Recent Articles

The First Folding Wing Monoplane (Popular Mechanics, 1912)

A passing glance at aviation magazines from the early Twentieth Century reveals that that particular sub-culture was very concerned with the ability to allow for trouble-free ground transport of aircraft. There were many magazine articles picturing how biplanes could be deconstructed for this purpose and up until 1912, or so we are led to believe by the editors of Popular Mechanics, the de Marcay-Mooney monoplane was the first flying machine that was able to have it’s wings fold back (much like a bird or a beetle) and when re-set at 90 degrees for take-off, could fly successfully.

The 1922 U.S. Elections: Some Wins But Mostly Defeats (The Literary Digest, 1922)

As 1922 came to a close, it seemed that some of the Suffragettes of the old-school had not lost their taste for violence, as the reader will discover in the opening paragraph of this one page article that primarily focused on the defeat of all but one of the women candidates who ran for Federal offices in the 1922 elections. Thirty-three women running for Congressional and legislative seats in New York State went down to defeat and there were no women elected or re-elected from any state for Congress that year. However, the state of Ohio elected it’s first woman to that state’s Supreme Court: Florence E. Allen (1884–1965).

In Defense of Modern Architecture (Coronet Magazine, 1940)

Living, as he did, at a time when the average American homeowner was more inclined to prefer a ranch house over a machine for living that those vulgar, snail-eating European modernists were capable of creating, American architect George Frederick Keck (1895 – 1980) saw fit to write this spirited defense on behalf of modern design. Playing the part of a modernist missionary seeking to convert the heathens, Keck argued that his tribe of architects – with their understanding of contemporary building materials and respect for simplicity – were suited to create a better standard of living for one and all.

The German Luger (Yank Magazine, 1943)

Two black and white diagrams illustrating the unique features of the German Luger pistol appear alongside a brief history of the weapon. Additional information included in the article are operating instructions and a table of characteristics which lists assorted fun facts about the weapon; it’s weight, length and range, as well as an explanation as to how the piece compares to the M1911 A1 Colt 45 (the standard issue side arm of the U.S. Army):

Since 1908 the Luger pistol has been the official German military side arm. George Luger of the DWM Arms Company in Germany developed this weapon, known officially as Pistole 08, from the American Borchart pistol invented in 1893

One Austrian’s Fight Against Global Fascism (Yank Magazine, 1945)

As far as we know, this 1945 page from YANK was the first article to tell the tale of the incredible Herbert Zipper (1904 – 1997); a story that began in Austria during the Anschluss (1938), carried on through two German concentration camps (Dachau and Buchenwald), continued through to Paris, Manila, and an Imperial Japanese detention center after which the story concludes with Dr. Zipper happily conducting his orchestra in a post-war concert before the victorious American Army.

This story was told in the highly celebrated 1995 documentary film, Never Give Up: The 20th-Century Odyssey of Herbert Zipper (American Film Foundation Production). This is a good read; it is a remarkable World War Two story about a rebellious soul with a lot of guts.

The Advantages of Silent Movies Over Theater (Photoplay Magazine, 1920)

Strong arguments were put to verse by the popular song writer Howard Dietz (1896 – 1983) as to why the up-town theater crowd had it all wrong.

The picture theater is always dark
So things you throw won’t hit the mark.


The actor in the movie play
Can’t hear the things you often say.


The spoken drama’s always longer;
The movie hero’s always stronger.


Click here to read more comparisons between film and stage.

Isadora Duncan in Rye (Vanity Fair Magazine, 1915)

Here is a paragraph about the school of dance that was maintained by Isadora Duncan in Rye, New York; the notice is illustrated by three stunning photographs by Frances Benjamin Johnston (1864 – 1952) depicting thirteen young girls in Grecian attire.

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