Articles from 1919
One of war’s many, many sad stories. This one concerned a German mother living in Coblenz during the American post-war occupation and how she came to realize that her son would not be coming home.
The Navajo code-talkers in the Second World War are well-known, but not so terribly well known were their brothers the Sioux, and the similar contributions that they had made just twenty years earlier in the Meuse-Argonne Offensive.
In the attached magazine interview, Kaiser Wilhelm’s son and fellow exile, Crown Prince Wilhelm III (1882 – 1951, a.k.a. The Butcher of Verdun), catalogs his many discomforts as a refugee in Holland. At this point in his life, the former heir apparent was dictating his memoir (click here to read the book review) and following closely the goings-on at Versailles.
Click here to read an article about the German veterans of W.W. I.
A couple of the primary field guns of the German artillery corps are clearly rendered in black and white on the attached file: the 105mm field gun and the 150mm howitzer. Also illustrated are two German trench mortars; 240mm and 305mm, respectively.
Here are seven drawings by Henry Raleigh (1880 – 1944) that depict the sorts of silent film characters that were likely to be seen in the 1920s W.W. I movies. These sketches are accompanied by a few dry remarks by the Vanity Fair editors:
No matter how much we may wish to lose sight of the war, it can’t be done. There will always be reminders of it. You suppose that, just because a little thing like peace has been declared, the playwrights, the theatrical managers, and the moving picture producers are going to let a chance like the war get by? Since we have become accustomed to German spies, Red Cross nurse heroines, and motor corps vampires, we could never go back to the prosaic mildness of innocent little country heroines, villains in fur-lined overcoats and cub reporter heroes. No actor will ever again consent to play a society role in evening clothes with flap pockets and jet buttons, when he can appear in a war play wearing an aviator’s uniform and going around in a property airplane.
This 1918 silent movie was certainly mocked for its predictability…
The following is a whimsical drawing which served to illustrate the reduced levels of French migration to the United States as a result of the 1914 European conflict.
Cigarette smoking was far more prevalent in the United States after the First World War than it was in earlier days; this is largely due to the free cigarettes that were widely distributed among the nations soldiers, sailors and Marines during that conflict – and this is the subject of the attached article. It was written by Benedict Crowell (1869 – 1952), who served as both the Assistant Secretary of War and Director of Munitions between 1918 and 1920 – and although his column informs us that numerous tobacco products were dispersed throughout the ranks on a seemingly biblical scale, he does not touch upon the tragic topic of the addictions that soon followed (contrary to popular belief, the American medical establishment had their suspicions about tobacco long before the war).
“The Stars and Stripes has grown like a mushroom. In one short, crowded year it has become one of the
It has officially been decided that the A.E.F. has grown up and must now wear pants.
A 1919 order appeared in THE STARS and STRIPES indicating that the era of army-issued olive drab knee breeches had passed and soon all American Army personnel would be issued long pants:
Experts have decided that the breeches legs shrink when wet and impede the circulation, and it is assured that the kind that he used to wear in civilian life will not cause the Doughboy cold feet…
To supply the A.E.F. until August, 2,500,000 pairs of pants have been ordered, and these, which will cost only nineteen cents a leg more than breeches did, will be of better quality than the latter.
It is little remembered in our day that the Native Americans who served in the American Expeditionary Forces along the Western Front were permitted to wear moccasins in place of the regulation Pershing boot. Ethnic pandering is not a term that should come to mind; this was a high complement paid by their commanding officers for a well-respected prowess in battle. The following is a small portion from a larger article which is posted on The Native American page of this website; the entire article can be read following the link that reads A Talent for Sniping.
A brief article published some six months after the Armistice in which the editors collected various opinion pieces from assorted German newspapers that clearly stated the deep hatred many Germans felt for their former king. Also mentioned was the possibility that the dethroned Kaiser could possibly stand trial before the court of Nations.
The rotten branch on the Hohenzollern tree must be broken off, so that the tree may once more bloom and flourish. William II is superficial, frivolous, vain, and and autocratic; a lover of pomp; proud of his money, void of seriousness; a petty worshiper of his own petty self; without one trait of greatness, a poseur, an actor, and worst of all for a ruler: a coward.
Click here to read what the Kaiser thought of Adolf Hitler.
Attached are assorted W.W. I combat images by noted German Expressionist Otto Dix (1891 – 1969). Shortly after returning from the war, Dix threw away his uniform, locked himself in his print studio and began to diligently labor over a vast number of etching plates – all baring the dreadful images of trench warfare that had been burned into his memory during the course of living his beastly, troglodyte existence in the trenches of France.
The American Army contracted two varieties of fighting knives throughout the First World War:
• the 1917 model trench knife with the nine inch triangular blade, and
• the 1918 Mark I trench knife with the 6.75 double-edged flat blade
The 1917 knife was the one that was carried during the war. The conflict had ended by the time it was decided to begin production on the second knife, which saw some use during W.W. II.
This article is illustrated with pictures of both and goes into some detail at to the manufacturers and the various matters that the Quartermaster Corps considered in weighing their decision as to what should be involved in designing such fighting knives.
The following article presented a brief account of the deeds of Major Charles W. Whittlesey of the 308th Infantry Regiment ( Seventy Seventh Division
In December of 1918, Lt. Colonel Whittelesey was highly praised in VANITY FAIR …
Prohibition has been pretty rough on everybody, but there is no class of people which it has hit so hard as the theater-goers. The Federal Amendment has completely wrecked their evenings. It isn’t so bad while the show is going on; the blow falls between the acts. In happier times the intermissions were the high spots of the evening…
With pin-point accuracy, Vanity Fair was able to identify the new minority-victim class that emerged from America’s unfortunate experiment with Prohibition: Broadway theater enthusiasts (It might be argued that the real victims were American bar tenders, many of whom high-tailed it over to Europe where they established a number of American-style bars).
The attached page from the magazine can be classified as humor and is illustrated with six great sketches by Edith Plummer.
Read other articles from 1919.
A few cartoons by the illustrator George Wright (1872 – 1951) depicting the American Third Army during it’s 1919 occupation of Germany.
A VOGUE editorial from the Fall of 1919 praising the swank of six nifty Parisienne purses -each created from different materials and each displaying the industrious fingers of skilled craftsmen.
Click here to read about happy Hollywood’s discovery of plastic surgery…
