during the war]. He says his outlook has changed some. Even the gayest and most lighthearted can’t participate in a ghastly war without some mark being left. The fight with the Nazis made David Niven conscious of other things than the drama pages.


Niven’s first post-war film roll was in the Hal Wallis production of THE PERFECT MARRIAGE, co-starring Loretta Young.

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The Navy Nurse Corps (Think Magazine, 1946)

The attached story of U.S. Navy Nurse Corps and the brave and remarkable women who gallantly served within it’s ranks throughout the Second World War is told in this brief article. It documents the selfless service of Navy Nurses who stayed behind in the Philippines to face Japanese captivity rather than desert their patients.

That was typical of the steadfast manner in which Navy Nurses adhered to duty throughout the war, forsaking personal comfort and safety to bring the benefits of their skills to the sick and wounded.

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