Rob Wagner’s Script Magazine

Articles from Rob Wagner’s Script Magazine

The Personal Ads
(Rob Wagner’s Script, 1935)

Before there was social media, there were the personal ads.

And what, as a general rule, is the personal column used for? To communicate, to sell, to plot, to advertise, to complain, to hope, to invite, to reject, to pray, to love, to hate, to express appreciation – in fact, anything.

Rob Wagner’s Script
(Rob Wagner’s Script, 1946)

Written by one of the underpaid ink-slingers who toiled silently on the corner of Dayton and Rodeo Drive, is the skinny on that unique magazine published in Beverly Hills, California between the years 1929 through 1949, Rob Wagner’s Scriptstyle=border:none. It was an exceptional magazine that took courageous stands on a number of moral issues, such as the wartime incarceration of Japanese-Americans. As a product of Los Angeles it not only addressed a good many issues involving Hollywood but also published the writings of Walt Disney, Dalton Trumbo, Ray Bradbury and Charlie Chaplin. From a graphic stand-point it was, perhaps, a bit envious of the New Yorker, but Script also laid claim to a number of fine cartoonists; Leo Politi (1908 – 1996) worked for a time as the magazine’s Art Director. In the late Forties Salvador Dali contributed cover illustrations. We recommend that you read the attached article and suggest that you surf over to Wikipedia for additional history concerning this magazine.

Immigration Hollywood-Style
(Rob Wagner’s Script, 1935)

Apparently during the pit of the Great Depression there were complaints coming from a few frustrated corners about the number of foreign talents that were being hired to entertain us in the movie business. An old Hollywood salt answered this complaint head-on:

The average world-fan cares nothing that Chaplin is an Englishman, Garbo a Swede, Novarro a Mexican, Bergner a German or Boyer a Frenchman.

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To Live in Occupied Tokyo
(Rob Wagner’s Script Magazine, 1947)

A breezy account of American occupied Tokyo as reported by a literary magazine:

Regardless of the festivities, the War Crimes Trials proceed as usual and the accused sit with earphones listening intently as the defense presents the China Phase.
Japan seems to be striving toward Democracy, their interest in government affairs has broadened, and the voting in the national elections showed their arousal.

Should you like to read how the city of Kyoto fared during the Second World War, click here.

A Saboteur in the Royal Flying Corps
(Rob Wagner’s Script, 1938)

The American writer Willis Gordon Brown recalled his days as a fighter pilot with the R.F.C. and the curious series of crashes that lead to the discovery of a German saboteur within their midst.

To the Germans this man was a highly respected hero giving his life for the fatherland; to us he became a rat of the lowest order.

A Review of Memorial by Christopher Isherwood
(Rob Wagner’s Script, 1947)

A review of Christopher Isherwood’s (1906 – 1986) semi-autobiographical novel, Memorial, which was placed in post-World War I Britain:

The plot of Memorialstyle=border:none can be discussed very briefly: it doesn’t have one. It doesn’t need one. It is entirely fascinating, not a dramatic sequence of events, but an increasingly intimate understanding of a state of affairs…The book proceeds, not forward in time, but inward by layers. Isherwood has a wonderful gift of getting inside people.

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A 1947 Review of THE BUTTERFLY by James M. Cain
(Rob Wagner’s Script, 1947)

Appearing in the Beverly Hills literary rag, Rob Wagner’s Script was the 1947 review of The Butterfly by James M. Cain (1892 – 1977):

I have not read Cain’s older books to confirm this impression, but offhand I would say that ‘The Butterfly’ is second to ‘The Postman Always Rings Twice’, among his longer things, as an exhibition of his peculiar talents…This work concerns itself with incest. Technically, no incest is committed, but a marriage is made and consummated between two people, one of whom supposes that she is the other’s daughter…


From Amazon: The Butterflystyle=border:none

COMMAND DECISION Book Review
(Rob Wagner’s Script, 1947)

Command Decision, the World War II novel by William Wister Haines (1908 – 1989), was written from the point of view of a general officer and the Allied effort to destroy the Nazi jet fighters before the Luftwaffe could muster the initiative and get the upper hand; the novel was based upon the author’s own wartime experiences serving with the American 8th Air Force in Europe during the Second World War. Haines enjoyed much critical and popular success when the book was released; a 1947 Broadway production ran for 409 performances and a film adaptation premiered in 1948 starring Clark Gable (who also served in the 8th Air Force).


Click here to read the 1947 book review of a William Saroyan war novel.

Rita Hayworth
(Rob Wagner’s Script, 1946, American Magazine, 1942)

A 1946 article from Script, a semi-chic Beverly Hills magazine (it went belly-up in 1949), explaining just how it came to pass that a sweet, little Brooklyn girl named Margarita Carmen Cansino became Rita Hayworth (1918 – 1987):

Then came reincarnation. Rita discarded her Spanish name, gave away her dancing costumes, did something to her hairline, stuck a y into her mother’s family name (Joseph Haworth, same family, toured with Edwin Booth) and so on to the big time and ‘Cover Girl’ and ‘Tonight and Every Night’.

So the girl with a Spanish father and an Anglo-Saxon mother becomes the typical American girl to thousands of American soldiers abroad, and that, too, is as it should be.


Click here to read articles about Marilyn Monroe.

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Los Angeles Nisei at Santa Anita Racetrack
(Rob Wagner’s Script, 1942)

Attached is a eye-witness account of the Los Angeles Issie and Nisei populations after having been removed from their homes and detained at Santa Anita racetrack prior to their transfer and subsequent incarceration at Manzanar, California.

There are more than 6,000 Japanese housed in the stables which once accommodated 2,000 horses…Each stall has had a room built on in front with doors and windows and the floors have been covered with a layer of asphaltum which seems to have killed the odors.

This article, laced throughout with subtle undertones of condemnation, was written by a Hollywood screenwriter named Alfred Cohn (1880 – 1951) who is largely remembered today for having written the adaptation for the Al Jolson movie The Jazz Singer (1929).

Ode to the Hollywood Agent
(Rob Wagner’s Script Magazine, 1942)

The literati have all agreed: there is no doubt that if Shakespeare were alive today he would live in Beverly Hills, California. He would dwell in a 1930s split-level Persion-conversion, probably on Palm or Roxbury. As a well-compensated screenwriter he would churn-out the standard plots that were expected of him: fish-out-of-water dramadies, romcoms, and (under assorted pen names) a few reality shows; and like the poet whose work is attached, he would write about matters unique to Southern California -valet parking, Cobb Salads -and in this case the Hollywood agent.

This poem was written by Sydney King Russell (1898 – 1976), who, like Shakespeare, knew that if you’re going to write a poem about Hollywood agents, you’ll need to crack open the ol’ rhyming dictionary to see what rhymes with ten percent.

Angela Lansbury Arrives in Hollywood
(Rob Wagner’s Script, 1945)

Those sly dogs at SCRIPT MAGAZINE! They printed the smiling mug of the twenty-five year-old Angela Lansbury (b. 1925) on the cover of their rag, briefly praising her for being the youngest performer to have ever been nominated for an Academy Award (she soon won the 1944 Best Supporting Actress statue for Gaslight), and ran a profile of the lass on a page eight article that was misleadingly titled Our Cover Girl, only to devote 85% of the columns to an illustrious forebear.

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Leon Trotsky Speaks About FDR and the Great Depression
(Rob Wagner’s Script Magazine, 1938)

Two and a half years were left on the clock for the exiled Leon Trotsky (né Lev Davidovich Bronstein: 1879 – 1940) until he would have to keep his rendezvous with an icepick in Mexico – and while living it up on this borrowed time he granted an interview to this one correspondent from a Beverly Hills literary magazine in which he ranted on in that highly-dated and terribly awkward Bolsheviki language about President Franklin Delano Roosevelt and his social programs.


Click here to read an article about the NKVD agent who murdered Trotsky.

Henri Landru, Monsieur Verdux and Charlie Chaplin
(Rob Wagner’s Script, 1947)

Attached is an article about the Charlie Chaplin film, Monsieur Verdux (1947) and the monstrous beast Henri Landru -the French murderer on whom the story is loosely based. This article was written by Gordon Kahn, remembered chiefly in our own time as one of the blacklisted Hollywood screenwriters of the post-World War II period. Not too long after this article was written he went into self-exile in Mexico.

Charlie Chaplin W.W. II Radio Address
(Rob Wagner’s Script Magazine, 1942)

Within the toasty-warm confines of the attached PDF lie the text of a speech that Chaplin delivered over the war-torn airwaves in 1942. Wishing only to encourage the citizenry of London and Washington, D.C. to be of stout heart in their battle against the Fascist powers, Chaplin’s address was titled, Give Us More Bombs Over Berlin.

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Third Symphony’ by Aaron Copland
(Rob Wagner’s Script, 1948)

A review of Aaron Copland’s Third Symphony written in 1948 by the respected Los Angeles music critic and historian Lawrence Morton (1908 – 1987):

…there can be no mistake about the Third. It is a solid structure, exceedingly rich and varied in expressiveness, large in concept, masterful in execution, completely unabashed and outspoken.

No wonder that Sergi Koussevitsky called it ‘the greatest American symphony.’

A Profile of George Lansbury
(Rob Wagner’s Script Magazine, 1945)

The attached article is disguised as a Hollywood fluff piece about actress Angela Lansbury (b. 1925), who at that time was about to earn her first and only Academy Award, but journalist Peter Churchill devoted the majority of column space to the life and career of her socialist grandfather George Lansbury (1859 – 1940), one time Member of Parliament and star of the British Labor Party:

Old George was born, bred, lived and died among the poor of London, and never had any money, and yes, that goes for the time he was a member of His Britanic Majesty’s Cabinet, too. But the folks down at the less desirable parts (we don’t talk of slums) of the Bow and Bromley district of London where he lived could tell you what a difference it made to have a Cabinet Minister for a neighbor.


Click here to read George Lansbury’s account of time he met Lenin…


You Might Also Want to Read an Article About Lady Nancy Astor, M.P.


Click here to read about an American woman who grew heartily sick of the socialists who loitered on every street corner during the Great Depression…

A Profile of George Lansbury
(Rob Wagner’s Script Magazine, 1945)

The attached article is disguised as a Hollywood fluff piece about actress Angela Lansbury (b. 1925), who at that time was about to earn her first and only Academy Award, but journalist Peter Churchill devoted the majority of column space to the life and career of her socialist grandfather George Lansbury (1859 – 1940), one time Member of Parliament and star of the British Labor Party:

Old George was born, bred, lived and died among the poor of London, and never had any money, and yes, that goes for the time he was a member of His Britanic Majesty’s Cabinet, too. But the folks down at the less desirable parts (we don’t talk of slums) of the Bow and Bromley district of London where he lived could tell you what a difference it made to have a Cabinet Minister for a neighbor.


Click here to read George Lansbury’s account of time he met Lenin…


You Might Also Want to Read an Article About Lady Nancy Astor, M.P.


Click here to read about an American woman who grew heartily sick of the socialists who loitered on every street corner during the Great Depression…

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