1915

Articles from 1915

Tamaki Miura
(Vanity Fair, 1915)

Tamaki Miura (1884 – 1946) was a Japanese opera singer most often remembered for having performed in over 2,000 stagings of Madame Butterfly. At the time this short notice appeared she was only one year into her opera career, yet the Vanity Fair music critic recognized talent when he saw it and nominated her for the Vanity Fair Hall of Fame. It was her inclusion in that august body that serves as the the subject for this short paragraph, which is accompanied by a photograph.

Helmets Along the Western Front
(Literary Digest, 1915)

The tremendous advances in artillery that took place during the years leading up to the war helped to reintroduce an old, time-tested element to the uniforms of the 20th Century soldier: the helmet.


So numerous were head injuries from high-explosive shells during the first year of the war that it compelled the doctors on both sides to beg their respective generals to issue some measure of cranium protection in order to reduce the casualty figures. As you will read in the attached article, the French began to wear helmets in the fall of 1915; the British and Germans a year later.

Jacob Epstein: Firebrand of Art
(Vanity Fair, 1915)

Jacob Epstein was brought up in the city of New York, being one of a group of young men from the other side of the Bowery, some of whom have since become well known in the arts.

Attached is a photograph of the American expatriot sculptor Jacob Epstein and three of his pieces. This is a short notice heralding the great splash that the artist was making in the London art world of 1915. Although his work can be found in many of the world’s finest museums, Epstein is best remembered today for his creation of the monumental sculpture that marks the grave of Oscar Wilde.

W.W. I Trench Fighting
(The New Republic, 1915)

The seasoned war correspondent from THE NEW REPUBLIC filed this essay some five months into the war in order to clarify for his American readers the exact nature of trench warfare. His observations are based upon the trench fighting that he witnessed both in France and during the Russo-Japanese War, some nine years earlier:

There is an illusion that the range and effectiveness of modern arms tend to keep armies far apart. On the contrary, there is more hand-to-hand fighting today than at any time since gunpowder was invented… at this rate the French will not drive out the Germans in months, but on the other hand a frontal attack, and every attack must now be frontal, even if successful would cost several hundred thousand men.


The article was written by Gerald Morgan; by war’s end he would serve as General Pershing’s press chief (ie.censor).


Baseball as a metaphor for war…

Trench Medicine
(Harper’s Weekly, 1915)

An informative article from World War I concerning the doctors of all the combatant nations and how they dealt with the filthy conditions of stagnant warfare and all the different sorts of wounds that were created as a result of this very different war:

This is a dirty war. Gaseous, gangrene, lockjaw, blood poisoning, all dirt diseases… Colonel G.H. Makins of the Royal Army Medical Corps longs for the clean dust of the Veldt, which the British soldier cursed in the Boer War.

‘Some Italian Futurists with a Past”
(Vanity Fair, 1915)

VANITY FAIR critic James Huneker(1860 – 1921) had a few words regarding the Italian Futurist painters. Huneker stated that he had been following their progress since he first attended a 1912 Futurist exhibit, and in the subsequent years had gained a familiarity with their 1910 manifesto, which he summed up for this articleVanity Fair critic James Huneker(1860 – 1921) had a few words regarding the Italian Futurist painters. Huneker stated that he had been following their progress since he first attended a 1912 Futurist exhibit, and in the subsequent years had gained a familiarity with their 1910 manifesto, which he summed up for this article.

Henri Gaudier-Brzeska
(Literary Digest, 1915)

KEY WORDS: Vorticist Sculptor Henri Gaudier-Brzeska,avant-garde artist Henri Gaudier-Brzeska,writings of French avant-garde artist Henri Gaudier-Brzeska,Henri Gaudier-Brzeska contributor to BLAST MAGAZINE,

A Briton Writes From Ypres
(Harper’s Weekly, 1915)

In a letter to his family, a soldier from one of the Scottish territorial regiments gives an account of his experiences fighting in Belgium.

He was in the thick of the fighting that came as a result of the Kaiser’s desperate attempt to take Ypres, yet he indulges in no heroics. He writes as though reporting a cricket game or a boat race.

Scroll to Top