1919 – Page 24 – Old Magazine Articles

A Puttee Advertisement
(The American Legion Weekly, 1919)

This advertisement was placed in an American veteran’s magazine as an attempt to produce some profit from the vast surplus of uniform items that remained in all the combatant nations at war’s end. Puttees, unlike other uniform items, enjoyed a brief moment in fashion’s spotlight during the late teens and much the twenties as an accessory for those who enjoyed camping and hunting (or simply wished to affect the look).

Also included is a fashion photograph of puttees from a VANITY FAIR fashion editorial from 1917

Paris Puts a Stick in the Mode…(Vogue Magazine, 1919)

Fashion, like all empires, has it’s slaves. The slaves are treated cruelly but, strangely, they never seem to mind; they do what ever is required of them. Many are the examples of fashion’s tyranny: in the past it has demanded that it’s slaves wear cowboy boots, although none could rope a steer, and it has demanded of it’s slaves that they wear uniforms, although none could fight. In fashion’s name the slaves have removed ribs and teeth, reduced or enlarged body parts, dyed hair cross-dressed and tattooed themselves like jail-birds. The slaves do it all and there seems to be no limit to fashion’s fickle whims that will ever make them say, no.

To illustrate this point, you can read this beautifully illustrated Vogue magazine article from 1919 in which the beast demands perfectly healthy young women to walk with canes.

American Ambulance Volunteers in the Service of France
(The Stars and Stripes, 1919)

A thumbnail history of the United States Army Ambulance Service, which first arrived in June of 1917.

All through the hard French fighting of 1917 the 6,000 American ambulance drivers kept steadily at work in every sector of the French front. It was not until March, 1918, that the first sections of the service found themselves helping in battles with the fighting regiments of their own Army.

Many of the volunteers were college men, such as the poet E.E. Cummings, who wrote an interesting account of his days as an ambulance driver during the war.

Meet Ann Fish: Conde Nast Illustrator
(Vanity Fair, 1919)

Some ninety-three years ago, Fish was the name scribbled on those unique cartoon illustrations that could be found throughout VOGUE (both American and British) and VANITY FAIR. The editor of American VOGUE between the years 1914 and 1952, Edna Woolman Chase (1877 – 1957) called this English cartoonist brilliant and began running her drawings from her earliest days in that office; her full name was Ann Fish and this article will tell you all we know about her.

This most cosmopolitan of living black-and-white satirists has never stirred from England in all her days. She has never especially extended herself as a spectator of the London life which she so amusingly depicts. She has never gazed on Fifth Avenue.

Meet Ann Fish: Conde Nast Illustrator
(Vanity Fair, 1919)

Britain Buries Her Own
(Literary Digest, 1919)

Aside from scanning and posting vast numbers of historic magazine articles, the only other activity that has heightened our sense of inner tranquility has been our various walks through British and Commonwealth World War I graveyards. They are truly unique and beautiful gardens that can be appreciated on a number of different levels and it was not surprising to learn that many of the finest aesthetic minds in Britain had a hand in their creation.

This article, printed six months after the last shot was fired, is about the Imperial War Graves Commission (now called The Commonwealth War Graves Commission) and their plans as to how the dead of the British Empire were to be interred.

Click here to read about a 1920 visit the grave of poet Rupert Brooke.

Crown Prince Wilhelm Cartoon
(Life Magazine, 1919)

Attached is a caroon created in response to the memoir of Crown Prince Wilhelm (1882-1951), which came out earlier that same year (the review is posted on this site), this cartoon was drawn by Gluyas Williams (1888-1982) a cartoonist who is largely remembered by current generations for his contributions to THE NEW YORKER as well as his illustrations for a series of books by humorist Robert Benchley. In 1910, Williams served as Editor of ‘The Harvard Lampoon’ and upon graduation a year later began a brilliant freelance career as a cartoonist for ‘The Century Magazine’, ‘Collier’s’ and ‘Judge’ among others.

Click here to read about the woman who entertained the U.S. troops during the First World War.

Zeppelin Shot Down
(Literary Digest, 1919)

Pictured in the attached PDF file is a seldom-seen black and white photograph depicting the deflated remains of an unidentified W.W. I German zeppelin as it rested on the tree tops of a French forest after having been forced from the skies.

World War One American Prisoners of War
(The Stars and Stripes, 1919)

A brief notice reporting on the number of American Soldiers captured during the First World War. Also listed are the number of Americans who died in captivity as well as the number of prisoners taken categorized by branch of service. Interestingly, the notice states that 281 American Civilians were also taken prisoner.

Interestingly, the notice states that 116 American Civilians were also taken prisoner and we can assume that these Americans were with the Salvation Army, the Jewish Wellfare Board, the Knights of Columbus, etc.

Click here to learn what the Germans thought of American P.O.W.s…

Katherine Stinson Offers Her Services to the Army
(The Stars and Stripes, 1919)

Katherine Stinson wants to carry letters up to Third Army.

By the time Katherine Stinson (1891 – 1977, a.k.a. the Flying Schoolgirl) had applied for the job of carrying the mails to the occupying American forces in post-war Germany, she already had the distinction of being the fourth American woman to earn a pilot’s license and the first woman to ever deliver air-mail for the U.S. Post Office. She didn’t get the job…

Storming the Skies : The Story of Katherine & Marjorie Stinson , Pioneer Women Aviators