1917 – Page 3 – Old Magazine Articles

The Sam Brown Belt and Military Fashions
(Collier’s, 1917)

Six months after the United States entered the First World War all sorts of issues had to be addressed, such as the matter of the Sam Brown belt. Since 1914 the famous sword belt had been established as an emblem of authority among all the Allied armies along the assorted fronts, but the Americans didn’t like it one bit. The level-headed editors of Collier’s Magazine published the attached editorial pointing out that such matters of military fashion simply don’t matter at a time of national emergency and to illustrate their point they quoted a portion from Under Fire by Henri Barbusse which laid plain how miserable everyone (without exception) looks in the trenches, regardless of their accessories.

Papier-Mache Used to Deceive German Snipers
(Popular Mechanics, 1917)

By the time the U.S. Army had joined the war in 1917, they were far behind in the study of camouflage, but they did their best to catch up quickly. The American generals assigned the task camouflage to the Signal Corps, which began to cruise the ranks for artists and sculptors because of their natural abilities understand paint and scale (one of the more well-known W.W. I Signal Corps camofleurs was the painter Grant Wood: click here to read about him).

The attached article displays an illustration that clearly shows that the American Army had torn a page out of that well-worn play book written by the British Camouflage School in order to deploy papier-mache dummies along the front lines. There is no evidence or written word to indicate that it was actually done.

The Fine Art of Introduction
(Vanity Fair, 1917)

Stephen Leacock (1869 – 1944) had some amusing opinions concerning social introductions according to the recognized formulas.

With the approach of the winter season, conversation as an art is again in order. It is a thing that we all need to consider. Some of us are asked out to dinner merely because we talk. Others, chiefly because we do not. It is a matter in which we can help one another. Let us discuss it…

Click here to read about feminine conversations overheard in the best New York bathrooms.

George Jean Nathan
(Vanity Fair, 1917)

A witty if dry profile of George Jean Nathan (1882 – 1958), one of the more prolific essayists and reviewers of all things dramatic and literary during the Twenties. At the time of this printing he was serving as the co-editor (along with his friend H.L. Mencken) of the American magazine The Smart Set while contributing occasional drama reviews to Vanity Fair. You’ll read a very long list of Nathan’s likes and dislikes, which, in fact, comprise 99% of the profile.

Later in life, Nathan would wed Mary Pickford – read about her here…

Theda Bara: Sex Symbol
(The Atlanta Georgian, 1917)

An enthusiastic review of the Hollywood silent film, The Tiger Woman (1917) starring the first (but not the last) female sex symbol of the silent era, Theda Bara (born Theodosia Burr Goodman; 1885-1955).

This very brief review will give you a sense of how uneasily many men must have sat in their chairs when she was pictured on screen.

She is a very tigerish ‘Tiger Woman’ in this picture. Her heart, her soul, her finger tips, her eyelashes, her rounded arms, her heaving buzzum, all vibrate to a passion for pearls.

Theda Bara retired in 1926, having worked in forty-four films.

Click here to read articles about Marilyn Monroe.

The Lynchings of 1916
(Literary Digest, 1917)

An end of the year round-up of the 1916 lynchings concentrating on the state of Georgia as the lynching champion for the second year in a row (Louisiana, Mississippi and Missouri were all tied for the 1914 title).

Husbands and Hygiene
(Atlanta Georgian, 1917)

A wife, having suffered her husband’s stench long enough, had the police drag him away to stand before the local magistrate where, she hoped, some swift, punitive measure would be delivered and placate not only herself, but the long-suffering tax-payers as well. The husband agreed to bathe.

The Steel Tree Stump, Part I
(Popular Mechanics, 1917)

The American press seemed a bit late in writing about the wartime innovations when they printed this piece:

Observation posts made of lumber and sheet metal to look like tree trunks are among the latest disguises employed on the battle front to deceive the enemy and enable watchers to occupy positions of advantage.

The steel tree-stump gag had been in effect since 1915.

An Artillery Observation Tower
(L’Illustration, 1917)

The need for elevated artillery observation platforms is as old as the science of artillery itself. As this black and white image makes clear, the ones built during the Great War had to meet different needs: in order to evade detection from the air (as well as enemy artillery spotters) the more successful ones were built among the taller trees and draped in camouflage.

This article appears on this site by way of a special agreement with L’Illustration.

U.S. Navy Fired America’s First Shot
(Literary Digest, 1917)

Printed five years apart were these two articles that we’ve attached herein collectively recalling three different events by three different services within the American military, each claiming to have fired the opening salvo that served notice to Kaiser Bill and the boys that the U.S. of A. was open for business:

•The first article recalls the U.S. Merchant Marine freighter MONGOLIA that sank a German U-Boat on April 19, 1917 while cruising off the coast of England.

•The second article chuckles at the Army for insisting that the First Division fired the premiere shot on October 23, 1917 in the Luneville sector of the French front;

•following up with the absolute earliest date of American aggression being April 6, 1917 – the same day that Congress declared war – when Marine Corporal Michael Chockie fired his 1903 Springfield across the bow of the German merchant raider S.M.S COMORAN on the island of Guam.

A Predictable Silent Movie II
(Punch Magazine, 1916)

This cartoon is yet one more piece of evidence on this site that serves to show that silent movies, although compelling and at times addictive, were still recognized by some of the brighter members of society, to be highly predictable form of entertainment.

-an additional article from the 1920s defaming silent film can be read here…

Cubism: A Degenerate Work of Art
(The Art World, 1917)

The attached art review is a classic piece of anti-modernist criticism:

The intellectual degeneracy of the modernistic movement of to-day can easily be traced back to the moral degeneracy of the Second Empire, created by the Mephistophic traitor and despot Napoleon III…

Popular from the Start
(NY Times, 1917)

This small notice is interesting for what it doesn’t say: of all the uniform foppery and up-town military accessories that were made available for American officers of World War I, there was no run on serge, whipcord or fine Melton wools; pigskin was plentiful for custom boots and no one seemed fearful that pewter flasks were scarce. What was in short supply were trench coats. The officer candidates from Plattsburg (N.Y.) were making their desires known: they did not care to risk life and limb only to wear a mackinaw. These men wanted trench coats and the New York Times found that newsworthy (It is interesting to note that the reporting journalist had never actually seen one, or else he might not have said that it extended to the ankle).

Dissent in the Pulpit
(Literary Digest, 1917)

Shortly after the U.S. Congress declared war against Germany, a New York City minister named Dr. John Haynes Holmes (1879 – 1964) took to his pulpit and made a series of sound remarks as to why the United States had no business participating in the European war:

Other clergymen may pray to God for victory for our arms — I will not. In this church, if no where else in all America, the Germans will still be included in the family of God’s children. No word of hatred will be spoken against them, no evil fate will be desired upon them. I will remember the starving millions of Belgium, Servia, Poland, and Armenia, whom my countrymen may neglect for the more important business of killing Germans…

Uniform and Equipment Cost Illustrated
(Scientific American, 1917)

A black and white magazine illustration from the cover of SCIENTIFIC AMERICAN that appeared six months after President Wilson’s declaration of war against Germany in order to let Uncle Sam’s taxpayer’s understand what it will cost them to put a million and a half men in the field.

Draft Resistance in W.W. I Quebec
(Literary Digest, 1917)

By 1917 an visible anti-conscription movement had taken root throughout much of French Canada that was encouraged by the Quebec Archdiocese.

In 1944, many French Canadians would be doing the same thing…

Foolhardiness on the Western Front
(Literary Digest, 1917)

The manner in which front-line soldiers in a war are able to stave off boredom has been the topic of many letters and memoirs throughout the centuries, and the attached article will show you how one Frenchman addressed the issue – it is a seldom seen black and white photograph depicting an acrobatic stunt being performed above the parapet and in plain view of German snipers.

Wide-Eyed and Fresh Off the Boat
(Outing Magazine, 1917)

Some observations of the earliest Doughboy experiences were recorded in a letter home by this anonymous A.E.F. lieutenant during the Summer of 1917. He was unusually interested in the French architecture and rustic culture that surrounded him but also noted the deeply depressed German P.O.W. laborers, his food and the different treatment between officers and men.