Recent Articles

Samuel Goldwyn, Producer
(Coronet Magazine, 1944)

Screen scribe Sidney Carroll put to paper a serious column about the productive life of Samuel Goldwyn (1879 – 1974) and all that he had accomplished since he co-founded Hollywood (along with Cecil B. De Mille) in 1913:

He has done many remarkable things in 30 years. He has made as many stars as any man in the business; he was the first to make feature-length films; he was the first to bring the great writers to Hollywood… Goldwyn is the greatest maker of motion pictures ever to come out of Hollywood [with the exception of The Goldwyn Follies (1938)].

The Paris Purses for Autumn
(Vogue Magazine, 1919)

A VOGUE editorial from the Fall of 1919 praising the swank of six nifty Parisienne purses -each created from different materials and each displaying the industrious fingers of skilled craftsmen.


Click here to read about happy Hollywood’s discovery of plastic surgery…

Algernon Charles Swinburne, Reconsidered
(Literary Digest, 1917)

The 1917 publication of The life of Algernon Charles Swinburnestyle=border:none, by Edmund Gossestyle=border:none caused much discussion in the literary world:

A bombshell that struck literary England a little past that last mid-century has been re-echoing in the recently published ‘Life of Algernon Charles Swinburne’ by Edmund Gosse. The shell was the volume called ‘Poems and Ballads’ a cursory knowledge of which probably places it in many minds as one of the bad books of literature…

E-Learning in the Fifties
(Pageant Magazine, 1958)

This article from the late Fifties refers to the educational benefits that existed in the form of tape recordings, television, films and slide shows and what a glorious discovery it was that they came along when they did to aid in the teacher shortages of the time. Today we have decades of studies that show what among these tools has been useful and what has failed.


In the 1940s Color TV was Anticipated as a Tool with Which Art Students Could Learn…

Chez Poiret: the Hot Social Ticket in the Paris of 1919
(Vogue Magazine, 1919)

The post-war publicity machine of French fashion designer Paul Poiret was in fine form when he saw to it that his minions invited the Paris-based correspondent from American VOGUE to his house for a grand fete, seated her comfortably, drink in hand, right on the fifty-yard line in order that she might be better able to report to her handlers back in New York that Paris was back.


The correspondent who was not invited was the fashion journalist from FLAPPER MAGAZINE; American flappers did not approve of Poiret one bit. Click here to read what they thought of him.

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