Recent Articles

The Psychology of Fear in Combat
(Yank Magazine, 1943)

The YANK MAGAZINE editors remarked that this brief column, which was intended to help American G.I.s deal with panic attacks during combat, was written by the National Research Council and appeared in the Infantry Journal of 1943. It is a segment from a longer article titled, Psychology for the Fighting Man. The psychologists who wrote it presented a number of examples of soldier’s panic (mostly from the last war) and illustrate how best the front-line soldier could deal with this stress while the bullets are flying. Happily, they made it sound so easy.


Click here to read about one other effect the stress of combat wrought upon the luckless men of the Forties.


From Amazon: Psychology for the Fighting Manstyle=border:none

/

– also from Amazon: Cowardice: A Brief Historystyle=border:none

How the US Helped the Fascists Before Entering the War
(Coronet Magazine, 1941)

Although our friends in Asia, Europe and Canada had been fighting the Axis for at least a year and a half, American corporations continued to trade with the fascists all the way up until the U.S. declaration of war. This 1941 article, published seven months prior to that day, goes into some detail on the matter; although corporations are not named, it is pretty easy to identify them by their products.

One reason why America today is short of ships to fill Britain’s desperate needs is [due to] the fact that for six years or more, Japan and her scrap agents bought almost every American cargo vessel placed on the auction blocks, using them for scrap to feed the blazing steel mills of Nipon.

Lincoln Remembered
(National Park Service, 1956)

Shortly after Abraham Lincoln’s assassination, William H. Herndon (1816 – 1891), Lincoln’s law partner, devoted much of his life to collecting as much original source material on the man as he could possibly find. Indeed, scholars have pointed out that there never would have been an accurate word written about Lincoln if not for the efforts of Herndon. The following description of Lincoln is from a lecture delivered by Herndon in 1865.

Advertisement

What Makes Songs Popular
(’48 Magazine, 1948)

Knowing, as they did, that the Broadway composer Oscar Hammerstein II (1895 – 1960) was no slouch when it came to writing hummable tunes with snappy lyrics, hundreds of people would write to him daily seeking advice as to how they might be able to do the same (indeed, the search logs at Google indicate that this question is asked 369,000 times each month). No doubt fed-up with these never ending solicitations – Hammerstein penned this article, What Makes Songs Popular: in four pages he spewed-forth all that he knew about writing music and lyrics:

It seems to me that the most important element in a lyric is subject matter. A song had better be about something fundamental – which is why so many songs are about love.

must have been fed up with answering the hundreds of letters that he received daily begging him for tips as to how best to write songs and lyrics – he turned to the editors of ’48 MAGAZINE who were happy to print his article in which answered those questions

Salty Opinions from a Frenchman
(Literary Digest, 1920)

Attached are the rantings of one Frenchman on the matter of American gullibility, solipsism and naive stupidity. While recognizing an innate sense of optimism that seemed natural to Americans, the Gaul also believed that within the American culture the seed of tyranny had been planted and would one day bloom.

And in this new and vigorous country they are going to make nationalism a great religion, the supreme intellectual and social motive. This means Prussianizing, pure and simple.

Things ‘Americain’ in France
(Literary Digest, 1927)

Whether for good or for ill, the American people have left their thumb print on much of the French language – the liberal sprinkling of the adjective Americain was ever present in 1927, as it is today. This article seeks to explain the meanings and origins of such French expressions as Oncle D’Amerique or Homard a l’Americaine -among other assorted phrases inspired by the free and the brave.

Advertisement

File Sharing
(United States News & World Report, 1948)

This is the story of how Russia got military secrets from the United States during W.W. II. It is a story that has little to do with the spy ring that congressional committees are trying to prove existed during the war period (The Gouzenko Affair: read about it here) . But it does throw light on the methods and purposes of the so-called ‘spy ring’.

Military information was going to Russia as a matter of routine, by official channels, on an organized basis, all during the period when United States Communists and their friends were supposed to be spying out bits of information to send… As an ally of the U.S. in the war against Germany, Russia had free access to far more information than the so-called ‘spy ring’ claims…

Jane Russell Sur la Plage…
(Pic Magazine, 1941)

When these eight pictures of Hollywood actress Jane Russell (1921 – 2012) were snapped in the spring of 1941, she wasn’t up to much. She was studying acting at Max Reinhardt’s Theatrical Workshop in Los Angeles and more than likely waiting for her seven year contract with Howard Hughes to expire. The film that she’d made with him the previous year, The Outlaw, would not [be widely] distributed for some time and so we imagine that she jumped at the chance to put on a bathing suit and clown around on the beach when she got the call from the boys at PIC MAGAZINE. With the onslaught of the Second World War, she would be doing much of the same sort of posing for the pin-up photographers.


In the attached photo-essay, the PIC editors went out on a limb and called her one of America’s greatest beauties.

Sing Sing Prison: Home of the Bad New Yorkers
(Click Magazine, 1938)

Sing Sing Prison was where the vulgar New Yorkers of the criminal variety spent much of their time:

Murderers and felons, rogues and embezzlers, an average of 2750 of them inhabit Sing Sing Prison at Ossining, N.Y. on the bank of the Hudson River. Theirs is a world apart. A world of gray stone walls and steel bars. When the gates clang shut behind them they enter upon a life scientifically regulated by Warden Lewis E. Lawes (1883 – 1947)…CLICK MAGAZINE takes you inside the grim walls and shows you what happens to the convicted criminal from the day he is committed to Sing Sing Prison until the day he leaves as a free man.

This is a photo-essay that is made up of twenty-five black and white pictures.

Read about the religious make up of Sing Sing Prison in the Thirties.

Advertisement

Where Glamour and Tennis Met: Nancy Chaffee
(Quick Magazine, 1951)

This article is about Nancy Chaffee (1929 – 2002), another California-born tennis champion of the post-war era. Chaffee had once been ranked as the fourth-place women’s tennis champ in all the world, winning three consecutive national indoor championships (1950-1952). She first came to view in 1947 playing alongside the men on the U.S.C. tennis team (there was no women’s team at the time). The year before this article appeared on the newsstands, Chaffee made the semi-finals at Forrest Hills, her record at Wimbledon can be read here

Gowns
(The Pathfinder Magazine, 1947)

The fashionable gowns will be one of two extremes: pencil slim or big skirted like a puff ball. Whatever its cut, its color may be anything from soft dove grey to something called satan red. Fabrics are rich and lustrous, particularly the nontarnishable metallic materials. Newest is aluminum, colored gold or silver and woven into lame or onto rayon or even wool in gleaming designs.

Public Murals: the Art of the 1930s
(Literary Digest, 1935)

A quick read on the subject of that uneasy union that existed between art and industry during the 1930s. References are made to the work of muralists Dunbar D. Beck (1902-1986), Arthur Watkins Crisp (1881 – 1974), Kenneth B. Loomis, Charles S. Dean and Charles Louis Goeller (1901 – 1955).

Advertisement

Modigliani in Paris
(Gentry Magazine, 1955)

Modigliani came to Paris from Italy in the propitious year of 1906, start of a decade of art in which every contemporary movement germinated…When he became acquainted with Romanian sculptor Brancusi in 1909, the impact of the meeting gave his work a new direction…

Constantine Brancusi
(Vanity Fair, 1916)

An appreciative five paragraph essay saluting the Modernist sculptor Constantine Brancusi (1876 – 1957), accompanied by one black and white image of the artist’s work, The Doves. Much of the review concerns the poor relationship Brancusi had with Auguste Rodin (1840 – 1917) who
had been his teacher in earlier days.

Poiret Wraps and Coats
(Vogue Magazine, 1919)

By the time these images in American VOGUE hit the streets, the fashion house of Paul Poiret (1879 – 1944) was very much on the decline. Following the close of the First World War the designer was never able to regain his pre-1914 status. With the restlessness of the Twenties came the demand for a new mood in fashion and Coco Channel (1883 – 1971) became the new champion of Paris Fashion. Poiret closed his doors ten years after these photos were printed.


Read about the 1943 crochet revival

Advertisement

‘The Plainsman” by Cecil B. DeMille
(Stage Magazine, 1937)

Why should a director risk it all with some anonymous film critic when a he is given the chance to review his own movie? With this thought in mind, Cecil B. DeMille (1883 – 1959) typed up his own thoughts concerning all his hard work on the 1937 film, The Plainsman, which starred Gary Cooper:

I think ‘The Plainsman’ differs from any Western we have ever seen for many reasons


– it is at this point in the article that DeMille rattles-off an extended laundry list
of reasons that illustrate the unique qualities of his Western. One of the unique aspects of the film mentioned only by publicists concerned the leading man Garry Cooper, who, being a skilled horseman from his Montana youth, chose to do most of his own riding stunts in the film, including the shot where he rode hanging between two horses.


Click here to read a 1927 review of Cecil B. De Mille’s silent film, King of Kings.

The Western Front Elephant
(Der Welt Spiegel, 1915)

Animals have played important rolls in war from the beginning and World War One was no exception. Throughout the war the widespread use of dogs, horses mules and pigeons are all well documented and there have been some very interesting books written on the topic. Not so well documented is the presence of this one elephant who, being loyal to the Kaiser, is pictured in the attached photograph from 1915.


From Amazon: War Elephantsstyle=border:none

The Western Front Elephant
(Der Welt Spiegel, 1915)

Animals have played important rolls in war from the beginning and World War One was no exception. Throughout the war the widespread use of dogs, horses mules and pigeons are all well documented and there have been some very interesting books written on the topic. Not so well documented is the presence of this one elephant who, being loyal to the Kaiser, is pictured in the attached photograph from 1915.


From Amazon: War Elephantsstyle=border:none

Advertisement

Scroll to Top