Recent Articles

The State of Radio In 1937 America (Pathfinder Magazine, 1937)

Girding the United States today are two major national radio chains and one smaller chain. They are the National Broadcasting Company, the Columbia Broadcasting Company and the Mutual Broadcasting System, NBC, with its combined Red and Blue networks, has about 110 stations. CBS on a single network has 101. Mutual has 45 and will add a new section of 10 more next month.

The State of Radio In 1937 America (Pathfinder Magazine, 1937)

Girding the United States today are two major national radio chains and one smaller chain. They are the National Broadcasting Company, the Columbia Broadcasting Company and the Mutual Broadcasting System, NBC, with its combined Red and Blue networks, has about 110 stations. CBS on a single network has 101. Mutual has 45 and will add a new section of 10 more next month.

International Movie Star – Mickey Mouse (Photoplay Magazine, 1930)

Although Euro Disney would not be opening until 1990, this article by Hollywood costume designer Howard Greer implied that it would have done quite well had they opened eighty-six years earlier:

You know everyone in Hollywood? they asked. I blushed modestly and admitted that I did.

Don’t you want to know about the stars? I went on.Shall I tell you about Garbo?

‘A smile passed across their faces.’
‘Garbo? Yes, we like her. But the star we ‘d love to know everything about is – Mickey Mouse!’

Russian Composers Preferred by Rimsky-Korsakov (Review of Reviews, 1912)

For those of you looking for some dish in the music history department, this article recounts a conversation between Rimsky-Korsakov (1844 – 1908) and Leo Tolstoy (1828 – 1910) as to which Russian composer Rimsky-Korsakov preferred the best: Anton Rubinstein or Peter Tschaikovsky. Opinions flew in all directions and many more names were dropped before the conversation came to a close…

Library of Congress Salutes the Dime Novel (Literary Digest, 1937)

In 1937 the Rare Book Department at the Library of Congress launched a surprising exhibit of what they called, ephemeral literature – these works were popularly known as Dime Novels and they were not simply the father of the modern comic book but also the father of one other form of popular literature:

The roots of the American historical novel are sunk in the so-called dime novel – the first effort at popular fiction. It began with the stories based on the Revolutionary War, then historical fiction of incidents in the War of 1812, the Mexican War and the struggle for Cuban independence, which stated about that period.

E.E. Cummings on T.S. Eliot (The Dial Magazine, 1920)

A review of T.S. Eliot‘s (1888 – 1965) second collection, Poemsstyle=border:none (1919), as reviewed by E.E. Cummings (1894 – 1962) in the well respected magazine of the arts, THE DIAL. It was in this volume that Eliot’s well remembered series of quatrains first appeared: Sweeney Among the Nightingales, Sweeney Erect The Hippopotamus and Mr. Eliot’s Sunday Morning Service.

Cummings at that time was living in Paris and writing his first book, The Enormous Roomstyle=border:none, which would be published in 1922. The review of that work can be read here.

Captain Eddy Rickenbacker: Fighter Pilot (The Literary Digest, 1919)

This is a wonderful read in which the American World War One fighter pilot Eddie Rickenbacker (1890 – 1973), recounted his experiences in France. Arriving rather late in the game (March, 1918), he quickly racked up 26 kills, a Croix de Guerre, a Distinguished Service Cross, the Legion d’Honeur and the Congressional Medal of Honor (which would not be approved and awarded to him until 1930). He was the top Ace in the American Air Service. In his later life, he would go on to become one of the founders of Continental Airlines.

I learned pretty fast. Long practice in driving a racing-car at a hundred miles an hour or so gives first-class training in control and judging distances at high speed…

In his later life, Rickenbacker would go on to become one of the founders of Continental Airlines.


Click here to read an article about the development of aerial reconnaissance during W.W. I.


Read what the U.S. Army psychologists had to say about courage.

C.R.W. Nevinson: Futurist on the Front (The Great War, 1918)

Attached you will find a segment from a longer article reviewing the W.W. I paintings of C.R.W. Nevinson (1889 – 1946). Trained by the Italian Futurist Severini, Nevinson made some of the most modern images of all the World War One artists:

C.R.W. Nevinson with unerring eye penetrated to the man behind the khaki and deliberately unveiled the son of toil. The hands of the foremost figures may be exaggerated (but probably not), and in any case they emphasize the essential truth that these men belong to the horny-handed class. They may not be beautiful, but they are strong…

Click here if you would like to read a 1922 article about C.R.W. Nevinson.

Ode to the Hollywood Agent (Rob Wagner’s Script Magazine, 1942)

The literati have all agreed: there is no doubt that if Shakespeare were alive today he would live in Beverly Hills, California. He would dwell in a 1930s split-level Persion-conversion, probably on Palm or Roxbury. As a well-compensated screenwriter he would churn-out the standard plots that were expected of him: fish-out-of-water dramadies, romcoms, and (under assorted pen names) a few reality shows; and like the poet whose work is attached, he would write about matters unique to Southern California -valet parking, Cobb Salads -and in this case the Hollywood agent.

This poem was written by Sydney King Russell (1898 – 1976), who, like Shakespeare, knew that if you’re going to write a poem about Hollywood agents, you’ll need to crack open the ol’ rhyming dictionary to see what rhymes with ten percent.

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