A new day dawned in Manhattan real estate history at the end of 1961 when the city elders agreed to abandon their bureaucratic jihad (a fire code issue) to evict artists from all those assorted run-down ateliers located around lower Broadway.
These were the upper floors of hundreds of old downtown business and manufacturing buildings (most over a century old) that were characterized by their heavy masonry proliferating with faux loggias, balustrades, entablatures and rows of delicately fluted columns – all scattered throughout Tribeca, SoHo and Chelsea. The artists called them Lofts.
As far as we can figure out, this was the first time in history that anybody seemed to care where an artist lived and worked.