1939 – Page 2 – Old Magazine Articles

Jimmy Stewart as George Bailey
(Photoplay Magazine, 1939)

The appeal of James Stewart, the shy, inarticulate movie actor, is that he reminds every girl in the audience of the date before the last. He’s not a glamorized Gable, a remote Robert Taylor. He’s ‘Jim’, the lackadaisical, easy-going boy from just around the corner.

The above line was pulled from the attached article which was one of the first widely read profiles of Jimmy Stewart (James Maitland Stewart 1908 – 1997). Written four years after his arrival in the California dream factory and printed during the same year as his first encounter with the director Frank Capra in Mr. Smith Goes to Washington, this article reveals that Stewart had a small town upbringing and was essentially the same character he played in It’s A Wonderful Life.

Booth Tarkington might have created Jim Stewart. He’s ‘Little Orvie and Billie Baxter’ grown up ‘Penrod’ with a Princeton diploma.

From Amazon: It’s a Wonderful Life: Favorite Scenes from the Classic Film

Oscars for 1938
(Pathfinder Magazine, 1939)

Attached is short report listing some of the highlights of the 11th Academy Awards ceremony that was held on February 23, 1939 in downtown Los Angeles:

• Director Frank Capra received his third Best Director statue for You Can’t Take It with You
.
• Walt Disney was awarded an Oscar for the best animated short film, Ferdinand The Bull – in addition to a special award for his innovative work on
Snow White and the Seven Dwarfs.

• The Best Screenplay Oscar went to Irish playwright George Bernard Shaw for his efforts on Pygmalion.

An amusing, if blasphemous, article about the 1938 Oscars can be read here…

Adolf Hitler: Millionaire
(Ken Magazine, 1939)

Der Fuhrer boasts of his impecuniosity, but the fact is that royalties from his book, Mein Kampf and investments in German real-estate and industrial firms make him one of Germnay’s wealthiest men. This money is deposited throughout Europe in 15 bank accounts under three names…

The March of Time: Newsreel Journalism
(Film Daily, 1939)

The attached magazine article first appeared in the long-forgotten Hollywood trade rag Film Daily and concerns the 1930s newsreel production company The March of Time:

Since the beginning of the motion picture, the newsreel has been recognized as a vital medium of public information. Movie goers demand it. But, by the very nature of its technique and the swiftness with which it brings today’s events to the screen, the newsreel can give little more than headline news. And so it has created among movie-goers a desire to see more.

It was this desire ‘to see more’ that led the founders of ‘The March of Time’ to launch their new kind of pictorial journalism…The first issue appeared in some 400 theaters throughout the United States on February 1, 1935.

Sunglasses Make Their Mark in the Fashion World
(Click Magazine, 1939)

Although sunglasses had slowly inched their way forward in popularity since the late Twenties, the attached article declared that by 1939 sunglasses were officially recognized as a full-fledged fashion accessory when the Hollywood stars Joan Bennet and Hedy Lamar began to sport them around town.

Like T-shirts and khaki pants, it would be W.W. II that would provide sunglasses with a guaranteed spot on fashion stage for the next sixty-five years.

Click here to read a 1961 article about Jacqueline Kennedy’s influence on American fashion.

Japanese Spies on the West-Coast
(Ken Magazine, 1939)

A 1939 magazine article that reported on the assorted activities of Japanese spies operating around the Tijuana/San Diego region (their presence was well-documented by the Mexican military in addition to the F.B.I.).

A year and a half before the Pearl Harbor attack, Naval Intelligence sold a Japanese agent some bogus plans of the naval installation – more about this can be read here.

The Great Depression and American Communists
(Click Magazine, 1939)

This photo-essay tells the story of the radical elements within the United States during the later period of the Great Depression – all of them were directed and financed by Georgi Dimitrov (1882 – 1949) in far-off Moscow. The leaders of the American Communist Party USA (CPUSA) were William Z. Foster, Earl Browder, and Ella Reeve Bloor.

In 1944, the city of Seattle, Washington elected a communist to the U.S. House of Representatives, click here to read about him…

Click here to learn how thoroughly the FBI had infiltrated the CPUSA.

Click here to read about an American woman who grew heartily sick of the socialists who pontificated on every street corner during the Great Depression…

Click here to read about the tactics that American Communists used in Hollywood during the Great Depression…

From Amazon: Demagogues in the Depression: American Radicals and the Union Party, 1932-1936,

MoMA Purchased Paintings from the Degenerate Art Exhibit(Art Digest, 1939)

The art that Hitler has exiled as ‘degenerate’ is finding ready homes in other lands that have not yet been culturally crushed beneath the heel of Europe’s twin tyrannies: Fascism and Communism. Because Hitler has embraced the calendar decoration as the supreme art form, the Museum of Modern Art in New York has been able to acquire five works that formerly were housed in prominent museums.

The article lists the purchased works.

Click here to read about the Nazi Art Battalions…

A Profile of Cary Grant
(Stage Magazine, 1939)

A fabulous three page article from STAGE MAGAZINE on the early career of Cary Grant:

Cary Grant appeared in six Broadway productions and twenty-seven Hollywood pictures before anybody took notice. Then he played a dead man.

The Birth of the M-1 Garand Rifle
(American Legion Magazine, 1939)

This article was written by the war correspondent Fairfax Downey (1894 – 1990) for a magazine that catered to American veterans of W.W. I, and it seemed that he simply could not contain his enthusiasm for the U.S. infantry’s newest rifle: the M-1 Garand:

What a gun it is! Its nine pound weight swings easily through the manual of arms. The eight-round clip (three more shots than the we used to have with the ’03 Springfield) slips in easily and the breech clicks closed. The old range scale slide has vanished; range and windage adjustments are made simply by turning two knobs… The new semi-automatic means, among other things, that the fire power of troops armed with it has increased at least two and a half times over the old Springfield.

For further magazine reading about John Garand and his rifle, click here.

The Klan in Miami
(Pathfinder Magazine, 1939)

The night before [the Miami] citizens went to the polls to decide among 15 candidates for three commissionerships, the old specter of the Ku Klux Klan was raised to scare away the colored votes.

The scheme didn’t work.

Adolf Hitler and Women
(Click Magazine, 1939)

This article about Adolf Hitler and women appeared on the newsstands two months prior the start of the Second World War, when the world learned how evil a man the lunatic truly was. The journalist wanted to confirm that there was no truth to the 1939 rumor that Hitler was dead and quickly began musing about other rumors:

More feasible is the theory that the sexless madman of Naziland is still alive and has merely discovered that he gets a vicarious thrill out of having women around him and likes to watch acrobatic dance routines.

Photographed in this article is Frau Scholtz-Klink, who had been dubbed the perfect Nazi woman by the Reichfuehrer, in addition to three curvy American burlesque dancers who performed before Hitler.

Click here to read about the dating history of Adolf Hitler.

Nazi Indoctrination: the Eighth Grade
(Ken Magazine, 1939)

Five months before the Second World War began an American journalist paid a visit to a German middle school and watched an eighth grade German history pageant; these are his observations:

Sitting in Germany’s schoolrooms are 20 million boys and girls. It is the custom, in democratic countries, to think that Hitler is engaged in pulling wool, or at least some cheap non-import substitute for it, over their eyes every school day.
For two years , for instance, all German boys and girls have been exposed to the following clear-cut lesson:

‘Where e’er I gaze, as German,
My soul with pain o’erflows,
I see the German nation
Girt round and round with foes.’

Click here to read about the Allied effort to re-educate the German boy soldiers of W.W. II.

The Adolf Hitler Schools
(Current History Magazine, 1939)

This is a 1939 article about the Adolph Hitler Schools; a (thankfully) short-lived institution that was created to ill-educate the chosen of Hitler’s Germany in order to create a ruling elite.

Their education, in the proper sense of the word, lays emphasis above all on biology, and naturally, on the racial question – on the philosophy of the National Socialist State, on the Common Law, and on the history of Germany and of the Nazi Movement. Foreign languages, literature, and philosophy finds no place.

Vivien Leigh to Play Scarlet
(Photoplay Magazine, 1939)

A short notice from a Hollywood fan magazine announcing that Vivien Leigh (born Vivian Mary Hartley: 1913 – 1967), an actress largely unknown to U.S. audiences, had been cast to play the roll of ‘Scarlet’. Accompanied by two breathtakingly beautiful color images of the actress, this short announcement outlines her genetic makeup, her previous marriage to Leigh Holman, and her thoughts concerning the upcoming roll.

Click here to read magazine articles about D.W. Griffith.

Gone with Wind Begins Shooting
(Photoplay Magazine, 1939)

Jack Wade, one of the many Hollywood reporters for Photoplay, must have let loose a big girlish squeal when he got word from the Selznick-International man that he would not get bounced off the set of Gone with the Wind
if he were to swing by to take a look.

First of all, a report on Vivien Leigh…Hollywood already agreed that she’s the happiest choice any one could have made. Even swamp angels from deepest Dixie put their okay on her accent…Clark Gable looks like the real Big-Man-From-the-South. In a black frock coat, starched bosom and ruffles, he makes a menacing, impressive Rhett, and he’s a little pleased about it, too.

The Visual Accuracy of the ‘Gone with the Wind’
(Click Magazine, 1939)

This page from Click Magazine contrasts three Civil War photographs by Matthew Brady (1822 – 1896) with three production stills snapped on the sets of Gone with the Wind. The editors refused to weigh-in on the slowly building case regarding Hollywood’s questionable abilities to portray historic events with any degree of accuracy, preferring instead to praise the filmmakers as to how carefully they checked details.

The Matthew Brady images provided on the attached page only serves to condemn the otherwise flawless work of Gone with the Wind costume designer Walter Plunkett (1902 – 1982) who historians and reënactors have slandered through the years for failing to fully grasp the look of the era.

The Producer: David O. Selznick
(Film Daily, 1939)

Observers of the career of David O. Selznick see his enterprises this year the culmination of a dream….The most lavish motion picture project ever conceived, Gone With the Wind, is already acknowledged as Selznick’s chef d’oeuvre and the picture destined to mark the peak of cinema progress during the past 50 years. Executives of Metro-Goldwyn-Mayer, which company released the picture, as well as those of Selznick International who have seen it, are unanimous in declaring it the greatest picture ever made, and the most frequent comment heard today from those who have observed it in production is ‘No one could have made it but Selznick.’

Selznick produced blockbuster after blockbuster. He was awarded two Academy Awards during his Hollywood reign for ‘Outstanding Production’: one for Gone With the Wind in 1939 and another one year later for Rebecca.