One of Conde Nast’s most popular magazines reviewed D.W. Griffith’s film, The Birth of a Nation and gave a somewhat balanced account of the production. The journalist clearly recognized that the movie was unfair to the Negro yet remarkable for it’s photography.
Here is a collection of French phrases and military vocabulary terms uttered in the combat zones of W.W. I. Translated expressions include the standard commands as well as such bon mots as shell the fort, the walls are shattered, the place is evacuated and for all those World War Two re-enactors, Retreat!.
Click here to read about a case of French Friendly-Fire…
In the early Twenties there were a good many social changes which men had to struggle to understand; among them was the Modern Woman. The Italian novelist and lexicographer Alfredo Panzini (1863 – 1939) attempted to do just that for the editors of Vanity Fair.
‘Don’t expect us’, she says to you, disconsolate male, ‘don’t expect us to be like the old-fashioned girls who went to church, and did the laundry, and looked up to their husbands as to their God.’
Before December 7, 1941, the average American regarded the Jap as a comical little fellow who bowed deeply from the waist and said, ‘So sorry.’…[and] as a fighting man, the Jap was obviously a joke. His army hadn’t been able to to lick poor old broken-down China in four years… This picture was destroyed forever by the bombs that fell on Pearl Harbor… But what makes the Jap so brave? Briefly, the Jap has two words for it. The first is Shinto and the second bushido,
A two page magazine article about the U.S. Navy destroyer Newcombe (DD-586), a hard-charging ship that suffered heavy damage from repeated Kamikaze attacks off of Okinawa on April 6, 1945 (the Ryukyu Islands):
Then the plane shot past them, ripped through the gun mount and shattered itself against the after-stack. There was a blinding flash. The Newcombe shuddered and rolled heavily to starboard.
From the Hot From Hollywood page in STAGE MAGAZINE came this tidbit reporting on the curious events taking place on the sets of ‘The Wizard of Oz’:
The cast was extraordinary, from the stars Frank Morgan, Judy Garland, Ray Bolger, Bert Lahr, Jack Haley to Toto, the Carin Terrier. But of them all, the most utterly enchanting were the midgets, two hundred and twenty-five of them, with their doll faces, their plastered hair that looked as though it had been painted on their heads, the little felt flowers that grew out of their shoes, the bells that jingled from their sleeves. They, of course, were in costume for the good little Munchkins.
Another article about this incredible film can be read here…
When you examine the 14 images in the attached article about California surfing in the Forties you’re quite likely to come away believing that the stale surfing comedy Beach Blanket Bingo
This article from a 1937 issue of The Magazine of Art addressed the over-all aesthetic appeal of the Hindenburg’ . Written by Blanche Naylor, no stranger to all matters involving industrial design of the Thirties and Forties, the article goes into some detail as to the color scheme, upholstery, paintings and the names of the assorted German designers responsible for the beauty of the air-ship. The article is accompanied by seven photographs and one diagram of the public rooms accessible to the Hindenburg’ passenger’s.
This magazine article from 1935 documented the Federal aid that was made available for America’s poorest children. The malnutrition visited upon the boys of America’s indigent would render some of them unfit for military service in World War II.
With nearly one-sixth of the nation’s child population in families dependent upon emergency relief, welfare agencies call for a solution of their grave problem.
The problem was laid before the recent National Conference on the 1935 Needs of Children held under the auspices of The Parent’s Magazine in New York City. Before them Katherine F. Lenroot, Chief of the United States Children’s Bureau, made one of her first public appearances since taking office:
…These children have a right to expect that Federal, State, and community relief policies of 1935 will provide more adequately for essential items in the family budget.
Another article about children of the Great Depression can be read here…
A small notice from the closing weeks of the 1952 presidential contest between retired General Eisenhower (R) vs former Governor Adlai Stevenson (D) in which Senator Joseph McCarthy stepped forth to muddy the waters with one of his characteristic insults:
McCarthy charged Stevenson was ‘part and parcel of the Acheson-Hiss-Lattimore group’ and that Stevenson in 1943 (as a State Department official) had a plan to ‘foist Communism’ on Italy when Mussolini fell.
Whether the comment convinced anyone was not recorded, but Eisenhower won the 1952 election by a wide margin, as did all Republican candidates.
Lenin went to his grave believing that he had established a nation where a worker’s labor would be fairly compensated – a land free from want; but this was not the case. The Soviet Union, and all its assorted satellites, was in actuality, a police state where people longed to get away from all the free stuff that was offered – thousands of people successfully escaped while many others died trying. The country he created was one in which the word escape was frequently uttered – which brings us to this article – it concerns cars and how they were able to be refashioned in such a way as to conceal the East Germans who wished so badly to get away to the West – and it is very well illustrated.
The President has asked all Americans to keep their eyes open for spies and subversives and to report them to the FBI. Who would you start looking for?
A black and white photo-essay of a New York that is gone with the wind, written in that wonderfully irreverent slang-heavy patois so reminiscent of the movies of that era. We posted this piece to please that New York archivist in all of you: you will see images of the watering holes preferred by the high and the low, the museums, Fifth Ave., Harlem, and the Fulton Fish Market.
Against the backdrop of a metropolis, a painter finds exultation in the vigorous beauty of the common girl.
A review of the paintings and sculptures from the Weimer Republic and the manner in which that new art served to reflect the social upheaval that was taking place in Germany at that time. The article concerns itself primarily with one art exhibit in particular, the Spring Exhibition of the Berlin Secession (1919) and the two art factions who participated: there were the artists of Der Sturm a movement that existed prior to the war and a newer, post-war tribe; the November Group. Also displayed were the works of two painters who served in the Kaiser’s army and did not return; Franz Marc (1880-1916) and August Macke (1887-1914).
It is hoped by the German Expressionists and the artists of the New Objectivity that their art will serve as a tool for the destruction of Germany’s old order.
Click here to see a few trench war images by German Expressionist Otto Dix.
Click here to read about Expressionist woodcuts.
The New Objectivity held up a mirror to the political crises that was playing out all over Germany, click here to read about it…
Attached is a 1913 article from an American magazine in which the journalist reported on a strong sense of insecurity experienced by France as a result of Imperial German military hubris. The reporter illustrated the point with various quotes from French papers of the day and in a similar vein, sites a number of German papers that express an arrogant contempt for France.
Here is a short profile of Irna Phillips (1901 – 1973) – she was, more than anyone else, the one who can be credited with the creation of the daytime dramas called soap operas on both radio and television.
Here is a short profile of Irna Phillips (1901 – 1973) – she was, more than anyone else, the one who can be credited with the creation of the daytime dramas called soap operas on both radio and television.
