Vanity Fair Magazine – Page 13 – Old Magazine Articles

Elihu Root Profiled
(Vanity Fair, 1915)

A photograph of Elihu Root (1845 – 1937) accompanies these two short paragraphs from the 1915 VANITY FAIR Hall of Fame, in which Root was praised as the ablest lawyer and diplomatic expert in the nation at that time. He is remembered today as the one U.S. Secretary of War (1899 to 1904) who was most instrumental in modernizing the American military in such ways that allowed it to meet the demands that would be meted out during the course of the bloody Twentieth Century.

This small notice is interesting primarily because it lets it be known that the United States was jockying for a spot in the European peace negotiations two years prior to even having troops in the field.Business ethics articles
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Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine
Business ethics articles
Film Production
Magazines for kids
Singles
Single
W Magazine

The Elsie Janis Cocktail
(Vanity Fair, 1917)

Anticipating the onslaught of prohibition, the actress Elsie Janis (1889 – 1956; also known as, The Sweetheart of the A.E.F) understood that, even with the absence of alcohol in the United States, boys and girls, men and women would continue their pursuit of love, marriage and divorce.

Understanding Erik Satie
(Vanity Fair, 1918)

…But Satie’s music is not difficult to play. Almost all the notes in many of his compositions are all the same or a related value. Appogiatura, syncopation, bravura, he is not friendly with. The pieces are written in facile keys for pianists…

The Case for Leonard Wood
(Vanity Fair, 1918)

Major General Leonard Wood (1860 – 1927) served as the U.S. Army Chief of Staff between the years 1910 through 1914 and was relieved of that office by President Wilson, who was unnerved by his wariness concerning America’s inability to wage a modern war. Having alienated the president and other prominent generals in Washington, he continued on this path by launching the Preparedness Movement a year later in which he established four volunteer army training camps across the country.
Wood’s admirer’s were legion, and this article opines that his finely tuned military mind was not being put to proper use:

General Wood has committed the sin of having been right from the very start. He has always been right. He has been right when Washington has been wrong. It is upon the heads of the entire pacifist crew who sold their shriveled souls and their country’s safety to the devil of German propaganda, that is falling the blame for the blood of those who are dying on the hills of Picardy and the plains of Flanders.

Shopping for the Well-Dressed Golfer
(Vanity Fair Magazine, 1916)

While so many European men were suffering on the Somme and at Verdun, some American fellows were having a swelligant time on the golf links; beautifully attired in linen golf clothes that are pictured in the accompanying attachment.

Photographs of the Kaiser’s Children
(Vanity Fair, 1914)

Photographic portraits of the six sons and one daughter of the German Kaiser. The sons pose polished, varnished and bemedaled as the military fops they were trained to be: Born in a palace; in a barracks bred. The journalist points out that even Wilhelm’s one daughter served as a Colonel in an elite cavalry regiment.

Click here to read about the royal princess colonels of of the pre-war period.

~Click Here to Read About Women in World War One~

Isadora Duncan in Rye
(Vanity Fair Magazine, 1915)

Here is a paragraph about the school of dance that was maintained by Isadora Duncan in Rye, New York; the notice is illustrated by three stunning photographs by Frances Benjamin Johnston (1864 – 1952) depicting thirteen young girls in Grecian attire.

The Florida Water Colors of John Singer Sargent
(Vanity Fair, 1917)

A few words on the water colors that John Singer Sargent (1856 – 1925) made in 1917 which pictured the Villa Viscaya in Miami, Florida. The paintings were later purchased by the Worcester Museum in Worcester, Massachusetts.

London Society, 1915
(Vanity Fair, 1915)

Five months into the general unpleasantness going on across the Channel had transformed London into a very different city, and sadly, it was the leisured classes that had to shoulder most of the burden:

London is well worth living in these troubled days if only for its contrasts…The gloom of the streets, the sinister play of the searchlights, the abnormal hour at which the theatres open and and the public houses close, the fact that half the male population is in khaki and the other half would like to be, that Society is wearing Noah’s Ark clothes and that to buy a new hat is a crime, that there are no dances, no dinners, no suppers, no premieres, no shooting, no no posing, no frivolity, nor idling, it’s rather quickening, you know. But the searchlights have absolutely killed all practical romance.

British Tennis Stars Rally for 1922
(Vanity Fair Magazine,1922)

Having seen the international pantry shelf sadly depleted in the way of cups during the stirring campaign of 1921, extended preparations now underway beneath the Union Jack, indicate a counter attack of no slight proportions this coming summer.

Paul Thevenaz: Rhythmatist Painter
(Vanity Fair, 1916)

A one page article regarding Swiss-born painter Paul Thevenaz (1891 – 1921) and his thoughts on the relationship between dance and modern painting. The article is accompanied by four of his portraits; the sitters were Jean Cocteau, Igor Stravinsky, the Comtesse E. De Beaumont and Comtesse Mathieu De Noailles.The profile was written by the novelist Marie Louise Van Saanen.

Read a 1937 article about another gay artist: Paul Cadmus.

A Covered Golf Caddy Bag
(Vanity Fair, 1915)

A few words, accompanied by a photograph, concerning the ‘traveler’s covered caddy bag‘ — another attempt at thwarting the efforts of ‘the golf thief’ as well as just plain lousy whether.

The Well-Born Officer
(Vanity Fair, 1918)

For it’s October issue, the editors of VANITY FAIR magazine stepped up to the plate and did their bit with this splendid review of all the finest uniform apparel that New York City offered it’s silk stocking officers. The article is nicely illustrated with photographs of a double-breasted mackinaw coat, two officer blouses (one of a wool-silk blend), a classic silk knit service tie as well as a very fine trench boot.

New From Amazon: Doughboys on the Great War:
How American Soldiers Viewed Their Military Experience

Clothing the Camper and Yachtsman
(Vanity Fair Magazine, 1917)

For all too few it is understood that fashion need not end in the wilderness: for it is more than likely that that was where the need for fashion was first recognized and it was there, among the toads and the dung, that the Well-Dressed man first crawled out of the muck and civilization

was born. With all this in mind, Robert Lloyd Trevor reviewed the fashions for the enjoyment of camp-life in this 1917 Vanity Fair review. Another vital concern touched upon by the journalist was the clothing available to the yachtsmen at that time:

Yachting is one of the things that begin at the bottom. That is to say, at the shoes. They are the foundation, as it were, for the rest of life on the rolling deep.

Four Photgraphs of the Extended Royal Family
(Vanity Fair, 1915)

Assorted photographs of the assembled German, Spanish, Belgian, Russian, Norwegian and British royal families, posed as they gathered to attend the the 1894 and 1896 Royal weddings at Coburg; also pictured is the group photo snapped at the 1898 shooting party at Sandingham. Queen Victoria appears in two of the pictures, while Kaiser Wilhelm II can be seen in all of them.

The Four Social Zones of Fifth Avenue
(Vanity Fair Magazine, 1922)

This cartoon was drawn by the artist Reginald Marsh (1898 – 1954), who had a swell time comparing and contrasting the bio-diversity along 1922 Fifth Avenue; from the free-verse poets on Eighth Avenue up to the narrow-nosed society swanks on Sixty-Eighth Street -and everyone else in between.

William Orpen and the Portrait of Mrs. Oscar Lewisohn
(Vanity Fair, 1915)

Here is a petite notice that appeared in a 1915 issue of VANITY FAIR heralding a new portrait by the British painter William Orpen (1878 – 1931), which depicted the likeness of a popular American stage actress Mrs. Oscar Lewisohn (Edna May Pettie 1878 – 1948). The anonymous reviewer compared the portrait styles of Orpen with that of London’s reigning portrait painter, John Singer Sargent:

Sargent had a way of showing his sitters as they didn’t think they looked. On the other hand, Orpen has a trick of making his sitters look like what they would like to be.

Robert Henri
(Vanity Fair, 1916)

A VANITY FAIR MAGAZINE profile of the American painter Robert Henri (1865 – 1929):

Robert Henri does not sympathize with the artists who throw their work in the face of the public with a ‘There, take it or leave it.’ Indeed, he has an almost hieratic belief in the power of the fine arts, not merely to delight, but to improve, to uplift and to educate the masses.

Click here to read further about the 1913 Armory show.