Articles from Vanity Fair Magazine
In 1915, the year before Dada was created, one of the movement’s followers, Francis Picabia (1879 – 1953), was spotted in New York City by the editors of VANITY FAIR who quickly put him through the works.
Francis Picabia (Vanity Fair, 1915) Read More »
Those young bucks who golfed and participated in other field and blood-sports during the early Twentieth Century were the lads who benefited most from the tailor’s craft. Pictured here are details of the pivot-sleeve (later to be called the ‘action-back’): a four button, deep-vented, self-belted, pleated golf jacket with matching knickers.
Also featured is a terribly natty English cheviot golf hat.
The Action-Back Jacket for the Golfing Man (Vanity Fair Magazine, 1916) Read More »
Attached you will find some kind words promoting brown linen as the preferred fabric for summer golf, yet what is most striking is the accompanying photo of a young rake in his period golf apparel sporting a pair of putees for his time upon the links. It is rare that one finds a photograph of a golfer in putees and one might get the sense that the look never really caught on.
Men’s Summer Golf Apparel (Vanity Fair Magazine, 1918) Read More »
No doubt, this is one of the funniest pieces you are likely to find on the topic of acting and costuming in silent movies. It was written by Frederick Lewis Allen (1890 – 1954) and Frank Tuttle (1892-1963); both men approached the movies with the low expectations that were probably all too typical of theater lovers at that time. Frederick Lewis Allen is best remembered today as one of the better chroniclers of the Twenties and author of Only Yesterday (1931) while Frank Tuttle would find himself, in a few short years, directing movies in Hollywood. Tuttle was one of the few Directors who successfully made the jump from silent films to sound and continued working; at this writing, he was an Assistant Editor at Vanity Fair.
Etiquette in the Movies (Vanity Fair, 1915) Read More »
The Paris fashion world that thrived during the August of 1914 was rightfully intrigued by the chic creations conjured up by the House of Worth, Drécoll, and Mme Paquin.
Summer Mode for an Era’s End (Vanity Fair Magazine, 1914) Read More »
The VANITY FAIR reviews of Stephen Vincent Benet’s (1898 – 1943) book The Beginning of Wisdom
Three Brilliant Young Writers (Vanity Fair, 1921) Read More »
London’s post-World War I art world was rocked by a scandal involving a number forged drawings which were misleadingly signed with the name Aubrey Beardsley (1872 – 1898). This piece captures that moment.
Art Sacandal: Aubrey Beardsley Forged (Vanity Fair, 1919) Read More »
Heartlessly ripped from the binding of an ancient issue of VANITY FAIR was this page of shoe illustrations in which a smart pair of womens leather boots are the centerpiece, accompanied by Russian dancing shoes, a splendid pair of gold brocade slippers, white buckskin tennis oxfords and a pair of walking boots.
Legendary fashion designer Christian Dior had a good deal of trouble with people who would illegally copy his designs; click here to read about that part of fashion history.
Shoe Illustrations (1913 Advertisement) Read More »
Exempted from serving with the French military in World War I, the artist Marcel Duchamp returned to New York City where he triumphed during the Armory Show of 1913 – together he and his two brothers, Raymond Duchamp-Villon and Jacques Villon, all showed their groundbreaking art. Marcel was the toast of New York and his modern painting, Nude Descending a Staircase was regarded as a masterwork.
In the attached VANITY FAIR article, Duchamp let’s it be known that he crossed the submarine-infested waters of the Atlantic to see American art.
Marcel Duchamp Returns to New York City (Vanity Fair, 1915) Read More »
This single column reported on the 1916 busts that were created by the American sculptor Jo Davidson (1883 – 1952), during his tour of war-torn Europe.
By the end of the Twentieth Century, much of his work would be in the collections of many of the finest art museums, such as the National Gallery of Art, Washington, the Fine Arts Museum of San Francisco, the U.S. Senate Art Collection and the National Statuary Hall, both in Washington.
New Portrait Busts by Jo Davidson (Vanity Fair, 1916) Read More »
