Articles from Vanity Fair Magazine
There is little doubt that the French Composer Eric Satie had wished that the bellyaching dilettantes who were charged with the task of writing music reviews for the Paris papers had spent more time in school in order that they might show greater erudition in their writings. However, Satie recognized that we can’t change the past and so he took his critics out to the woodshed with this column.
In three short pages this article outlines the growth of the film industry beginning in 1909 to the time of this printing, in 1919.
In 1930 Adolf Zukor was listed as one of the most powerful men in Washington…
Written during the closing weeks of the war, this Vanity Fair article was penned by a rather sly, witty scribe who was astounded to find that those areas closest to the front, yet just outside the entrances to the reserve trenches, were jam-packed with all manner of civilian tourist groups (ie. The American Woman’s Bouillon Cube Fund, The Overseas Committee of the New and Enlarged Encyclopedia, The National Mushroom Association of the United States); an exercise in creative writing? You tell us.
As early as 1920, the number of automobiles was quickly growing throughout the Western world. In this very brief article, a journalist lays out how rapidly life was changing in the United States as a result of the horseless carriage.
The village smithy is no more. In the place of that interesting relic of a bygone day, there stands a substantial concrete building marked ‘Garage’…
Attached herein, you will find the fashionable coats, suits, shoes and cufflinks for men from the harsh winter of 1919 that had been approved by the Fifth Avenue swells of the VANITY FAIR editorial department.
The military influence on feminine fashion predates the conflict of 1914-1918 by a long shot and the evidence of this is undeniable. These 1918 fashion illustrations show the influence that the war was having on American designers during the final year of W.W. I.
Click here to read about the fashion legacy of W.W. I…
To read about one of the fashion legacies of W.W. II, click here…
Click here to read about the origins of the T-shirt.
This article was written by Erik Satie as a salute to six unique French composers who had been working in Montparnasse during the previous years.
To me, the New Spirit seems a return to classic form with an admixture of modern sensibility. This modern sensibility you will discover in certain ones of the Six -George Autic (1899 – 1983), Francis Poulenc (1899 – 1963), Darius Milhaud (1892 – 1974)…
The fashion designers of the past ninety-four years all seem to be of one mind when it comes to the subject of the trench coat: it needs to be re-designed every four months. Years have passed, but still the garment has not reached a final state; meanwhile the rest of us only get one shot at a first impression. It is no matter whether the one who wears the trench coat is an actual trench-dweller or simply one who Tweets all day; the designers all have their opinions regarding the fluctuating number of straps and ‘D’ rings. There has been no end to the amount of cleverness applied to the re-treading of the garment and through the years we have been treated to doggy trench coats and lady’s evening gowns cut to resemble trench coats. Yet in the dark days of 1917, when the United States entered the fray, it was not lost on those who glanced at the attached column that too many of these raincoats were already buried in the damp grave yards of France and Belgium.
Click here to read about the fashion legacy of W.W. II: the t-shirt…
James Joyce (1882 – 1941) refers to many different subjects in this 1922 interview, among them was Ulysses, his recently released book. The interview was written by Djuna Barnes (1892 – 1982); avant-garde writer, illustrator and playwright.
The 1922 New York Times review of Ulysses can be read here…
James Joyce (1882 – 1941) refers to many different subjects in this 1922 interview, among them was Ulysses, his recently released book. The interview was written by Djuna Barnes (1892 – 1982); avant-garde writer, illustrator and playwright.
The 1922 New York Times review of Ulysses can be read here…
A travel article written by the former French fighter pilot Jean Murat (1888 – 1968)-who, one year hence, would commence a fruitful career in film acting that would lead to performances in over ninety movies. Mr. Murat was not terribly impressed with New York at all. Murat found the New Yorker’s love for all things French a tad tiresome.
Click here to read about the NYC air-raid wardens of W. W. II…
Delightfully illustrated with seven period photographs, this is a high-spirited read from VANITY FAIR titled New York’s Unceasing Pageantry:
From the First Liberty Loan to the Draft, from the Draft to the period of heatless days and meatless days, New York has showed good temper which used to be considered as but an indication of incorrigible lightness of mind. And as the months have gone by New York’s interest in herself as a military center has grown and deepened, with the growing consciousness of the high part she was to play in an adventure that has done more for her as a social organism than anything else in her history.
Click here to read about the welcome New York gave Sergeant York.
Here are five quick sketches by the French artist Rabajoi depicting the women of France fulfilling their various obligations as Mariannes, as sweethearts and as family members.
A short piece on the British novelist Hugh Walpole (1884 – 1941). This notice concerns the writer’s first trip to the United States following the the close of the First World War and the printing of his novel, The Secret City; which reflects much of what the writer saw in the Russian Revolution during his service with the British Government:
In ‘The Secret City’, as in ‘ The Dark Forrest,’ the author handles very special material at first hand. Mr. Walpole served in the Russian Army during the first year of the war…He was in Russia all through the Revolution. ‘The Secret City’ is real Russia (even Russians admit this), somber, tragic, idealistic, half-maddened by the virus of revolt, yet imposing upon one a quality at once presaging and splendid.
The 1914 social register for London did not go to press until 1915, so great was the task of assessing the butcher’s bill paid by that tribe. The letters written from camp and the front by those privileged young men all seemed to give thanks that their youth had been matched with this hour and that they might be able to show to one and all that they were worthy.
…For not even in the Great Rebellion against Charles I did the nobility lose so many of its members as the list of casualties of the present war displays. In the first sixteen months of operations no less than eight hundred men of title were killed in action, or died of their wounds, and over a thousand more were serving with the land or sea forces.
A similar article can be read here…
Click here to read about the W.W. I efforts of Prince Edward, the future Duke of Windsor.
Click here to read another article about the old European order.
Shortly before his movie The Kid was released, Charlie Chaplin (1889 – 1977) wrote a few remarks on the discovery of Jack Coogan, and the picture built around him in the attached Vanity Fair article, The Marvelous Boy of the Movies.
A leaf torn from the chic pages of VANITY FAIR in which eight snap shots depict various high-profile New Yorkers absorbed in their officer training routine. The journalist opined:
The Business Man’s Camp at Plattsburg has accomplished several of it’s avowed objects. It has proved itself practicable. It has demonstrated that men of high standing in business, professional and social affairs are willing to make personal sacrifices for the country’s good. It has shown that American officers have made good use of lessons taught by the War, and have adapted their tactics to conform to modern exigencies. Finally, the Plattsburg camp has grounded a large number of intelligent Americans in the rudiments of warfare.
You can read an article about General Wood here.
Attached is a Vanity Fair article printed a few months after the Lusitania sinking in which the journalist listed the many and myriad explanations as to why this event was such a departure from the traditions of naval warfare set in place by John Paul Jones, Admirals Nelson and Dewey.
Click here to read read a 1919 German condemnation of Admiral Von Tirpitz.
