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A War Like No Other (Hearst’s Sunday American, 1917)

An article by the admired British war correspondent Ellis Ashmead-Bartlett (1881 – 1931) concerning those aspects of the 1914 war that combined to make the entire catastrophe something unique in human history:

Everything has changed; uniforms, weapons, methods, tactics. Cavalry had been rendered obsolete by trenches, machine guns and modern artillery; untrained soldiers proved useless, special battalions were needed on both sides to fight this particular kind of war that, in no way, resembled the battles your father or grand-fathers had once fought.

A good read.


Click here to read about the fashion legacy of W.W. I…


To read about one of the fashion legacies of W.W. II, click here…

‘Don’t Listen to Europe” (The New Republic, 1922)

During his seven month-stay in New Mexico, D.H. Lawrence (1885 – 1930), pen-pushing British rhapsodist and highly lauded versifier in the 20th century’s republic of letters, was baffled to find that the Natives of America were held in total contempt and largely confined to isolated swaths of land. Arriving in Taos in September of 1922, it didn’t take him long to recognize the admirable qualities inherit within their culture and the injustices that had been done to them. His restrained response was expressed in these three brief paragraphs that appeared in The New Republic toward the middle of December of that year.

A Profile of Isadora Duncan (Vanity Fair, 1915)

Isadora Duncan (1878-1927), said to be the birth mother of Modern Dance, is profiled in the attached VANITY FAIR MAGAZINE article written by Arthur Hazlitt Perry:

She is truly a remarkable woman. She never dances, acts, dresses, or thinks like anybody else. She is essentially the child of another age, a Twentieth Century exponent of a by-gone civilization. She missed her cue to come on, by twenty-three hundred years.

The First Black Fighter Pilots (The American Magazine, 1942)

This article partially explains the excitement of being a Tuskegee Airman and flying the Army’s most advanced fighters and partially explains what it was like to be a black man in a segregated America:

I’m flying for every one of the 12,000,000 Negroes in the United States. I want to prove that we can take a tough job and handle it just as well as a white man.

The German Army’s Official Report on D-Day (Dept. of the Army, 1945)

Translated from German, labeled CONFIDENTIAL and printed in a booklet for a class at the U.S. Army Military Academy in 1945 was the attached German Army assessment of the D-Day invasion. Distributed on June 20, 1944, just two weeks after the Normandy landings, the report originated in the offices of Field Marshal von Rundstedt (1875 – 1953) and served to document the German reaction to the Allied Operations in Normandy.

The Daily Worker (New Outlook, 1933)

The revolution in America today supports about a dozen main propaganda organs. Chief among them is The Daily Worker it makes no pretense at impartiality. It is a revolutionary [newspaper] and nothing else, frankly admitted at every turn. For the genuine Red no such thing as an impartial newspaper exists… No one gets paid very much in the Red press. Salaries of twenty or twenty-five dollars a week are the maximum. One reason is political, we are told. Revolutionaries do not believe in high salaries.


In 1887 the The New York Times reviewed the first English edition of Das Kapital by Karl Marx, click here to read it…


Click here to read more about the American communists of the 1930s.

Bette Davis Tells All (Collier’s Magazine, 1955)

Those were the days when the talkies had taken over from the silent films and movie executives began a wholesale raid on the New York stage for promising young talent. It was fertile territory. In a comparatively brief period they signed Clark Gable, George Brent, Jimmy Cagney, Joan Blondell, Spencer Tracy Ginger Rogers, Humphrey Bogart, Francis Tone and a score of others. While I was in Broken Dishes I had been screen tested by Samuel Goldwyn for a feminine lead opposite Ronald Coleman…I reached Hollywood with my mother on December 13, 1930.

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