1955

Articles from 1955

Modigliani in Paris
(Gentry Magazine, 1955)

Modigliani came to Paris from Italy in the propitious year of 1906, start of a decade of art in which every contemporary movement germinated…When he became acquainted with Romanian sculptor Brancusi in 1909, the impact of the meeting gave his work a new direction…

The Post-War Miracle that was Volkswagen
(Pic Magazine, 1955)

Out of the smoldering ruins of Japan came the Honda factories; while Germany amazed their old enemies by rapidly beating their crematoriums into Volkswagens. Confidently managed by a fellow who only a short while before was serving as a lowly private in Hitler’s retreating army, Volkswagen quickly retooled, making the vital improvements that were necessary to compete in the global markets.


Ludwig Erhard (1897 – 1977), West Germany’s Minister of Economics between the years 1949 and 1963, once remarked that Germany was able to launch its Wirtschaftswunder (economic miracle) by implementing the principles of a market economy and laissez-fair capitalism within the framework of a semi-socialist state.

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The Witnesses
(People Today Magazine, 1955)

This is a report on the UFO and extraterrestrial experiences recalled by numerous men and women who attended the Second Annual Spacecraft Convention at the Giant Rock Airport near Palm Springs, California in 1955.

Saul Steinberg
(Gentry Magazine, 1955)

The art of living in the wrong century – this is Saul Steinberg’s (1914 – 1999) own designation for the predicament he has been illustrating for over a decade. In his latest collection, The Passportstyle=border:none (the title is a deceptively mild clue to the whole works; it sneaks up on you), he has again and more inexorably than ever demonstrated his infinite capacity for taking pains in his graphic pursuit of melange, drafting, with a vilifying grasp of the murderously essential, our contemporary quest for style – in architecture, in furniture, clothing and machines – which we can also own.

Saul Steinberg
(Gentry Magazine, 1955)

The art of living in the wrong century – this is Saul Steinberg’s (1914 – 1999) own designation for the predicament he has been illustrating for over a decade. In his latest collection, The Passportstyle=border:none (the title is a deceptively mild clue to the whole works; it sneaks up on you), he has again and more inexorably than ever demonstrated his infinite capacity for taking pains in his graphic pursuit of melange, drafting, with a vilifying grasp of the murderously essential, our contemporary quest for style – in architecture, in furniture, clothing and machines – which we can also own.

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