A whimsical article about the topography of New York’s Greenwich Village and the migratory habits of all it’s assorted bohemians, vagrants, spinsters and vegetarians during the Prohibition era.
Click here to read some high praise for Greenwich Village from a French film star.
A dispatch from the old China watcher Lewis S. Gannett was printed in the left-leaning American magazine, THE NATION:
All China has been won to half the Nationalist program – that which is directed to the reestablishment of national independence. The fundamental conflict between ‘moderates’ and ‘extremists’ is, I think, between short-sighted men who think that the Nationalist passion can subside without causing fundamental changes in China’s social fabric, and those who recognize the inevitability of industrialization in China and are determined that their country shall not pass through all the miserable phases of capitalistic industrialism which created a disinherited proletariat in the West.
The British philosopher Bertrand Russell (1872 – 1970; Nobel Prize for Literature, 1950) used to get mighty hot under the collar when the topic of American society came up and this column is just one example. During his 1922 American speaking tour Russell rambled-on about how prone Americans were to confuse the truth with commercial messages; believing that altruism was seldom a motivating factor behind a single American undertaking. He will have none of the thinking that America’s main concern for jumping into the meat grinder of 1914-1918 was entirely inspired by wounded France and poor little Belgium but was rather an exercise in American self-interest.
Read the thoughts of one W.W. I veteran who regrets having gone to war…
The old flesh sculptor himself, Donald Loomis, late Physical Director for MGM Studios, let loose with some 1930s tips as to how he was able to make all those movie stars look so utterly fabulous – some are quite useful (some are pathetic).
Symmetry is the objective of Hollywood body sculptors. For bust-reduction, Loomis has a simple formula: Jump up and down with no support. Exercise in which the arms are forced backward and forward horizontally are used to develop the upper chest…
Click here to read an article about the demise of a popular 1940s hairstyle.
These images, as well as the headline, were from a paid avertisement for a fashionable fifth avenue shop that had originally appeared in a chic Conde Nast magazine.
An energetic and wonderful four page article which gives an account of the Jewish growth of New York. Even as early as 1921 nearly half of the Jews of North America lived there and every fourth New Yorker was a Jew.
Click here to read about the Jewish population growth in the Unites States during the 1920s.
A black and white map indicating the Atlantic ports up and down North America where the A.E.F. boarded troop ships, their trans-Atlantic routes and their French and British points of arrival. The map is also accompanied by a few facts concerning this remarkable trip across U-boat infested waters.
Click here to read an article about the sexually-transmitted diseases among the American Army of W.W. I…
When the Doughboys complained, they complained heavily about their uniforms; read about it here.
An art review concerning a 1936 Brooklyn Museum exhibit of woodcut prints by avant-garde German, Russian and French artists. The reviewer details how the medium was rediscovered.
Before Franz Marc (1880 – 1916) was killed in the war he strengthened woodcut design in his departure from pretty and representational decoration toward more rugged abstraction…Almost all of these German, Russian and Frenchmen have concentrated their attention on human life. There is no pretty landscape, no picturesque architectural rendering, no still life, no sporting print. Froma a few prints the actual human form has been abstracted. One of these by Wassily Kandinsky ‘looks like a diagram of the contents of a madman’s waste basket’. The rest of the prints are chiefly tragic, mostly pitiful, occasionally derisive comments on the failure of man as an animal.
The slobs who run this website are a slovenly lot, so don’t take our word for it – but we believe this hooded turtleneck sweater that showed up on fashion’s catwalks during the fall of 1952 to have been the proverbial bees knees!
Attached are the thoughts of German socialist Karl Liebknecht (1871 – 1919) concerning the matter as to why he believed the British working classes seemed so thoroughly unenthusiastic about launching a socialist rebellion in their country.
An interview with Stan Laurel and Oliver Hardy:
They are the comedy sensations of the season. And all because they have learned, by a lucky stroke, that the public likes to see itself caricatured on the screen; that the public can laugh at the maunderings of a fat man who shakes a warning pudgy forefinger at a sensitive simpleton who is prone to weep
By 1921 the city of Los Angeles began to seriously grow, and the expansion was not simply due to the arrival of performers and extras and all manner of craftsmen that are required to launch a film production – but the city was also bringing in the sorts necessary to support a wealthy urban environment. Every thriving city needs a support system, and Hollywood imported tailors, milliners, chefs, architects and various other tastemakers who in turn attracted realtors, contractors, merchants and restauranteurs.
For some in the U.S. Congress and for President Woodrow Wilson (1856-1924) in particular, the prohibition of alcohol in the United States (passed by Congress on November 1, 1918) was simply viewed as an appropriate war-time measure guaranteed to maintain the productivity of an efficient working class. However, with the First World War coming to a close, President Wilson saw little need in keeping the entire law as it was written, and he suggested allowing the sale and distribution of beer and wine. This article will inform you of the political will of the dry members of congress as well as the strength of the American clergy in 1919
Written under the pen name P. Brooke-Haven, this very funny essay was in fact written by Vanity Fair’s drama critic, P.G. Wodehouse, who attempted to understand the criminal nature of artists.
Many and myriad are the scholars who toil over this website daily, but not one of these over-paid and under-worked nerds were able to recall a single instance during the American Civil War in which ladies’ fashions served to benefit any of the combatants – until this article was found.
A VOGUE MAGAZINE article about Washington etiquette can be read here…
The New York café society of the Thirties was well documented by such swells as Cole Porter and Peter Arno – not so well-known, however, were the goings-on in the ladies’ bathrooms at such swank watering holes as El Morocco, Twenty-One, Kit Kat, Crystal Garden and the famed Stork Club. That is why these columns are so vital to the march of history – written by a noble scribe who braved the icy waters of Lake Taboo to report on the conversations and the general appearance of each of these dressing rooms.
The Rainbow Room, Waldorf, and Crystal Garden are modern and show a decorators hand, but the only really plush dressing room we know is at Twenty-One.
Strangely enough, it doesn’t matter whether it’s the ladies’ room of El Morocco, Roseland, or a tea room; the same things are said in all of them. First hair, then men, then clothes; those are the three favorite topics of conversation in the order of their importance.
The Franco-Russian Alliance (1892 – 1917) was a military partnership uniting the Russian empire of Alexander III Alexandrovich and the French Third Republic under President Marie François Sadi Carnot. It was a key element that contributed to the deep sense of insecurity experienced by Kaiser Wilhelm II of Germany. When one reads the attached article from 1897, with it’s strong anti-German language, you will come away wondering why the First World War didn’t begin sooner:
France may now hope to regain her lost provinces with the help of Russia. The hour of revenge has come. Alsace Lorraine will once more be French…
Irish author, critic and dramatist, St. John Greer Ervine (1883 – 1971), believed that some of the dramatic characters populating the plays of George Bernard Shaw (1856 – 1950) were reoccurring characters who could be counted upon to appear again and again. He had a fine time illustrating this point and thinks nothing of stooping to compare Shaw with Shakespeare:
Shakespeare primarily was interested in people. Mr. Shaw primarily is interested in doctrine…
Thirty-five years later St. John Ervine would be awarded the James Tait Black Memorial Prize for his biography of George Bernard Shaw.
Click here to read various witty remarks by George Bernard Shaw.
