Articles from 1916
Written under the pen name P. Brooke-Haven, this very funny essay was in fact written by Vanity Fair’s drama critic, P.G. Wodehouse, who attempted to understand the criminal nature of artists.
By enlarge, this article is a mildly technical piece that compares the German sniper scopes used during W.W. I to those of the British; happily, the amusing part of this essay is contained in the opening paragraph in which a British Tommy returning from the front, is quoted as exclaiming:
German snipers are better shots than the English because their rifles have telescopic sights that are illuminated at night.
A brief account of the 1916 November elections in the United States and how well women candidates fared, particularly in the West where gains where strongest:
The continued election of women to minor offices may be taken as showing that suffrage has increased the number of those from whom fit choices can be made.
1924 was a very important year for American women in politics…
This article dates to a the dear, dead days when tennis balls were white and landscapers (rather than diesel machinery) were relied upon to make tennis courts; it was also a time when the abilities of a skilled tailor were required for tennis clothing. These court-side stylists would not simply monitor the drape of tennis trousers but they would anticipate the unspoken needs of their tennis dandies – and in so doing, the tennis blazer was born.
The attached is one from a series of articles that appeared in MOTION PICTURE MAGAZINE penned by a Hollywood insider during the high-fashion days of silent film. The reader will be alarmed to read that even as early as 1916, plot-stealing and other forms of Hollywood plagiarism were in full swing.
A few weeks earlier, a California Representative had introduced an anti-plagiarism bill to Congress.
Click here to read about the Hollywood plagiarism game of 1935.
A war-time interview with the Welsh painter Augustus John (1878 – 1961).
A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):
Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.
Click here to read further about the 1913 Armory show.
Ignoring the general unpleasantness taking place outside of town, the taste-makers of Paris soldiered-on as best they could, creating garments for the summer of 1916 that were both original and feminine and bore the mark of Paris’ characteristic opulence.
Click here to read about the New York fashions of 1916.
A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):
Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.
Click here to read further about the 1913 Armory show.
Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.
A one page article regarding Swiss-born painter Paul Thevenaz
Read a 1937 article about another gay artist: Paul Cadmus.
Before it was called Playbill it was called the Strauss Magazine Theatre Program and Cora Moore was their fashion critic. During the early spring of 1916 Mrs. Moore took a serious look at the fashion parade on Fifth Avenue and recognized that much of it had been seen before. She offered no thoughts as to why so much from the past was being borrowed but she liked it just fine nonetheless.
Before it was called Playbill it was called the Strauss Magazine Theatre Program and Cora Moore was their fashion critic. During the early spring of 1916 Mrs. Moore took a serious look at the fashion parade on Fifth Avenue and recognized that much of it had been seen before. She offered no thoughts as to why so much from the past was being borrowed but she liked it just fine nonetheless.
In this letter from the artist Bernard Boutet de Monvel (1884 – 1949) the fellow explains thoroughly his thoughts and adventures as a bombardier in a Vosin bi-plane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of loneliness that an aviator can experience at 2000 feet.
For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you.
Twelvemonth ago, the war had sobered ‘le monde ou l’on s’amuse’ like an icy douche. Europe rang with the clump of tramping feet. Forked lightening seemed to lurk in the sky. In club cars of limited trains and smoke rooms of trans-Atlantic liners heads were put together and the air was as tense as a fiddle string… Fashion tipsters, with long ears and short sight, said that the world would put on black, and style was knocked in the head, and look for the deluge, and so on ‘ad nauseum’.
The attached article is about Sessue Hayakawa (1889 – 1973), the first Asian actor to achieve star status in Hollywood:
No, Sessue Hayakawa, the world’s most noted Japanese photoplay actor, does not dwell in a papier-mache house amid tea-cup scenery. He is working in pictures in Los Angeles, and he lives in a ‘regular’ bungalow, furnished in mission oak, and dresses very modishly according to American standards.
Man of letters and all-around swell-guy Frank Moore Colby (1865 – 1925) had a good time reading the flowery writing of the Ballet Connoisseurs who write for the New York papers…
While so many European men were suffering on the Somme and at Verdun, some American fellows were having a swelligant time on the golf links; beautifully attired in linen golf clothes that are pictured in the accompanying attachment.
