Recent Articles

The Duke of Windsor Influences
(Men’s Wear, 1950)

MEN’S WEAR MAGAZINE printed a few paragraphs on the heavy hand that the Duke of Windsor had in the world of manly attire:

No one completely personified English qualities in attire than the Prince of Wales…Whatever he chose to wear was considered correct and in good taste and was accepted by millions of others in America and elsewhere. Following are a few of the styles that can be traced right back to the Duke of Windsor, either because he wore them first or was responsible for their spread…

-they include such fashion innovations as the Panama hat, the spread collar and brown buckskin shoes among others.

More articles about the Duke of Windsor can be found on these pages.

The Business End of Gas Warfare
(Literary Digest, 1917)

The attached article, How Well Our Chemical Industry Has Been Mobilized for War is an abstract from a 1917 issue of THE JOURNAL OF COMMERCE which discussed how readily American chemists embraced their roll after the United States committed itself to the war.


There is much talk of the procurement of potash, toluol and trinitrotoluol which were necessary elements in the manufacture of gas.

The Industrial Visions of Paul R. Meltsner
(Art Digest, 1936)

The artist Paul R. Meltsner (1905 – 1966) was one of many WPA artists given to depicting sweaty, mal-nourished proletarians laboring in the fore-ground of smoke-plagued, industrial cityscapes and his work can be found today in the vaults of every major American museum. This is a 1936 art review covering his one-man show at the Midtown Galleries in New York:

Meltsner builds his pictures everyday scenes of industrial life, dedicating them to labor and the machine…He gets broad vitality in his forms and force in his compositions, relieving at the same time the usual drabness of such scenes by a tonic of color.


Another 1936 article about Paul Meltsner can be read here.

Lincoln Kirstein and George Balanchine
(Delineator Magazine, 1935)

Attached is one of the first articles to be written about balletomanes Lincoln Kirstein (1907 – 1996) and his efforts with George Balanchine (1904 – 1983) and philanthropist Edward M.M. Warburg (1910 – 1992) to form the first American ballet company (the corps was later called the New York City Ballet).

Finding the Graves of American Aviators
(Literary Digest, 1919)

The difficult task of wandering the war-torn countryside of Europe in search of fallen World War I American pilots fell to a U.S. Army captain named E.W. Zinn. A combat pilot himself, Zinn had roamed France, Belgium and Germany interviewing the local population to see what they knew of American crash sites:

Many times he has come upon a grave with a rude cross on which was scrawled:


‘Unidentified American Aviator’ or ‘Two Unidentified American Aviators’

Captain Zinn has found that in a great many cases American fliers were buried either by the Germans or by civilians with no mark of identification left on them.

Click here to read some statistical data about the American Doughboys of the First World War.

The Nazis Hated These Guys
(Yank Magazine, 1944)

The attached W.W. II magazine article tells the story of the hard-charging Goums – a detachment of French-Moroccan infantry who appeared to the American GIs as genuine curios (Wikipedia definition: Goumier is a term used for Moroccan soldiers, who served in auxiliary units attached to the French Army, between 1908 and 1956).

The Germans definitely don’t like the Goums. As for the Italians, they’re scared to death of them. In the Mateur and Bizerte sectors, where the Goums were attached to the Ninth Division, three Italian companies surrendered en masse as soon as they heard that the guys in front of them were Goums.

VJ Day in Honolulu
(Yank Magazine, 1945)

In Honolulu, where the war began for the U.S., the first news of it’s ending reached a sleepy-eyed Chinese-American radio technician shortly after 1200 hours (12:00 a.m.) when he had just finished making his regular weekly check on KGU’s station transmitter and was ready to leave for home.

Stand by for important news about the Potsdam ultimatum.

Flight nurse, WACs and GIs all streamed from their barracks and joined the howling procession…

VJ Day in San Francisco
(Yank Magazine, 1945)

Some of the highlights: Firecrackers, hoarded in Chinatown for eight years, rattled like machine guns… Servicemen and civilians played tug-of-war with fire hoses… Market Street, the wide bar-lined thoroughfare that has long been the center of interest for visiting GIs and sailors, was littered with the wreckage of smashed War Bond booths … A plump redhead danced naked on the base of the city’s Native Sons monument after servicemen had torn her clothes off. A sailor lent the woman a coat, and the pair disappeared.

Keeping German Diplomats Safe in Paris
(Popular Mechanics, 1919)

In light of the overwhelming hostility toward Germans, whether they come to Paris to sign a peace treaty or for other reasons, the Parisian Gendarmes thought it best to enclose their hotel with palisade-style fencing, which they hoped would serve the dual purpose of keeping them in as much as it would serve to keep hostile natives out.
A photo of the barricade illustrates the article.

United Artists Makes ”Stage Door Canteen”
(Charm, 1943)

During the Second World War there were two prominent canteens where the Allied soldiers, sailors, airmen and Marines could go to see and be seen with the glamorous actor types of their day: the Hollywood Canteen in Los Angeles and the Stage Door Canteen in New York City. It was in these two locales that the stars of both stage and screen could be found both waiting and busing tables, preparing food and cracking wise with the volunteers and draftees of the Allied Armies. We needn’t tell you which of these two establishments Hollywood decided to celebrate on celluloid, but you should know that the film was extremely popular- attached is the review as it appeared in fashion magazine of the time.

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