Vanity Fair Magazine – Page 11 – Old Magazine Articles

George Bernard Shaw and Literary Recycling
(Vanity Fair, 1921)

Irish author, critic and dramatist, St. John Greer Ervine (1883 – 1971), believed that some of the dramatic characters populating the plays of George Bernard Shaw (1856 – 1950) were reoccurring characters who could be counted upon to appear again and again. He had a fine time illustrating this point and thinks nothing of stooping to compare Shaw with Shakespeare:

Shakespeare primarily was interested in people. Mr. Shaw primarily is interested in doctrine…

Thirty-five years later St. John Ervine would be awarded the James Tait Black Memorial Prize for his biography of George Bernard Shaw.

Click here to read various witty remarks by George Bernard Shaw.

Arthur B. Davies
(Vanity Fair, 1919)

An Arthur B. Davies (1862 – 1928) review written by VANITY FAIR art critic Frederick James Gregg following the opening of an exhibition highlighting the the private collection of N.E. Montross. The critic wrote:

Since the death of Albert Pinkham Ryder (1847 – 1917), Mr. Davies has been recognized, by persons abroad who are familiar with art in America, as the leading living painter on this side of the Atlantic.

Francis Picabia
(Vanity Fair, 1915)

In 1915, the year before Dada was created, one of the movement’s followers, Francis Picabia (1879 – 1953), was spotted in New York City by the editors of VANITY FAIR who quickly put him through the works.

The Action-Back Jacket for the Golfing Man
(Vanity Fair Magazine, 1916)

Those young bucks who golfed and participated in other field and blood-sports during the early Twentieth Century were the lads who benefited most from the tailor’s craft. Pictured here are details of the pivot-sleeve (later to be called the ‘action-back’): a four button, deep-vented, self-belted, pleated golf jacket with matching knickers.

Also featured is a terribly natty English cheviot golf hat.

Men’s Summer Golf Apparel
(Vanity Fair Magazine, 1918)

Attached you will find some kind words promoting brown linen as the preferred fabric for summer golf, yet what is most striking is the accompanying photo of a young rake in his period golf apparel sporting a pair of putees for his time upon the links. It is rare that one finds a photograph of a golfer in putees and one might get the sense that the look never really caught on.

Etiquette in the Movies
(Vanity Fair, 1915)

No doubt, this is one of the funniest pieces you are likely to find on the topic of acting and costuming in silent movies. It was written by Frederick Lewis Allen (1890 – 1954) and Frank Tuttle (1892-1963); both men approached the movies with the low expectations that were probably all too typical of theater lovers at that time. Frederick Lewis Allen is best remembered today as one of the better chroniclers of the Twenties and author of Only Yesterday (1931) while Frank Tuttle would find himself, in a few short years, directing movies in Hollywood. Tuttle was one of the few Directors who successfully made the jump from silent films to sound and continued working; at this writing, he was an Assistant Editor at Vanity Fair.

Summer Mode for an Era’s End
(Vanity Fair Magazine, 1914)

The Paris fashion world that thrived during the August of 1914 was rightfully intrigued by the chic creations conjured up by the House of Worth, Drécoll, and Mme Paquin.

Three Brilliant Young Writers
(Vanity Fair, 1921)

The VANITY FAIR reviews of Stephen Vincent Benet’s (1898 – 1943) book The Beginning of Wisdom, F. Scott Fitzgerald’s (1896 – 1940) The Beautiful and Damned
and John Dos Passos’ (1896 – 1970) Three Soldiers:

The years following the war in America have been remarkable for the rise in popular and critical estimation of a small group of novelists who represent a revolt against the stillness and complacency of commercialized literature.

Art Sacandal: Aubrey Beardsley Forged
(Vanity Fair, 1919)

London’s post-World War I art world was rocked by a scandal involving a number forged drawings which were misleadingly signed with the name Aubrey Beardsley (1872 – 1898). This piece captures that moment.

Shoe Illustrations
(1913 Advertisement)

Heartlessly ripped from the binding of an ancient issue of VANITY FAIR was this page of shoe illustrations in which a smart pair of womens leather boots are the centerpiece, accompanied by Russian dancing shoes, a splendid pair of gold brocade slippers, white buckskin tennis oxfords and a pair of walking boots.

Legendary fashion designer Christian Dior had a good deal of trouble with people who would illegally copy his designs; click here to read about that part of fashion history.

1920s Prohibition created a criminal climate
that appealed to more women than you ever might have suspected…

Marcel Duchamp Returns to New York City
(Vanity Fair, 1915)

Exempted from serving with the French military in World War I, the artist Marcel Duchamp returned to New York City where he triumphed during the Armory Show of 1913 – together he and his two brothers, Raymond Duchamp-Villon and Jacques Villon, all showed their groundbreaking art. Marcel was the toast of New York and his modern painting, Nude Descending a Staircase was regarded as a masterwork.

In the attached VANITY FAIR article, Duchamp let’s it be known that he crossed the submarine-infested waters of the Atlantic to see American art.

New Portrait Busts by Jo Davidson
(Vanity Fair, 1916)

This single column reported on the 1916 busts that were created by the American sculptor Jo Davidson (1883 – 1952), during his tour of war-torn Europe.
By the end of the Twentieth Century, much of his work would be in the collections of many of the finest art museums, such as the National Gallery of Art, Washington, the Fine Arts Museum of San Francisco, the U.S. Senate Art Collection and the National Statuary Hall, both in Washington.

The Critics of the Russian Ballet
(Vanity Fair, 1916)

Man of letters and all-around swell-guy Frank Moore Colby (1865 – 1925) had a good time reading the flowery writing of the Ballet Connoisseurs who write for the New York papers…

World War I Fashions: Summer, 1916
(Vanity Fair Magazine, 1916)

Ignoring the general unpleasantness taking place outside of town, the taste-makers of Paris soldiered-on as best they could, creating garments for the summer of 1916 that were both original and feminine and bore the mark of Paris’ characteristic opulence.

Click here to read about the New York fashions of 1916.

Men’s Golf Suits of 1922
(Vanity Fair Magazine, 1922)

A look at some of the ready-to-wear golf suits for the spring of 1922. The chic golfer of that year was seen wearing pleated knickers and a smart action-back jacket sporting cargo pockets (formerly known as billows pockets).

The Tennis Blazer
(Vanity Fair Magazine, 1916)

This article dates to a the dear, dead days when tennis balls were white and landscapers (rather than diesel machinery) were relied upon to make tennis courts; it was also a time when the abilities of a skilled tailor were required for tennis clothing. These court-side stylists would not simply monitor the drape of tennis trousers but they would anticipate the unspoken needs of their tennis dandies – and in so doing, the tennis blazer was born.

Cars from Europe Get Tinier
(Vanity Fair Magazine, 1921)

One thing is absolutely certain- Europe is economizing. It must. Everything in the motor world points to an enormous increase in the number of 10 h.p., four cylinder cars and in the even smaller 7-8 h.p. two cylinder machines.

Albert, King of the Belgians
(Vanity Fair, 1914)

A VANITY FAIR article by Ard Choille that recalls the low key visit that Belgium’s Albert I (1875 – 1934) made to the U.S. in 1898 while in the company of his young bride, Elizabeth (1876 – 1965), formerly the Duchess of Bavaria. Published at a time when the Great War was in it’s fourth month, the journalist was mindful of the valiant roll Albert was maintaining as the Commander-in-Chief of the struggling Belgian Army in the face of the German onslaught.

Click here to read about the W.W. I efforts of Prince Edward, the future Duke of Windsor.