Articles from Rob Wagner’s Script Magazine
When architects and builders howled in protest when the firm of Wallace Harrison (1895 – 1981)was commissioned in 1947 to design the United Nations Center in New York City, the editors of SCRIPT MAGAZINE dashed off asking Frank Lloyd Wright to pick up his quill and ink-up his arguments against the project – and here it is.
This is the story of Harry Crocker, a full-blooded Iroquois who lived in a house that was reserved for white people…
A bitter article written by a Hollywood veteran concerning what was at the time recognized as a growing cottage industry: recreational law suits that lay claim to falsified violations of movie plagiarism.
Robert Lord (b. 1902, Best Original Screenplay Oscar in 1932) penned this two page article and outlined it all quite clearly as to how the plagiarism game was played in 1930s Hollywood.
This magazine interview with Leon Trotsky (né Lev Davidovich Bronstein: 1879 – 1940) was conducted by Gladys Lloyd Robinson: Beverly Hills doyenne, matron of the arts and wife of actor Edgar G. Robinson – in the parlance of the dearly departed Soviet Union, she was what would have been labeled a useful idiot. Easily impressed by the goings-on at the worker’s paradise, she avoided such uncomfortable topics as the Soviet famine, the class privileges extended to Party Members or his own war on private property, but regardless of that, and much to her credit, she was able to get the most famous of Soviet refugees to speak about the 1938 world stage while conducting this interview.
Click here to read an article about the NKVD agent who murdered Trotsky.
Read an article explaining how the Soviets used early radio…
The U.S. had only been actively engaged in World War II for five months when the American artist Rockwell Kent (1882 – 1971) felt the impulse to write about the unique roll an artist must play when a democracy goes to war:
The art of a democracy must be, like democracy itself, of and by and for the people. It must and will reflect the public mood and public interest…Awareness of America, of its infinitely varied beauties and of its sometimes sordid ugliness; awareness of the life of America, of its fulfillments and its failures; awareness, if you like, of God, the landscape architect supreme – and political failure: of the promise of America and of its problems, art has been, or has aimed to be, a revelation. It is for the right to solve these problems our way that we are now at war.
Attached is a decidedly pro Lilian Gish (1893 – 1993) article concerning the silent film actresses‘ meteoric rise under the direction of D.W. Griffith, her mediocrity when paired with other directors and her much appreciated march on Broadway.
Lilian Gish is the damozel of Arthurian legend, tendered in terms of the Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered half-lights, linger in attitudes of romantical despair. They forever drift farther from reality than the dream, and no matter how humble their actual origins, the actress invariably weaves them of the dusk-blues, the dawn-golds of medieval tapestries.
Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.
Click here to read articles about Marilyn Monroe.
Attached is a decidedly pro Lilian Gish (1893 – 1993) article concerning the silent film actresses‘ meteoric rise under the direction of D.W. Griffith, her mediocrity when paired with other directors and her much appreciated march on Broadway.
Lilian Gish is the damozel of Arthurian legend, tendered in terms of the Pre-Raphaelite Brotherhood. Her heroines perpetually hover in filtered half-lights, linger in attitudes of romantical despair. They forever drift farther from reality than the dream, and no matter how humble their actual origins, the actress invariably weaves them of the dusk-blues, the dawn-golds of medieval tapestries.
Click here if you would like to read an article in which Lillian Gish recalls her part in Birth of a Nation.
Click here to read articles about Marilyn Monroe.
After six years of war British actor David Niven (1910 – 1983) came back to resume his rightful place among the anointed swells of Hollywood. This single page article is interesting and not only touches upon his war years but also his earliest days in North America toiling-away on a series of menial jobs.
He isn’t talkative about what happened to him during that dark period [during the war]. He says his outlook has changed some. Even the gayest and most lighthearted can’t participate in a ghastly war without some mark being left. The fight with the Nazis made David Niven conscious of other things than the drama pages.
Niven’s first post-war film roll was in the Hal Wallis production of THE PERFECT MARRIAGE, co-starring Loretta Young.
