Recent Articles

The Allure of the Private Bomb Shelter (People Today Magazine, 1955)

This is a consumer report concerning various bomb shelter plans that were commercially available to the American public in 1955:

The most elaborate of five government-approved home bomb shelters is a combination tunnel and emergency exit in reinforced concrete, extending outward under ground from cellar walls It holds six persons and offers maximum protection from all effects of an atomic explosion… But the FCDA (Federal Civil Defense Administration) also recommends a practical type type that can be put together by any do-it-yourselfer for around $20.00.

The Bush Wedding, Kennebunkport (Vogue Magazine, 1921)

These days the Bush family is not much in vogue, but that was not always the case.


Attached is a small notice from a 1921 issue of VOGUE MAGAZINE announcing the marriage of George Herbert Walker’s daughter, Dorthy, to a Mr. Prescott Sheldon Bush in Kennebunkport, Maine. From this union would spring two U.S. Presidents, one Florida governor, and one Chief Executive of the Municipal Opera Association.

‘The Nisei Problem” (Yank Magazine, 1945)

An interesting article, written with a sense of embarrassment regarding the injustice done to the Japanese-Americans, and published a few weeks shy of VJ-Day. The article reports on how the former internment camp families were faring after they were released from their incarceration. 55,000 Japanese-Americans chose to remain in the camps rather than walk freely among their old neighbors; one man, Takeyoshi Arikawa, a former produce dealer, remarked:

I would like to take my people back home, but there are too many people in Los Angeles who would resent our return. These are troubled times for America. Why should I cause the country any more trouble?


Important references are made concerning those families who had lost their young men serving in the famed 442 Regimental Combat Team: a U.S. Army unit composed entirely of Nisei that was awarded a Presidential Unit Citation for it’s fortitude displayed in Italy, France and Germany.

The Suffragettes Appeal To The States (Literary Digest, 1894)

This article tells the story of Susan B. Anthony, Dr. Anna Howard Shaw and the gang as they worked the state conventions in a effort to gain the right to vote. In states with large Republican majorities, they swore to vote vote Republican, in states with large Democratic majorities they promised to support that party:

The State Woman-Suffrage Association should remain non-partisan and each individual woman should feel free to ally herself with whatever party she approves.

Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Explaining Abstract Art (Pageant Magazine, 1950)

WHY DO THEY DISTORT THINGS? CAN’T THEY DRAW? WHY DO THEY
PAINT SQUARES AND CUBES?


In an effort to help answer these and many other similar questions that are overheard in the modern art museums around the world, authors Mary Rathbun and Bartlett Hayes put their noodles together and dreamed up the book (that is available at Amazon) Layman’s Guide to Modern Artstyle=border:none, and we have posted some of the more helpful portions here, as well as 17 assorted illustrations to help illustrate their explanations.


The authors point out that abstract images are not simply confined to museums and galleries but surround us every day and we willingly recognize their meanings without hesitation:

Lines picturing the force and direction of motion are a familiar device in cartoons… The cartoonist frequently draws a head in several positions to represent motion. Everybody understands it. The painter multiplies the features in the same way… Everybody abstracts. The snapshot you take with your [camera] is an abstraction – it leaves out color, depth, motion and presents only black-and-white shapes. Yet its simple enough to recognize this arrangement of shapes as your baby or your mother-in-law or whatever…

Artist Paul Cadmus (Art Digest, 1937)

A late Thirties art review of Paul Cadmus (1906 – 1999), one of the finest and most scandalous artists of the W.P.A.:

Paul Cadmus was thrust into national prominence at the age of 26 when his canvas, ‘The Fleets In’, painted for PWAP in 1933, stirred up a storm of protest. Since then controversies have dogged his art but with them has come recognition…Like the contemporary writers Thomas Wolfe and Aldous Huxley the reaction of Cadmus against present day ‘civilization’ is one of repulsion tinged with hatred. This note of protest seems to be the battle cry of the younger generation of artists and writers. Mrs Overdressed Middle class to be viewed by the public…

A Letter from a Bombardier in the French Air Corps (Vanity Fair, 1916)

In the attached letter from the artist Bernard Boutet de Monvel (1884 – 1949), the artist explains thoroughly his thoughts and adventures as an bombardier in a Vosin biplane; experiences which contrast greatly with his days in the trenches and he writes well on the feelings of lonliness that an aviator can experience at 2000 feet.

For those who are interested in learning about the living conditions and daily life of World War One pilot officers this article can only help you. Click here

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