1923

Articles from 1923

Praying for the Return of the Hapsburgs
(Time Magazine, 1923)

“Hungary is reported to be on the brink of revolution…[Since the war’s end] The Government has never been popular with the majority of the people; it was only accepted by them as a temporary measure, pending the advent of King Otto – the late King Charles’ young son – to the throne of Hungary.”

The Hungarians Yearned for the Hapsburgs
(Time Magazine, 1923)

“Hungary is reported to be on the brink of revolution…[Since the war’s end] The Government has never been popular with the majority of the people; it was only accepted by them as a temporary measure, pending the advent of King Otto – the late King Charles’ young son – to the throne of Hungary.”

Rupert Hughes
(Time Magazine, 1923)

Although the attached column is a book review covering the 1923 novel by Rupert Hughes (1872 – 1952), Within These Walls, we have posted it in this category due to the fact that in our age, more people see his movies than read his books. In fact, the bulk of the review refers to his Hollywood efforts (he had over 65 credits before retiring) rather than his novels (thirty titles):


“Few authors have been successful at the business of creating motion pictures…Rupert Hughes, however, has proved to be exceedingly able in the Hollywood studios. He not only writes his own scenarios, but he directs his pictures.”

The Lynching of James Scott
(Time Magazine, 1923)

The 1923 lynching of James Thomas Scott was precipitated by a case of mistaken identity. Falsely accused of rape, the World War I veteran was dragged from jail by a mob and hanged from a bridge before 1,000 onlookers. The Time journalist wrote:


“What they did, some people call murder; others, lynching.”

Debating Immigration
(Time Magazine, 1923)

An occasion was provided to debate the pros and cons of American immigration policy at the National Immigration Conference that convened in New York City during December of 1923:

“Most of the speakers advocated restriction and selection, but as to the degree and variety of each there was no consensus of opinion. Especially, there were two different methods of attacking the problem – from the industrial standpoint, and from the standpoint of the welfare of the race and of citizenship.”

1923 Germany
(Vanity Fair Magazine, 1923)

Maximilian Harden (1861 – 1927) was a major-league journalist and editor in Germany at the time of the First World War. Between 1914-18 he was all-in for a German victory. After the defeat he believed in the democracy that came with the Weimar Republic – but he hated the economic state that his country was forced to endure – and that is what he addresses in this column.


“An old married couple, or a widow, who in 1914 were assured of an untroubled existence on an income 6,000 marks a year, cannot buy with that amount today a pair of shoes, or any new sheets, and can get nine or ten pounds of butter at the most…If anyone has looked upon all this destitution, which is borne by many in silence and true dignity, if anyone has seen this decay of a whole nation, which is like the crumbling of some venerable cathedral, and if in spite of this he puts it all down as camouflage, then that person has a heart of stone in his breast.”

Expressionism as Theory
(Vanity Fair Magazine, 1923)

Ernest Boyd (1887 – 1946), all-around swell guy and significant literary figure in 1920s New York, took a hard look at German Expressionism and its wide influence on other Teutonic arts in the early Twenties. He paid particular attention to the German critic Hermann Bahr (1863 – 1934), who coined the term, Expressionism, and had much to say about the movement.

Rudyard Kipling
(Vanity Fair Magazine, 1923)

Literary critic Philip Guedallia (1889 – 1944) reluctantly concluded that the contributions of Rudyard Kipling (1865 – 1936) to the world of letters were genuine – and, no matter what you think of him, his writing will be around for a good while.


“He sharpened the English language to a knife-edge, and with it he has cut brilliant patterns on the surface of our prose literature.”

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