World War One

Find old World War 1 articles here. Find information on uniforms, women, gas warfare, prisoners of war and more.

The Slaughter of the Aristocrats
(NY Times, 1915)

This 1915 article goes into great length listing the names of all the assorted European noblemen and plutocrats who fell during the first year and a half of the First World War.

The great world conflict which broke out soon after [the murder of Archduke Ferdinand] has placed the pall of mourning over every third home in the belligerent countries of Europe… The dreadful slaughter has fallen with especial heaviness on the upper and wealthy classes…


The writer, Charles Stolberg, also included the names of the most admired European athletes who gave their lives for king and country.

The Mining of the Seas
(Sea Power, 1919)

Naval mines had been around for centuries, in one form or another – and this article pertains to the particular type of anti U-boat mines that were put in place along those well-traveled sea lanes known best by that kind of German warship.


Click here to read about one of the greatest innovations by 20th Century chemists: plastic.

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The Evolution of the Tank
(NY Times, 1919)

A three page article concerning the development of tanks during the First World War. While they were being created on the drawing boards of Britain’s W. Foster Company, the code name for these land dreadnoughts was water tanks; hence the name.

The first armored battle cars, or tanks were a British invention developed from an American automobile tractor used for agricultural purposes on the Western prairies. They made their initial appearance at the battle of the Somme (Flers), September 15, 1916.


However, it should be known that they were first used to greatest effect in the Battle of Cambrai (November 20 through December 7, 1917).


Click here to see a diagram of the W.W. I French Renault tank.


Read about the Patton tank in Korea…

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The U.S. Army Assault on November 11, 1918
(The Stars and Stripes, 1918)

This uncredited STARS and STRIPES article dwells on the same topic as the well-researched book by Joseph Persico, Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918 (2003, Random House). For those who are curious about the violent climax of the war, this two page article will help you to understand which A.E.F. units were still attacking along what front at 10:59 a.m. on November 11, 1918.


Then a quite startling thing occurred. The skyline of the crest ahead of them grew suddenly populous with dancing soldiers… The Germans came with outstretched hands, ear-to-ear grins and souvenirs to swap for cigarettes.

‘Soldier Man Blues”
(Literary Digest, 1927)

This article is essentially a collection of lyrics from an assortment of songs sung by the Black Doughboys who were charged with the task of loading and unloading trucks far behind the front line trenches during the First World War. It was written in 1927 to serve as a review for Singing Soldiersstyle=border:none by John J. Niles, who compiled the labor songs while stationed in France as a fighter pilot:


All dese colored soldiers comin’ over to France

All dese soldiers an’ me

Goin’ to help de Whites make de Kaiser dance

All dese soldiers an’ me…

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‘The Pleasures of Gas Warfare”
(Literary Digest, 1937)

Gas, even in its most virulent form, is the most rational as well as the most humane weapon ever employed on the battlefield. It is also – and this should certainly be of interest to the advocates of strict neutrality – the only weapon in the arsenal of Mars which can truly be called defensive.

W.E.B. Du Boise and the Documents of U.S. Army Prejudice
(The Crises, 1919

This historic article first appeared in a 1919 issue of The Crisis and served to document the official discrimination against African-Americans who served both in the ranks and as officers in the American Army during the First World War. The article includes the communications from high-ranking American officers to the French military authorities, conveying their suggestions as to how America’s black Doughboys were to be treated.

In the War’s Aftermath Came Spiritual Disillusion
(Current Opinion Magazine, 1919)

At the thirty-fifth annual Church Congress of the Protestant Episcopal Church (1919), clergy members seemed to agree that Christian leaders were needlessly complicitstyle=border:none concerning their support for the First World War and were guilty of substituting Christian principles for patriotism:


Christianity has betrayed itself body and soul.


If you would like to read about the spirit of disillusion that permeated post-war literature, click here.

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Victory and Paris Fashion
(Vogue Magazine, 1919)

The Paris Victory Parade celebrating the end of the 1914 – 1918 war was a long awaited and much anticipated fashion event and Mme. Parisienne was not going to miss it for all the crepe de Chin in China. This VOGUE correspondent contrasted the Paris that existed a short time earlier, the gray, deserted Paris with the Paris of the 1919 Victory Parade and notes how eager the natives were to recreate that mirthful, light-hearted Paris of 1913 that they all remembered so well. There is a great sense of joie de vivre throughout the article, but it very rapidly becomes a laundry list concerning who-wore-what-where.

German Submarines in American Waters
(Coronet Magazine, 1941)

This article is composed of a couple of paragraphs recalling the damages caused to American shipping as a result of the U-Boat menace on the East Coast of the United States during the First World War. Written at a time when the U.S. was once again having to deal with the same threat, this time by Admiral Karl Dönitz (1891 – 1980), the journalist wished that Henry J. James, the author of German Subs In Yankee Waters
be properly credited for having devised many of the more successful countermeasures.

Nietzsche and World War One
(Sewanee Review, 1920)

In this 1920 article the theologian George Burman Foster (1858 – 1918), examined the writings of the German philosopher Friedrich Nietzsche (1844 – 1900) and surmised how that philosopher might have understood the First World War, with all of it’s scientific and industrial power.

War constitutes one of of those dangerous ‘experiments’ undertaken by the wise man to further the progress of life, to test the value of an idea, of life. Hence, war is beneficial, good in itself; and thus Nietzsche predicts without dismay or regret that Europe is not far from entering into a period of great wars when nations will fight with one another for the mastery of the world.


Click here to read about the Nazi interpretation of Nietzsche.

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With the Germans on the Somme
(The Cambridge Magazine, 1916)

Throughout much of World War I, the German-American war correspondent Karl Von Wiegand (1874 – 1961) reported on the goings-on within the Kaiser’s Army for an American new syndicate. As luck would have it, he happened to be in a front line German trench when the British Army launched their enormous attack on July 1, 1916. Here is one of his earlier dispatches from the German side:


We stood awe-stricken. Mankind, like Frankenstein, was being devoured by the monster it had created.

Father Francis Duffy of the Fighting 69th
(The Bookman, 1920)

Father Francis P. Duffy (1874 – 1932) was the well-loved regimental chaplain for the illustrious, old New York infantry regiment known as the Fighting 69th.


Next time you find yourself walking near Times Square in New York City, you’ll see a statue erected in his memory situated behind a statue of the popular songster who composed Over There – George M. Cohan (1878 – 1942). These memorials will be found at Broadway and 7th Avenue (between 46th & 47th streets). Both men knew the neighborhood well – to Cohan it was known as the Theater District while Duffy knew it as Hell’s Kitchen, and it was his parish.


The Bookman reviewed Duffy’s memoirstyle=border:none as a book which carries A.E.F. readers back to lousy, old French barns, to chilly, soupy Argonne mud and, at last, to a wintry Rhineland….


You can can read more about Father Duffy’s war here…


Click here to read articles about W.W. I poetry.

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