A glance at the 1921 wardrobe enjoyed by those fashionable fellows who were part and parcel of that Wall Street clique who might today be called the one percent.
The reviewer also devoted some column space to classic fox hunting attire and Chesterfield overcoats,hunting tweeds,wing collars and men’s suit from the early Twenties.
Here are a few short paragraphs accompanied by nine images concerning what the college girls of the early Fifties were wearing:
A girl can still get into college with a sweater and skirt, but for full credit she needs quantities of gadgets. For campus, girls stick to classic Brooks Brothers sweaters, pleated skirts, blue jeans – but go wild on accessories and underwear novelties…
The journalist then went to some effort listing many of the fashionable essentials: stamp bracelets, rhinestone handcuff bracelets, silk pleated turtleneck sweaters and harness-neck bib fronts – all to die for.
As college girls talked back to school, it was clear that they had switched their allegiances from saddle shoes
to a new favorite: white bucks
Reference is also made to the rounded-button-collar dress shirts that were appearing on the backs of so many college men at that time.
Keep it short: that was the M.O. of the hairdressers of the Fifties (as you, no doubt, gathered from this 1949 article) – and this column, accompanied by eight photos, serves as proof. Much of this column pertains to the men who were active in 1952 hair dressing, and their deep thoughts pertaining to pny tails, perms and poodle-cuts.
Click here to read about the short hair craze of the late Forties.
Practicing throughout the Thirties and Forties, fashion photographer Arthur O’Neil took time out from his glamorous day to explain to an inquiring journalist what his requirements are when looking for a fashion model:
The prettiest girls, according to O’Neil, are between 16 and 28 and come mostly from the Middle West…
If you’ve been wondering what the stylish Yankee beaus of yore used to wear during the Summer of 1941 when they plopped themselves down to read about the British occupation of Syria or the Nazi siege of Leningrad, then you can stop looking because we have the article right here – it is the summer fashion forecast from COLLIER’S MAGAZINE of May 24, 1941 – illustrated with no fewer than three color images:
The newest color for vacation clothes is parchment, one of the natural tan shades. Don’t be afraid that you’ll look like a member of the street-cleaning department in a white linen suit. Even the Duke of Windsor wears one. It is ideal for vacation wear, as the jacket may be worn with colored slacks, the trousers with other light weight jackets…. For week-end and vacation wear you can choose from tropical worsteds, Palm Beach cloth, tropical weight flannels, linen, seersucker and tropical weight tweeds.
Some tend to think that 1920s concepts concerning skin care are very different from our own – and in many cases they would be absolutely right; that is why we were so charmed to stumble upon this 1920 article written by the Broadway actress Suzanne Sheldon. The actress emphasizes 6 to 8 glasses of water each day, a sensible exercise regimen and washing the face each evening.
Here is a perfectly charming fashion illustration of a young man wearing a raccoon coat while abusing a tobacco product; this class of man was also prone to sitting on top of flag poles, concealing flasks and dancing the Charleston.
Click here to read about the 1956 college revival of the raccoon coat.
Most people, and you might very likely be one of them, tend to believe the old adage, Show me your friends, and I’ll tell you what you are; but fashion diva Lady Duff Gordon (aka: ‘Lucile’) was of the mind, Show me your bathroom, and I’ll tell you who and what you are and in 1922 she went out to prove it by scampering all over Paris in search of the finest bathrooms. Upon reading of the expedition, the editors of HARPER’S BAZAAR remarked:
It makes one realize that many of us who fatuously remarked, ‘So this is Paris’, were really not at the party at all.
Click here to read a 1937 article about feminine conversations overheard in the best New York nightclub bathrooms.
This is the story of the Jacob A. Riis Settlement beauty clinic which was funded by a well-heeled New Yorker in order that the impoverished women from the down-trodden quarters of New York might come to know all the relaxation that comes with electrolysis and eyebrow-plucking (sadly, anal bleaching was not offered at the time).
Red is the color which is going to add excitement to the fall scene. In a season when black is everywhere, the woman who wants to stand out is going to turn to red to express her own sense of drama. Red will be seen in suits, in coats, in after-dark dresses. The color itself is so dramatic that designers rely on cut and line for interest.
A Paris fashion review written by pioneering fashion photographer Adolph de Meyer
(1868 – 1949). His column is illustrated by six of his photographs illustrating the autumnal offerings from the houses Worth and Chanel. The collections generated by Maria Guy, Jean Lanvin, Marthe Collot, Doucet, Cheruit, Poiret and Patout were also addressed at some length.
Of course ‘collections’ must be seen by me. The round of all the big maisons de couture must be made. I must know what is worn and what I shall decide to present to the readers of HARPER’S BAZAAR.
Illustrated herein are the five necessary steps needed to tie the perfect ascot knot.
Up until 1974, it was believed by many of the old salts in fashion history circles that the earliest surviving example of men wearing neck-cloths could be found on Trajan’s column (113 A.D.); but then the Terracotta Army (221 B.C.) was unearthed in China which altered much of the thinking as to how old tied neck cloths actually are. Our era is one in which the future of the tie is unknown, but the attached file dates from 1906 which serve to illustrate for the average Joe, how best to tie an ascot.
Fads like ukulele strumming and flagpole sitting have not been seen on college campi since the 1920s – but the undergraduates in 1956 did adopt one fashion element from the Twenties – their father’s raccoon coats.
Click here to read about the Ivy League look for 1953.
This is a well-illustrated article in which the fashion journalist recalled a dinner party where the men in attendance were knowledgeable on which forks to use but cared little about the proper etiquette 
Lilly Daché (1898 – 1989) was the most famous milliner of her era; before retiring in the late Sixties (when hats were finally shown the door) she had accomplished much in the realm of fashion – designing dresses, lingerie, gloves, bags, jewelry and hostess gowns. While in league with the Hollywood costume designer Travis Banton, her lids adorned many of the craniums of the most glamorous women ever to grace a movie screen.
Pictured herein are three fur hats by Sally Victor (1905 – 1977: Coty Award 1944) modeled by the actress Vanessa Brown (1928 – 1999).
Attached are pictured six straw hats from a 1941 color ad promoting the Stetson Straws that appeared on the glossy pages of one of the more bourgeois American magazines just seven and a half months prior to the day when the bombs fell on Pearl Harbor and the bad-old days of World War II kicked-in for that rare breed of man known as homo-Americanus.
There can be no doubt that the fun-loving fashion-fan who was pictured sporting these organic chapeaus would soon find himself wearing one of Uncle Sam’s over-laundered denim stitch-brims, peeling potatoes and remembering wistfully the day that this ad was shot.
We hope he survived the carnage.
