Recent Articles – Page 97 – Old Magazine Articles

‘The Nisei Problem”
(Yank Magazine, 1945)

An interesting article, written with a sense of embarrassment regarding the injustice done to the Japanese-Americans, and published a few weeks shy of VJ-Day. The article reports on how the former internment camp families were faring after they were released from their incarceration. 55,000 Japanese-Americans chose to remain in the camps rather than walk freely among their old neighbors; one man, Takeyoshi Arikawa, a former produce dealer, remarked:

I would like to take my people back home, but there are too many people in Los Angeles who would resent our return. These are troubled times for America. Why should I cause the country any more trouble?

Important references are made concerning those families who had lost their young men serving in the famed 442 Regimental Combat Team: a U.S. Army unit composed entirely of Nisei that was awarded a Presidential Unit Citation for it’s fortitude displayed in Italy, France and Germany.

Beating the Beach Censor
(Click Magazine, 1939)

Attached is a printable fashion editorial from a 1939 issue of CLICK MAGAZINE which beautifully illustrated (in color) one of the chic, California beach fashions of the day.

Learn about the color trends in men’s 1930 suits…

The Suffragettes Appeal To The States
(Literary Digest, 1894)

This article tells the story of Susan B. Anthony, Dr. Anna Howard Shaw and the gang as they worked the state conventions in a effort to gain the right to vote. In states with large Republican majorities, they swore to vote vote Republican, in states with large Democratic majorities they promised to support that party:

The State Woman-Suffrage Association should remain non-partisan and each individual woman should feel free to ally herself with whatever party she approves.

Explaining Abstract Art
(Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?

In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Art, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.

The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Explaining Abstract Art
(Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?

The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Explaining Abstract Art
(Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?

The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Artist Paul Cadmus
(Art Digest, 1937)

A late Thirties art review of Paul Cadmus (1906 – 1999), one of the finest and most scandalous artists of the W.P.A.:

Paul Cadmus was thrust into national prominence at the age of 26 when his canvas, ‘The Fleets In’, painted for PWAP in 1933, stirred up a storm of protest. Since then controversies have dogged his art but with them has come recognition…Like the contemporary writers Thomas Wolfe and Aldous Huxley the reaction of Cadmus against present day ‘civilization’ is one of repulsion tinged with hatred. This note of protest seems to be the battle cry of the younger generation of artists and writers. Mrs Overdressed Middle class to be viewed by the public…

A Letter from a Bombardier in the French Air Corps
(Vanity Fair, 1916)

In the attached letter from the artist Bernard Boutet de Monvel (1884 – 1949), the artist explains thoroughly his thoughts and adventures as an bombardier in a Vosin biplane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of lonliness that an aviator can experience at 2000 feet.

For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you. Click here

Picasso Painted Me
(’48 Magazine, 1948)

Artist and poet Jaime Sabartés (1881 – 1968) had been among the oldest and closest friends of Pablo Picasso since the two of them were 19-year-old artists in Barcelona. Throughout the course of their 40-year friendship Picasso had painted and drawn his pal on numerous occasions – Sabartés’ comments about those six portraits and his memories of those isolated moments appear on the attached pages. He recalled a day when Picasso energetically encouraged him to write down his thoughts, which in time lead to this article, that appeared in his 1948 book, PICASSO: an Intimate Portrait:

I decided, therefore, to take these portraits as texts, to try to imbue with warmth Picasso’s pictures of me, to make them live anew, to enrich them with fragments from the life of their creator and shreds of my own.

A Picasso poem is included among the reminiscence (translator unknown).

A forgotten article from 1913 that degraded Picasso and other assorted Modernists can be read here.

Gassing The Germans
(American Legion Weekly, 1922)

This is the story of the First Gas Regiment. It was organized at American University (Washington, D.C.) in August of 1917 and arrived in France in time to disperse noxious gas all over the Germans as they launched their March offensive in 1918:

Company B of the First Battalion was the outfit that participated in the first show. The attack was launched on a two-mile front extending from Lens to Hill 70 near Loos, and held by the Canadians… It was a tough job. The nature of the work was graphically described by a Yankee buck, who said in a moment of disgust: ‘This is a job for grave diggers, hod carriers and piano movers, instead of chemists, pipe fitters and mechanics.

Mickey Rooney, RIP
(Collier’s Magazine, 1940)

In 1940 Mickey Rooney (né Joe Yule, Jr.; b. 1920 – 2014) had replaced Shirley Temple as the number one box-office draw, after having steadily performed before the cameras from the age of six onward. Rooney had been jockeying for first place since he began playing the title roll in the Andy Hardy films just two and a half years earlier.

With the onslaught of the Second World War the sands of Hollywood shifted beneath his feet, creating a plethora of new stars and the need for different sorts of films – from that point on he only appeared in supporting rolls. In 1982 Rooney remarked:

When I was 19 years old, I was the number one star of the world for two years. When I was 40, nobody wanted me. I couldn’t get a job.

Excursions Into Hunland
(Vanity Fair, 1918)

An American fighter pilot of the R.F.C., Lieutenant E.M. Roberts, gave this account of the deadly game of Boche-hunting above the clouds:

I noticed he was going down a little, evidently for the purpose of shooting me from underneath. I was not quite sure as yet that such was really his intention; but the man was quick…he put five shots into my machine. But all of them missed me.

I maneuvered into an offensive position as Quickly as I could, and I had my machine gun pelting him…The Hun began to spin earthward.

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists
(Film Daily, 1939)

Restless with the manner in which the film colony operated, Chaplin joined forces with three other leading Hollywood celebrities to create United Artists; a distribution company formed to release their own films. Attached is a printable history of United Artists spanning the years 1919 through 1939 which also outlines why the organization was so original:

[United Artists] introduced a new method into the industry. Heretofore producers and distributors had been the employers, paying salaries and sometimes a share of the profits to the stars. Under the United Artists system, the stars became their own employers. They had to do their own financing, but they received the producer profits that had formerly gone to their employers and each received his share of the profits of the distributing organization.

Charlie Chaplin Joins With Pickford, Fairbanks and Griffith to Form United Artists
(Film Daily, 1939)

Clothing for Fox Hunters and Wall Streeters
(Vanity Fair Magazine, 1921)

A glance at the 1921 wardrobe enjoyed by those fashionable fellows who were part and parcel of that Wall Street clique who might today be called the one percent.

The reviewer also devoted some column space to classic fox hunting attire and Chesterfield overcoats,hunting tweeds,wing collars and men’s suit from the early Twenties.

1918: An Armistice Remembrance
(American Legion Monthly, 1936)

St. NAZAIRE, 1918. It was eleven in the morning when we first heard the news. A piercing whistle from one of the steamers in the harbor, a sudden blast so loud and so startling that even the nurses in their rest camp in La Baule fifteen kilometers away could hear it…L’ARMISTICE EST SIGNÉ…by noon the entire town was outdoors; a truck load of German prisoners rolled past, apparently quite as happy as the rest of us.

The Demands of the 1918 Armistice
(The Stars and Stripes, 1918)

Attached herein are the terms of the 1918 Armistice as they appeared in the official newspaper of the American Expeditionary Forces:

The complete official translated text of the Armistice conditions to which the German plenipotentiaries set their signature is herewith reproduced:

1.) Cessations of operations by land and in air six hours after the signature of armistice.

II.)Immediate evacuation of the invaded countries…

etc, etc, etc…

There Are Additional Magazine
Articles About W.W. I

Her Armistice Poem
(American Legion Weekly, 1921)

At 11:00 a.m., November 11, 1918, an American woman volunteer was toiling away at her Service of Supply base in Tours when peace broke out all over the place. When she was asked to recall that moment three years later for the editors of THE AMERICAN LEGION WEEKLY – she wrote down the attached verses –