A full page drawing of the sound stage-spangled Hollywood landscape picturing all the usual suspects – the Hollywood glory girls, studio yes-men and sub-literate European starlets -all sweltering beneath the intense heat of the occidental sun.
Click here to see cartoons about the silent movie culture.
Click here to read historic magazine articles about American animated films.
It is not surprising to think that one of the first sound movies to be made had to consist of a plot that involved a musical number, and when put to the task of writing his review of VAGABOND LOVER (1929: RKO Pictures) the well respected film critic Welford Beaton dished-out some lukewarm opinions concerning it’s star, crooner/teen-idol Rudy Vallee (1901 – 1986):
The laddie’s face is set in a sort of perpetual sorrow which, added to the fact that he seldom looks the camera in the eye, makes him seem like the wraith of some calamity walking through the scenes. Only the voice is virile…
One thing is absolutely certain- Europe is economizing. It must. Everything in the motor world points to an enormous increase in the number of 10 h.p., four cylinder cars and in the even smaller 7-8 h.p. two cylinder machines.
This article dates to a the dear, dead days when tennis balls were white and landscapers (rather than diesel machinery) were relied upon to make tennis courts; it was also a time when the abilities of a skilled tailor were required for tennis clothing. These court-side stylists would not simply monitor the drape of tennis trousers but they would anticipate the unspoken needs of their tennis dandies – and in so doing, the tennis blazer was born.
The 1920s editors of VANITY FAIR MAGAZINE would never have endorsed this ready-wear golfing jacket, nor would they have thought much of the country club that would permit such togs; but by today’s barbarian standards which decide what passes for acceptable golf apparel, we think it’s pretty nice.
Tenderly ripped from a copy of Delineator Magazine was this one page that featured nine chic illustrations of the fashionable hats for the Spring of 1925.
The small hat trimmed on top with an artichoke bow, pom-poms, gardenias, roses, water lilies, violets or quills is very popular…Hats for general wear remain head-size. The large hat is seen occasionally with afternoon gowns and will be worn with more formal Summer frocks.
Click here to see a beautifully photographed article about the fashionable hats of 1947.
A look at some of the ready-to-wear golf suits for the spring of 1922. The chic golfer of that year was seen wearing pleated knickers and a smart action-back jacket sporting cargo pockets (formerly known as billows pockets).
If you intend to tarry on the links dressed in knickers, or plus fours, you will be needing a sturdy pair of ‘Scotch wool’ stockings in which to pull the look off; and should the assembled golf ruffians jeer at you from the comfort of the nineteenth hole, you can bludgeon them with your very smart, pleated golf gloves, circa 1915.
Fashion, like all empires, has it’s slaves. The slaves are treated cruelly but, strangely, they never seem to mind; they do what ever is required of them. Many are the examples of fashion’s tyranny: in the past it has demanded that it’s slaves wear cowboy boots, although none could rope a steer, and it has demanded of it’s slaves that they wear uniforms, although none could fight. In fashion’s name the slaves have removed ribs and teeth, reduced or enlarged body parts, dyed hair cross-dressed and tattooed themselves like jail-birds. The slaves do it all and there seems to be no limit to fashion’s fickle whims that will ever make them say, no.
To illustrate this point, you can read this beautifully illustrated Vogue magazine article from 1919 in which the beast demands perfectly healthy young women to walk with canes.
This advertisement was placed in an American veteran’s magazine as an attempt to produce some profit from the vast surplus of uniform items that remained in all the combatant nations at war’s end. Puttees, unlike other uniform items, enjoyed a brief moment in fashion’s spotlight during the late teens and much the twenties as an accessory for those who enjoyed camping and hunting (or simply wished to affect the look).
Also included is a fashion photograph of puttees from a VANITY FAIR fashion editorial from 1917
