In an effort to define modernism for a broad audience, architect/designer Alexander Girard curated the Exhibition for Modern Living at the Detroit Institute of Arts during the winter of 1949. It was a ground breaking exhibit that brought modernism down from the mountain and allowed people to see that modern design was intended to make life more pleasant:
“Modern design implies shape for use, simplicity, new forms to utilize new materials, easier housekeeping, and honest expression of mass production… Up the richly carpeted ramp, viewers walk up to a dining room done by Alvar Aalto; past two studies Bruno Mathsson and Jean Risom and a bedroom and living-room representing a variety of designers; then up another level to a space furnished by Charles Eames; and finally to a small balcony overlooking George Nelson’s living area. The quiet simplicity of the rooms and the gentle tones of symphonic music have people talking in whispers. Sighed one woman: ‘I’d like to live here.'”
KEY WORDS: Exhibition for Modern Living 1949,Alexander Girard curated the Exhibition for Modern Living,Exhibition for Modern Living Detroit Institute of the Arts 1949, Exhibition for Modern Living Florence Knoll,Exhibition for Modern Living George Nelson 1949,Exhibition for Modern Living Avar Aalto 1949,Exhibition for Modern Living Bruno Mathsson 1949,Exhibition for Modern Living Jean Risom,Exhibition for Modern Living and Charles Eames 1949,Exhibition for Modern Living and Ray Eames 1949