World War One

Find old World War 1 articles here. Find information on uniforms, women, gas warfare, prisoners of war and more.

Paris Furlough (The Stars and Stripes, 1918)

A cartoon by C. LeRoy Baldridge (1889 – 1977) which depicted the streets of Paris in a way that only the A.E.F. could have witnessed it. A Yank-heavy Place de l’Opera is overwhelmed by sight-seeing Doughboys (note the Y.M.C.A. patch on the tour guide) and loitering officers lounging about over-priced cafes. In the foreground stands a bewildered Doughboy, dumb-struck by the passing gaze of an appreciative Parisienne while a few steps away a four-gold-chevroned private gets reamed for failing to salute the single-chevron looey. The stage is shared by bickering cabees, melancholy widows, wandering sailors, unforgiving MPs and a hard-charging, over-weight uniformed woman.

Click here to read about W.W. I art.

Click here to read the observations of U.S. Army lieutenant Louis L’Amour concerning 1946 Paris.

American Ambulance Volunteers in the Service of France (The Stars and Stripes, 1919)

A thumbnail history of the United States Army Ambulance Service, which first arrived in June of 1917.

All through the hard French fighting of 1917 the 6,000 American ambulance drivers kept steadily at work in every sector of the French front. It was not until March, 1918, that the first sections of the service found themselves helping in battles with the fighting regiments of their own Army.

Many of the volunteers were college men, such as the poet E.E. Cummings, who wrote an interesting account of his days as an ambulance driver during the war.

In the Doughboy Trenches (The Stars and Stripes, 1918)

Mr. Junius B Wood, correspondent of the CHICAGO DAILY NEWS with the A.E.F. recently spent a week in the sector held by the American Army Northwest of Toul. He lived the life of a Doughboy, slept a little and saw a lot. He spent his days in and near the front line and some of his nights in No Man’s Land. Here is the second and concluding installment of his story, depicting life at the front as it actually is…

World War One American Prisoners of War (The Stars and Stripes, 1919)

A brief notice reporting on the number of American Soldiers captured during the First World War. Also listed are the number of Americans who died in captivity as well as the number of prisoners taken categorized by branch of service. Interestingly, the notice states that 281 American Civilians were also taken prisoner.

Interestingly, the notice states that 116 American Civilians were also taken prisoner and we can assume that these Americans were with the Salvation Army, the Jewish Wellfare Board, the Knights of Columbus, etc.


Click here to learn what the Germans thought of American P.O.W.s…

A New Propaganda Delivery Sysytem (Literary Digest, 1917)

Photographs of a small, hand-held helium balloon being loaded with German translations of President Wilson’s April (1917) war address in order that they might be released over the German trenches. This small notice makes clear that this particular method of persuasion resulted in fifty Germans surrendering.

Shrapnel Shells (Freedom’s Triumph, 1919)

Attached herein are diagrams of three World War I shrapnel artillery shells designed for use on land. The illustrator provided precise details concerning the mechanism of each – the precise operation of the percussion fuse, the time ring, the location of the acid and the essential shrapnel projectiles.

Germany Introduces the Leather Gas Mask (Popular Mechanics, 1917)

A year and a half before the end of World War I, the German Army introduced the Lederschutzmasken, a leather gas mask made of specially treated Bavarian sheepskin with removable lenses. Designed to replace the rubberized cloth gas masks, the 1917 respirators proved to be far more effective against phosgene gas than the 1915 masks. The Allied powers dismissed the new design as evidence that material shortages on the German home front were forcing changes.

Click here to read about the celebrations that took place in Paris the day World War One ended.

The Mills Bomb (Trench Warfare, 1917)

A black and white mechanical drawing illustrating the most famous of British hand grenades that was ever used by British and Commonwealth forces during the course of World War One.

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