1939 – Page 9 – Old Magazine Articles

Warner Brothers Opens Fire on Nazi Germany
(Stage Magazine, 1939)

STAGE MAGAZINE correspondent Katherine Best was not shy about giving credit where credit was due, as you will read in this article that stands as one big pat on the back for the producers at Warner Brother’s for possessing the testicular fortitude needed to launch the first anti-Nazi movie in Hollywood: Confessions of a Nazi Spy (1939).

In October of 1940, Charlie Chaplin released his anti-fascist masterpiece: The Great Dictator. Click here to read about that.

Horst Wessel: Nazi Martyr
(Ken Magazine, 1939)

This 1939 article from Ken Magazine lays out the real story of the life and death of Nazi storm trooper Horst Wessel (1907 – 1930) – not the one believed by the fascists he left behind:

In Germany, 1930, a pimp killed another pimp for cutting in on his girl’s territory. The slain pimp was a Nazi named Horst Wessel. Then Hitler came into power, and propagandist Goebbels, in need of a ‘Hell-rouser’, dreamed up the Wessel legend, made him an official Nazi martyr-saint.’

Bauhaus Exhibit Smeared by Critics
(Art Digest, 1939)

With all the best wishes in the world, it is impossible to suppress the feeling that there is something essentially heavy, forced and repellent in most of the Bauhaus work. They are under suspicion of being modern for the sake of being modern and not because of any necessities of their system of living.

-so wrote the well-respected art critic Henry McBride (1867 – 1962) in response to the groundbreaking 1938 exhibit at the Museum of Modern Art, Bauhaus 1919 – 1928. McBride did not mince words in expressing his belief that the Bauhaus was not a genuine art school and that the MoMA showed poor judgment by lamenting it’s passing. McBride is remembered as having been a longtime advocate of modernism, a champion of the 1913 Armory Show, and supporter of the new and untried, but for him, the Bauhaus represented the art of the poseur.

Bauhaus Exhibit Smeared by Critics
(Art Digest, 1939)

Donald Budge: 1940s Tennis Champ
(Stage Magazine, 1939)

An article about Donald Budge (1915 – 2000), an American tennis champ active in the late 1930s who was ranked the World’s Number 1 player for five years, first as an amateur player and then as a pro. This article appeared in print in 1939, when the player’s best days were behind him.

Nazis Against the Christian Churches
(Ken Magazine, 1939)

As pastor of the little Austrian church, the good father was happy until Nazis swallowed the country, mistreated his Jewish converts and threw many of his colleagues into the dreaded concentration camp of Dachau. Shocked, he attempted to preserve a fragmentary picture of events for posterity – and found himself in Dachau. Similar episodes, which are today common throughout Nazidom, only succeed in stiffening the Catholic fight against Nazism.

Paul Terry: The Other Animator
(Film Daily, 1939)

A short profile on Paul Terry, torn from the pages of a prominent Hollywood trade rag:

During Paul Terry’s notable career in the film industry, he has produced more than 1,000 pictures. In October of the current year he celebrates 25 years of continuous work in the cartoon field, which he helped to pioneer.

Today, the fountain of Terry-Toons is a thoroughly modern studio in New Rochelle, employing some 130 hands, all skilled in the imparting of life, voice and voice expression to the characters created on the drawing boards.

Richard Julius Hermann Krebs Under the Nazi Boot
(Ken Magazine, 1939)

A first-hand account as to the daily goings-on at Hitler’s Plotzensee Prison.
Written by Jan Valtin (alias of Richard Julius Hermann Krebs: 1905 – 1951), one of the few inmates to make his way out of that highly inclusive address and tell the tale. Krebs was a communist in the German resistance movement who later escaped to New York and wrote a book (Out of the Night
) about his experiences in Nazi Germany.

The prisoner who has served his sentence is usually not released; he is surrendered to the Gestapo for an indefinite term in one of the concentration camps, preferably Sachsenhausen or Buchenwald. Incurable hard cases are sent to Dachau…

Growth and Expansion at the Walt Disney Company
(Film Daily, 1939)

Herein is a 1939 article from a defunct Hollywood trade magazine marking the construction of a 20 acre facility for the Disney studio in Burbank, California:

By 1930, the Walt Disney studio had grown in fantastic fashion. Instead of the 25 employees of 1929, there were now 40 people…By the end of the year there were 66 employees…In 1931 the total number of personnel had jumped to 106…When ‘The Three Little Pigs’ came along in 1933, the studio had grown 1,600 square feet of floor space in 1929, to 20,000 square feet. A hundred and fifty people were now turning out the Disney productions… In 1937, all the employees were still jostling each other… From around 600 employees in the summer of 1937, the organization had grown to almost 900 by the winter of 1938.

Jimmy Stewart: Four Years in Hollywood
(Photoplay Magazine, 1939)

Hollywood scribe Wilbur Morse, Jr. wrote this 1939 magazine profile of Jimmy Stewart (1908 – 1997). At the time of this printing, Stewart had dozens of stage credits and had been working in films for only four years; one year later he would be awarded an Oscar for his performance in PHILADELPHIA STORY:

Booth Tarkington might have created Jim Stewart. He’s ‘Little Orvie and Billie Baxter’ grown up ‘Penrod’ with a Princeton diploma.

The appeal of James Stewart, the shy, inarticulate movie actor, is that he reminds every girl in the audience of the date before the last. He’s not a glamorized Gable, a remote Robert Taylor. He’s ‘Jim’, the lackadaisical, easy-going boy from just around the corner.