Articles from 1918
History’s ancient example of camouflage, the Trojan horse, has a modern twist in this illustrated article. The journalist reported that at some undated point earlier in the war the French had a chance to set a mock horse-carcass between the opposing trenches and use it as an observation post.
Attached is a 1918 cartoon by THE STARS & STRIPES illustrator, C. LeRoy Baldridge depicting Paris in a way that only the A.E.F. could have witnessed it.
With his characteristic wit and economy of line, the American cartoonist Gluyas Williams once again sticks it to the Kaiser!
The Greenwhich Village cartoonist Art Young and his anarchist editors at The Masses, Liberator and The New Masses recognized all too well that the average Joe did not have a dog in that fight that was raging on across the sea.
It always seems like a good time to diss a pacifist or two; and this cartoon is good for all conflicts.
A cartoonist at PUNCH MAGAZINE had a laugh at the expense of Germany and it’s humiliation during the first few days of the Armistice.
Illustrated with six photographs, this 1918 article is one of the first pieces of journalism to document the planning, construction, testing and deployment of the Railway Batteries that were manned by the U.S. Navy in W.W. I France.
They dreamed a dream wherein a squadron of colossal trains, sheltered in armor plate, cruised constantly on dry land behind the battle lines. On each train a hundred bluejackets and their officers lived, ate, slept and worked the giant guns that rested upon mechanically perfect mounts and hurled explosive shells to the limit of their extreme ranges. In short, they dreamed the United States Naval Railway Batteries just as complete to the firing lines a few months later.
When this two page profile appeared in print Pickford was world famous, married to the handsomest actor in Hollywood, adored by all – she could do no wrong. Just fourteen years later, the respected New York playwright Clara Boothe Brokaw would ridicule her in the pages of Vanity Fair (August, 1932: p. 18) as a sad symbol representing a vulgar era.
As if that wasn’t bad enough, today few people know who she was – although she does get twice as many Google searches than Lillian Gish (but whose counting).
Amazon offers a PBS salute to the actress on a DVD that is strangely titled Mary Pickford
A New York Times photograph and report on the military dirigible designed by Italian Senator Enrico Forlanini (1848 – 1930). A concise account of the differences between Forlanini’s dirigible and the German Zeppelin are listed as well as the speed, altitude and various offensive capabilities. Enrico Forlanini is is best remembered today for his ground breaking work on steam-powered helicopters, hydrofoils and various other aircrafts, such as his 1909 dirigible, Leonardo Da Vinci.
These three pages were from the last of the two wartime Christmas issues American Vogue had managed to produce prior to the Armistice. Featured are some fashionable accessory items sold on New York’s Fifth Avenue that the Vogue editors deemed suitable for industrial warfare.
Click here to read about the Sam Brown Belt.
This uncredited STARS and STRIPES article dwells on the same topic as the well-researched book by Joseph Persico, Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 (2003, Random House). For those who are curious about the violent climax of the war, this two page article will help you to understand which A.E.F. units were still attacking along what front at 10:59 a.m. on November 11, 1918.
Then a quite startling thing occurred. The skyline of the crest ahead of them grew suddenly populous with dancing soldiers… The Germans came with outstretched hands, ear-to-ear grins and souvenirs to swap for cigarettes.
From our humor department came this submission that first appeared in a British Army Trench magazine.
The trench coat, the submarine and the machine-gun were just a few of the innovations bequeathed to the modern world following the bloody brawl of 1914-1918. All three are still with us today, and one could even argue that, given the bitter peace that followed, these three were the only victors that emerged from that war. If that is the case, three cheers for Field Marshal Burberry and his legion of trench coats that have marched on every capitol city since that first autumn on the Marne!
The trench coat, the submarine and the machine-gun were just a few of the innovations bequeathed to the modern world following the bloody brawl of 1914-1918. All three are still with us today, and one could even argue that, given the bitter peace that followed, these three were the only victors that emerged from that war. If that is the case, three cheers for Field Marshal Burberry and his legion of trench coats that have marched on every capitol city since that first autumn on the Marne!
A smartly illustrated review of the the equestrian fashions for the year 1918. Various illustrated equestrian profiles are provided and brief attention is paid to the newest boots available at that time.
If you would like to read another article about men’s equestrian attire, please click here.
An interesting editorial from World War I in which the writer (possibly W.E.B. Duboise) expressed that an African-American’s sense of patriotism in that era was based on the nation’s potential to be judicious and fair.
The article is a fine example illustrating the influence that George Creel and his Committee on Public Information had strong-arming the American magazine editors during the period of World War One.
Attached is a very funny article written by the great matinee idol Douglas Fairbanks (1883 – 1939) concerning the predictability of silent films:
Whether eastern or western, the villain is never without a big black cigar. On the screen a big black cigar represents villainy; on the stage it represents General Grant.
Click here to read magazine articles about D.W. Griffith.
Yet another article from the dusty, moldy magazines of yore that illustrate how the silent film actor Douglas Fairbanks (1883 – 1939) would, time and again, bite that hand that fed him so generously: this is one more example in which Fairbanks points out the all-too predictable story lines of American silent movies.
