Vanity Fair Magazine

Articles from Vanity Fair Magazine

Dogfight Over Hunland (Vanity Fair, 1918)

British fighter pilot in the Great War, Lieutenant E.M. Roberts, gave this account of the deadly game of Boche-hunting above the clouds:

I noticed he was going down a little, evidently for the purpose of shooting me from underneath. I was not quite sure as yet that such was really his intention; but the man was quick…he put five shots into my machine. But all of them missed me.

I maneuvered into an offensive position as Quickly as I could, and I had my machine gun pelting him…The Hun began to spin earthward.

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American Trucks & Armored Cars (Vanity Fair Magazine, 1916)

Recognizing the importance of armored vehicles, a group of American millionaires, among them Henry Clay Frick (1849 – 1919), pooled their money and donated a number of such items to the New York National Guard. VANITY FAIR MAGAZINE pursued this story and produced this article as it developed with a thorough review of each of the donated military vehicles. Although the trucks are photographed, few are named.

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Silent Movie Caricatures (Vanity Fair Magazine, 1922)

When the Five O’Clock Whistle Blows in Hollywood is attached;
it appeared in VANITY FAIR eight years after Hollywood was declared the film capital of the world.


This single page cartoon was created by one of the great American caricaturists of the Twenties: Ralph Barton, and all the kingpins of the young empire are depicted (among others): Douglas Fairbanks, Marry Pickford, Buster Keaton, Harold Lloyd, Bebe Daniels, Bill Hart, Wallace Reed, Gloria Swanson, Nazimova, Charlie Chaplin, Jackie Coogan, Fatty Arbuckle and the writer Rupert Hughes.
Lording above them all, and represented simply by jodhpurs and riding boots, stands the founder of the feast – Cecil B. DeMille (and his brother).

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A Predictable Silent Movie I (Vanity Fair, 192?)

Attached is a Vanity Fair cartoon from the days of silent film illustrating how unsophisticated those movies truly were and how wildly predictable the plots and characters always seemed to be. This cartoon, along with a number similar magazine articles on this site, illustrate that such thinking was not entirely rare.


Another anti-silent film article can be read here…


This critic didn’t like silent movies either – –

A Predictable Silent Movie I (Vanity Fair, 192?) Read More »

Predictable Characters from the Silent War Movies (Vanity Fair, 1919)

Here are seven drawings by Henry Raleigh (1880 – 1944) that depict the sorts of silent film characters that were likely to be seen in the 1920s W.W. I movies. These sketches are accompanied by a few dry remarks by the Vanity Fair editors:

No matter how much we may wish to lose sight of the war, it can’t be done. There will always be reminders of it. You suppose that, just because a little thing like peace has been declared, the playwrights, the theatrical managers, and the moving picture producers are going to let a chance like the war get by? Since we have become accustomed to German spies, Red Cross nurse heroines, and motor corps vampires, we could never go back to the prosaic mildness of innocent little country heroines, villains in fur-lined overcoats and cub reporter heroes. No actor will ever again consent to play a society role in evening clothes with flap pockets and jet buttons, when he can appear in a war play wearing an aviator’s uniform and going around in a property airplane.


This 1918 silent movie was certainly mocked for its predictability…

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One of the First Reviews of ‘Sons and Lovers’ (Vanity Fair, 1913)

Later in the century there would be many ink-slingers to gush over the talents of D.H. Lawrence (1885 – 1930); but in 1913, the writer would simply have to bide his time and suffer the reviews that were printed in the society pages.

It emphatically is not a book for the ‘young person’, and it is certainly a book that will make the older conservative wince a bit…nevertheless it is a study that was worth doing, and D.H. Lawrence has done it well. He has dealt with very real things in a way that leaves a distinctness of impression unequaled by nine books out of ten one picks up nowadays.

One of the First Reviews of ‘Sons and Lovers’ (Vanity Fair, 1913) Read More »