The Hungarian Revolution of 1956 was a nationwide revolt against the government of the Hungarian People’s Republic and its Soviet-imposed policies, lasting from 23 October until 10 November 1956. Though leaderless when it first began, it was the first major threat to Soviet control since the USSR’s forces drove Nazi Germany from its territory at the end of World War II.
Washington Society, long shackled, kicked the lid off last week, swung into the most dazzling season it has had since the Depression spawned bread lines, and knocked the wealthy back on their heels.
Money is spinning again; hostesses are plotting major campaigns; diamonds and pearls are coming out for renewed display; caviar and terrapin reign supreme once more…
Click here to read about American high society during the Depression years.
When the Five O’Clock Whistle Blows in Hollywood is attached;
it appeared in VANITY FAIR eight years after Hollywood was declared the film capital of the world.
This single page cartoon was created by one of the great American caricaturists of the Twenties: Ralph Barton, and all the kingpins of the young empire are depicted (among others): Douglas Fairbanks, Marry Pickford, Buster Keaton, Harold Lloyd, Bebe Daniels, Bill Hart, Wallace Reed, Gloria Swanson, Nazimova, Charlie Chaplin, Jackie Coogan, Fatty Arbuckle and the writer Rupert Hughes.
Lording above them all, and represented simply by jodhpurs and riding boots, stands the founder of the feast – Cecil B. DeMille (and his brother).
Attached is a single page cartoon from 1916 that illustrated quite clearly that the relationship between movie fans and their film star magazines have not changed at all during the past ninety years.
A word on movie ushers and those darn flash lights…
The Conde Nast cartoonist Ann Fish wanted her swank readers to know that she was another Brit who recognized the reoccurring formula that young Hollywood relied on all too often and even though the film business was still in it’s infancy, there was such a thing as a typical American movie.
Attached is a Vanity Fair cartoon from the days of silent film illustrating how unsophisticated those movies truly were and how wildly predictable the plots and characters always seemed to be. This cartoon, along with a number similar magazine articles on this site, illustrate that such thinking was not entirely rare.
Here are seven drawings by Henry Raleigh (1880 – 1944) that depict the sorts of silent film characters that were likely to be seen in the 1920s W.W. I movies. These sketches are accompanied by a few dry remarks by the Vanity Fair editors:
No matter how much we may wish to lose sight of the war, it can’t be done. There will always be reminders of it. You suppose that, just because a little thing like peace has been declared, the playwrights, the theatrical managers, and the moving picture producers are going to let a chance like the war get by? Since we have become accustomed to German spies, Red Cross nurse heroines, and motor corps vampires, we could never go back to the prosaic mildness of innocent little country heroines, villains in fur-lined overcoats and cub reporter heroes. No actor will ever again consent to play a society role in evening clothes with flap pockets and jet buttons, when he can appear in a war play wearing an aviator’s uniform and going around in a property airplane.
This 1918 silent movie was certainly mocked for its predictability…
The children whose pictures you see on the advertising pages of national magazines often launch their careers when they are scarcely larger than their social security numbers. Blonde or brunette, freckled or glamorous, these famous boys and girls help sell you everything from automobiles to safety pins. As accustomed to to a camera as a top-flight movie star, they enjoy their work partly because it satisfies their fondness for ‘make-believe’.
Nice work if you can get it. But the maestros of the modeling agencies, John Robert Powers and Harry Conover, emphasize the fact that finding juvenile models is a difficult assignment.
For a time, Jinx Falknenburg shared the high ground as the best-paid fashion model with a lass named Anita Colby (1914 – 1992). She was restless and highly ambitious beauty who recognized that her exulted position in the fashion world was only a temporary one – and by the time that the clock ran out on her, Colby’s resume would boast of numerous high-profile positions such as publicist, syndicated columnist, movie studio executive and T.V. talk show hostess.
This article pertains to her brief stint at the Selznick Studios as some sort of perfumed Über-Stylist who lorded over all the other glam-squad proletarians on the lot.
Her book, Anita Colby’s Beauty Book
Special woolen coats and breeches and underwear, long mufflers, worsted socks and long stockings, gloves and gauntlets are other things which are being issued to the Doughboys in Russia. Alaska Yanks are said to be right at home in their new surroundings, although they complain sometimes of the heat.
An additional article is attached concerning the supply of medals that had to be shipped North; reading between the lines, you will get a sense that much gallantry was expected…
When the Doughboys complained, they complained heavily about their uniforms; read about it here.
As the rosy fingered dawn came upon America in 1913 it found Douglas Fairbanks, the man who would soon be Silent Hollywood’s fair haired boy, wowing the crowds on Broadway. The play, Hawthorne of the U.S.A., starred Fairbanks in the title roll and closed after 72 performances; he was also married to a woman who wasn’t named Pickford – but rather named Anna Beth Sully, who had sired his namesake. Life was good for the actor and he wouldn’t turn his gaze West for another two years. By contrast, his future bride, Mary Pickford (né Gladys Smith, 1892 – 1979) had been prancing before the cameras since 1909 and by the time 1913 rolled around had appeared in well-over 100 short films and earned the nickname Little Mary.
Earl Blackwell and Ted Strong
Today America has more celebrities than it can keep track of and Celebrity Services aims, simply, to keep track of them.
Celebrity Services’ office is a busy hodge-podge of files, cross-files, indices, cards folders, stuffed pigeonholes, telephones, confidential memos address books, private dossiers and fat envelopes – all pertaining to the lives of 50,000 celeb-utopians.
It was called the Universal-International School of Motion Picture Drama and it was established in 1948 (the year of it’s closing is not so easy to find). The school’s young students were all Universal contract players who had been chosen by legendary casting agent Robert Palmer; a few illustrious names from the alumni list include Rock Hudson, Tony Curtis, Shelley Winters, Jeff Chandler and Piper Laurie.
Although he is not listed as a student in that program, Clint Eastwood can clearly be seen in the center of the attached class photo.
This article from THE SMART SET was published at a time when America was marking the three-hundredth anniversary of the Puritan arrival at Cape Cod and written by H.L. Mencken with his characteristic sense of hopelessness, this small piece remarks that (up to that point in time) immigrants to America were all cut from the same Puritan cloth. The Puritan has been a reoccurring figure in America
and will not die out…until the delusion of moral perfection is lost and forgotten.
The following is a whimsical drawing which served to illustrate the reduced levels of French migration to the United States as a result of the 1914 European conflict.
Attached is a 1921 account of the anti-colonial struggles waged by the forty-eight year old Mahatma Mohandas Karamachand Gandhi (1869 – 1948). This well-illustrated article from THE INDEPENDENT touched on Gandhi’s popularity among the Indian people of all faiths, his various boycotts and acts of non-cooperation as well as comments made by his admiring British adversaries.
