Twentieth Century Writers – Page 3 – Old Magazine Articles

ALL QUIET on the WESTERN FRONT
(The Bookman, 1929)

All Quiet On The Western Front by Erich Maria Remarque topped the U.S. bestseller list for all of 1929 and it was due in no small part to enthusiastic book reviews like the one we’ve posted here that must have numbered in the thousands throughout all of North America:

Here is a book about the war of such extraordinary purity and force that, reading it, one seems actually never to have read of the wear before. Numberless books have been written that present the stark, physical horrors of the war in quite as full detail as All Quiet on the Western Front, but their effects have been ified by one’s perception of the intent to shock. Many others have given us a more complete, more literary rendition of war as it strikes full upon the nerves of sensitive and intelligent men. Nothing could be less academic than Herr Remarque’s book; but nothing could be more vivid.

Is your name Anderson?

From Amazon: All Quiet on the Western Front

Ralph Ellison on Richard Wright Among Others…
(Direction Magazine, 1941)

Printed just twelve years before he would receive a National Book Award for his tour de force, The Invisible Man, celebrated wordsmith Ralph Ellison (1914 – 1994) wrote this review of Negro fiction for a short-lived but informed arts magazine in which he rolled out some deep thoughts regarding Richard Wright, Langston Hughes, Arna Bontemps, Zora Neil Hurston and assorted other ink-slingers of African descent:

It is no accident that the two most advanced Negro writers, Langston Hughes and Richard Wright, have been men who have enjoyed freedom of association with advanced white writers; nor is it accidental that they have had the greatest effect upon Negro life.

Click here to read a 1929 book review by Langston Hughes.

CLICK HERE to read about African-Americans during the Great Depression.

Rudyard Kipling Condemned
(Current Opinion, 1919)

The author of The White Man’s Burden gets the back-hand for all of his narrow-minded jingoism by Robert Wilson Lynd (1879 – 1949), who penned this angry review of Rudyard Kipling’s (1865 – 1936) body of work, finding the author to be too much the Victorian imperialist.

An article about the Muslim opinion concerning colonialism can be read here…

Reviewed: ‘The Garden Party and Other Stories’
(Life Magazine, 1922)

The Life Magazine review of The Garden Party and Other Stories
by the New Zealand writer Katherine Mansfield (1888 – 1923) is attached here for your enjoyment. Mansfield lived a short but productive life before tuberculosis got the best of her in 1923. This was one of any number of favorable reviews that she enjoyed in her lifetime and she is today often considered one of the best short story writers of her period.

Reviewed: ‘The Garden Party and Other Stories’
(Life Magazine, 1922)

A Review of ”Beautiful and the Damned”
(The Independent, 1922)

One of the first reviews of F. Scott Fitzgerald‘s second novel, The Beautiful and Damned
(1922). The reviewer was impressed:

The Beautiful and the Damned is a real story, but a story greatly damaged by wit.

The Tragedy of Eugene O’Neill
(Look Magazine, 1959)

In 1946, a literary statistician ascertained that, in the world of O’Neill plays, there had been 12 murders, eight suicides, 22 other deaths and seven cases of insanity

To read the attached biographical essay is to understand that O’Neill did not become America’s premiere tragedian by simply reading about the disasters in the lives of others; his entire life was a tragedy. In his wake were alcoholic, suicidal children and numerous unloved wives.

The Extraordinary Story of Eugene O’Neill
(The American Magazine, 1922)

A marvelous interview with the thirty-four year old playwright, Eugene O’Neill (1888 – 1953) -coincidentally published just as it seemed his stock was on the rise.

Click here to read a 1930s article about Eugene O’Neill.

What’s Next for Eugene O’Neill?
(Stage Magazine, 1935)

Stage editor Hiram Motherwell (1888 – 1945) examined the meteoric rise of playwright Eugene O’Neill (1888 – 1953) and asked, What can he do next?

Eugene O’Neill is now forty-seven. His plays have just been enshrined in the definitive edition, handsome, ingratiating, expensive. They are probably more widely discussed than those of any other living playwright. They have been produced in almost every city from Moscow west to Tokyo. They have been translated into more languages. And yet it is evident that O’Neil, standing on the crest of this superb eminence, has completed a cycle; come to a momentous turning in the path his creative genius has followed. Where will the path lead?

Harsh Words for Eugene O’Neill
(Theatre Arts Magazine, 1920)

In celebration of being awarded a Pulitzer Prize for having written the best American play of 1920 (Beyond the Horizon), theater critic Walter Prichard Eaton (1878 – 1957) saw fit to slip playwright Eugene O’Neill his back hand with a double-dose of venomous criticism:

…O’Neill’s work to date remains intellectually and spiritually thin.

‘W. B. Yeats and Those He Has Influenced”
(Vanity Fair,1915)

With the publishing of the first part of his autobiography, Reveries Over Childhood and Youth, W.B. Yeats (1865 – 1939) got some attention in the American press. This small column first appeared in VANITY FAIR magazine praising his ability as a genuine artist.

W.B. Yeats Gripes About the Theater-Going Bourgeoisie
(Theatre Arts Magazine, 1919)

Poet and playwright W.B. Yeats (1865 – 1939) had his say on the matter of theater-subscriber-book-of-the-month-club types who are more likely to attend performances because they feel they should, rather than attending for their own reasons of personal enjoyment:

And the worst of it is that I could not pay my players, or the seamstresses, or the owner of the building, unless I could draw to my plays those who prefer light amusement, or who have no ear for verse and literature, and fortunately they are all very polite.

W.B. Yeats Gripes About the Theater-Going Bourgeoisie
(Theatre Arts Magazine, 1919)

William Butler Yeats Interviewed
(Theatre Arts Magazine, 1924)

When the writer and editor Montrose J. Moses (1878 – 1934) got some quality time with the fifty-four year old poet and playwright William Butler Yeats (1865 – 1939) they discussed Irish theater, contemporary poetry, the collective literary merits of their generation and a good deal more. Unlike their visits in earlier days, Yeats was by then a respected icon in the republic of letters (having been awarded the Nobel Prize for Literature a year earlier).

Conrad Reviewed by H.L. Mencken
(The Smart Set, 1921)

H.L. Mencken’s (1880 – 1956) short review of Joseph Conrad’s (1882 – 1941) collection of essays, entitled Notes on Life and Letters . The book contained Conrad’s thoughts on such subjects as the sinking of ‘Titanic’ to the writings of Henry James, Guy de Maupassant, Daudet and Ivan Turgenev were all touched upon in this collection of essays.

Jules Romains and THE DEATH OF NOBODY
(Vanity Fair, 1915)

This very brief column appeared in Vanity Fair Magazine during the winter of 1915 as one element in the publicity campaign supporting the distribution of The Death of Nobody, Jules Romains’ (1885 – 1972) 1911 novel.

Prior to the First World War Romains was primarily known as a poet and founder (along with fellow poet Georges Chennevière) of Unanimisme, a movement that combined concept of international brotherhood with the psychological ideal involving a shared group consciousness. At the time of this printing, the novelist was serving in the French Army.

P.G. Wodehouse: Master of American Slang
(American Legion Weekly, 1919)

At the time this profile first appeared in 1919, P.G Wodehouse (1904 – 1975) had recently resigned his post as the drama critic for Vanity Fair in order to realize his ambitions as a novelist and playwright. This article revealed to all Wodehouse’s keen interest in American slang and American comic strips.

Karl Shapiro, Poet
(Yank Magazine, 1945)

In 1944, Karl Jay Shapiro (1913 – 2000) was pulling in the big-bucks as a U.S. Army Private stationed in New Guinea, but unlike most of the khaki-clad Joes in at least a ten mile radius, Shapiro had two volumes of poetry under his belt (Person Place and Thing and Place of Love) in addition to the memory of having been awarded a Guggenheim Fellowship. In this short interview, he explains what a poet’s concerns should be and offers some fine tips for younger poets to bare in mind.

A year latter, while he was still in uniform, Shapiro would be awarded the 1945 Pulitzer Prize for poetry