Paulette Goddard (1910 – 1990) is pictured in color wearing an all-purpose uniform designed by the Hollywood stylist Irene (Irene Lentz, 1900 – 1962). The actress was a sporadic volunteer, having appeared in four films throughout 1942.
This is a swell article that truly catches the spirit of the time. You will read about the war-torn Hollywood that existed between the years 1941-1945 and the movie shortage, the hair-pin rationing, the rise of the independent producers and the ascent of Van Johnson and Lauren Becall:
Lauren, a Warner Brothers property, is a blonde-haired chick with a tall, hippy figure, a voice that sounds like a sexy foghorn and a pair of so-what-are-you-going-to-do-about-it eyes
Mention is also made of the hiring of demobilized U.S. combat veterans to serve as technical assistants for war movies in such films as Objective Burma.
STAGE MAGAZINE correspondent Katherine Best was not shy about giving credit where credit was due, as you will read in this article that stands as one big pat on the back for the producers at Warner Brother’s for possessing the testicular fortitude needed to launch the first anti-Nazi movie in Hollywood: Confessions of a Nazi Spy
In October of 1940, Charlie Chaplin released his anti-fascist masterpiece: The Great Dictator. Click here to read about that.
During the Second World War there were two prominent canteens where the Allied soldiers, sailors, airmen and Marines could go to see and be seen with the glamorous actor types of their day: the Hollywood Canteen in Los Angeles and the Stage Door Canteen in New York City. It was in these two locales that the stars of both stage and screen could be found both waiting and busing tables, preparing food and cracking wise with the volunteers and draftees of the Allied Armies. We needn’t tell you which of these two establishments Hollywood decided to celebrate on celluloid, but you should know that the film was extremely popular- attached is the review as it appeared in fashion magazine of the time.
Tenderly ripped from the brittle pages of a 1944 issue of YANK MAGAZINE was this short paragraph which explained all the goings-on within the sun-bleached confines of Hollywood, California:
Rita Hayworth steps into the top spot in the Columbia production, ‘Tonight and Every Night’; Ethel Barrymore returns to the screen after 11 years’ absence to share honors with with Cary Grant in ‘None but the Loney Heart’…In ‘Something for the Boys’ Carmen Miranda will sing ‘Mairzy Doats’… etc, etc, etc.
Hollywood’s manpower problems have multiplied, as in any large industry, since the U.S. entered the war. The draft, war plants, and the Government need for technicians depleted studio staffs all along the line, from producers to prop boys. The majority of Hollywood stars have devoted an untold number of hours to Army camp tours, war work, canteens; they have raised funds for war relief and war bonds. Robert Montgomery (pictured in uniform) is only one of many stars who have entered the armed services. Now he’s a lieutenant in the Navy in charge of a torpedo boat squadron….With the reduction in Hollywood’s talent ranks and the new ruling for a $25,000-net-income ceiling, movie companies face a crises in production.
Click here to read a about a particularly persuasive and
highly effective W.W. II training film…
