‘Canonizing the Flapper”
(Vanity Fair, 1921)
The following is an excerpt from the review of the New York production of the 1921 play, A Bill of Divorcement by Clemence Dane (born Winifred Ashton 1888 – 1965). With much enthusiasm, the reviewer wrote:
We know of no better expression of the creed of the new generation than that which Clemence Dane has drawn up….
What followed was a very short soliloquy which beautifully summed up not only the philosophy of the modern woman, but the philosophy of much the Twentieth Century.
