Author name: editor

France has discovered Lafayette in this age only because America never forgot him

This article reports that the Marquis de Lafayette (Marie-Joseph-Paul-Yves-Roch-Gilbert du Motier de Lafayette, 1757-1834), who seemed heaven-sent when he appeared in Philadelphia in order to aid the Americans in their revolt against the British, had been largely forgotten by the French in the Twentieth Century. Indeed, the French were baffled to hear his name invoked as often as it was during the period of America’s participation in the Great War. It was said that some disgruntled wit in the A.E.F. woke up one morning in the trenches and mumbled: Alright, we paid Lafayette back; now what other Frog son-of-a-bitch do we owe? Oddly, there is no mention made whatever of that unique trait so common to the Homo Americanus- selective memory: during the 1870 German invasion of France there seemed to have been no one who recalled Lafayette’s name at all.

The editors of Stage magazine were dumbfounded when they considered that just ten years after audiences got an earful from the first sound movies, the most consistent characteristic to have been maintained throughout that decade was the box-office dominance of American movie stars, directors and writers. After naming the most prominent of 1930s U.S. movie stars the author declares with certainty that this could not have been an accident.

And the Movies: all them stories, all them fables, all them beautiful women,all them amazing children: Shirley Temple, Mickey Rooney, Jane Withers, Jackie Searl,and the others. Even Europe in the movies is America. Even Charlie Chan is American. Even Mr. Moto is American. Even war in the movies is American, instead of neurotic. And the newsreels: the style of them,the energy and comedy of them: the imitativeness, the invention, and absurdity of them for the sake of comedy. America made these entertainers,and now, very naturally, they are making America.