A cartoon that appeared in an American veterans magazine on the first anniversary marking the last day of W.W. I. What is especially amusing is the satirical depiction of American combat officers and the last frame, which fully supports the thesis of Joseph E. Persico’s book, 11th Month, 11th Day, 11th Hour that the American Army was on the attack all the way up to the bitter end.
During the course of the Great War, few German terms delighted English speaking cartoonists more than the word kultur -which is the Teutonic word for civilization or cultural progress. Prior to being picked up by the New York Times, this cartoon originally appeared in a London magazine called, The Sketch, and was drawn by W. Heath Robinson (dates?).
Attached is a 1918 cartoon by THE STARS & STRIPES illustrator, C. LeRoy Baldridge depicting Paris in a way that only the A.E.F. could have witnessed it.
The famed Conde Nast illustrator from days of old, Ann Fish, assumed the nom de guerre, Hello in order to impart to her well-fed audience the terror of German Prussianism. In this cartoon, she illustrated what a German invasion of Manhattan would look like.
This cartoon pokes fun at the high cost of being charitable. Throughout much of World War One there was always the problem of what to do with the growing number of refugees and orphans -and the answer was never cheap. This drawing reveals a different Rea Irvin, but the drawing style for which he would be remembered is clearly emerging.
A piece of VANITY FAIR social satire concerning the returning American veterans of the World War I and how the industrial slaughter had changed them (as if such a thing could!).
Five remarkable color cartoons from France. Modern Satirical art at this time was exceptional. KEY WORDS: La Baionette 1914-1918,Cartoons 1916,French Cartoon 1916,Modern Satirical Art 1914-1918,Satiric Art 1916,Crown-Prince Wilhelm Cartoon 1916.
Click here to see how weird the first car radios looked.
With his characteristic wit and economy of line, the American cartoonist Gluyas Williams once again sticks it to the Kaiser!
The Greenwhich Village cartoonist Art Young and his anarchist editors at The Masses, Liberator and The New Masses recognized all too well that the average Joe did not have a dog in that fight that was raging on across the sea.
The socialist New York magazine The Masses
