Not surprisingly, special effects were an important box office draw during the Silent Era. This article reports on the popularity of war movies in 1915 and explains how some of the effects were created.
Do you think your job is tough? Pity the pioneering gynecologists of the 16th Century…
An excellent cartoon that serves to illustrate the difficulty that the American suffragettes had to overcome in post World War I America. Following the demobilization of so many women who played vital roles during the course of the war, the next task at hand was to see to it that her fathers, brothers and uncles understood that these veterans of the war expected greater opportunity and would not reside gladly in the same world of low-expectations that saw them off at the docks in 1917
In 1918, the London-based American expatriot sculptor Jacob Epstein was living life to the fullest and enjoying all the benefits his talents had provided him. He had no intention of joining the army of his adopted country and had successfully avoided the draft since the outbreak of the war. However in 1918, conscription caught up with him. Epstein hated the idea of joining the colors, believing that the military would kill his creative soul, but this article puts a nice spin on all that.
Three years into the Soviet experiment, the ruling Bolsheviks were finding it difficult to win the ‘hearts and minds’ of the proletarian masses they so deeply loved (but refused to feed).
Additional magazine and newspaper articles about the Cold War may be read on this page.
The attached VANITY FAIR article announced that the numero uno society portrait painter of the Gilded Age, John Singer Sargent (1856 – 1925) was swearing-off portrait commissions in order to concentrate on water color. Little did he know that he would be back at it in a few years painting whole boat-loads of general officer portraits when he was named as one of the Official British War Artists.
Among all the paintings on exhibition at the Paris Fall Salon, none is attracting so much attention as the extraordinary productions of the so-called ‘Cubist’ school. In fact, dispatches from Paris suggest that these works are easily the main feature of the exhibition.
Why Dada? is a thoughtful essay by Sheldon Cheney (1886 – 1980), a Dada enthusiast and founder of the American monthly THEATRE ARTS MAGAZINE. This is a fine article which attempted to explain Dada to the American public and identified several American artists who subscribed to Dada principles.
…at last years exhibitions the Futurists and Cubists joined the academicians in denouncing the Dadaists as fakers, charlatans, and ignoramuses who know nothing of the laws of art and only wish to shock the public into considering them a sensation! And the Dadaists get unlimited joy out of the situation, but hold to the center of the stage…
In our era it doesn’t seem terribly odd that a fresh, exciting and highly popular industry would begin generating new words to fill our dictionaries, and 1914 was no different. The attached article introduced the readers of THE NEW YORK TIMES to a new verb contributed by the early film industry:
The verb ‘to film’ having gained currency, it must be graciously admitted to the language. It will soon be in the ‘advanced’ dictionaries and it must be recognized. The old idea of protecting the English language from invasion is extinct. To ‘film’ means to make a picture for a ‘movie’ show’.
During the past twenty years, Hollywood provided us with a whole slew of terms, such as dramedy (a combination between a comedy and a drama) and “romcom” (romantic comedy), sitcom (situation comedy) to name only a few.
Click here to read another article about the impact of film on the English language.
The three great military monarchies which have lately fallen to pieces – Russian, Austro-Hungarian and German – were all based upon an aristocracy of large landed properties, whereas the other European countries had become parliamentary and democratic states. Europe was thus divided between two political orders, founded on two social orders, in fact, into two different worlds between which the river Elbe was approximately the boundary…
The war proved a decisive test of the stability of the two social orders; the democratic states went through it without flinching, the monarchies which had which had engendered the war in the hope of strengthening their position have gone under; from their defeat has sprung the revolution, which is overthrowing all aristocracies.
Click here to read a 1916 VANITY FAIR article about how the war had affected the British upper class.
One of the most romantic figures of the entire war was Thomas Lawrence, a young Oxford graduate who had specialized in archeology… To Colonel Lawrence more than any other man was due the efficient organization of the Hejaz Army. He worked in perfect harmony with King Hussein and Prince Faisal, to whom he was second in command.
The Germans and Turks alike soon discovered the presence of this young Englishman among their Arabic opponents in the desert and, realizing the menace of his mysterious and amazing successes, put a price of $5000,000 upon his head.
Blonde as a Viking, he walked about the streets of Jerusalem or other cities, in full panoply of Arab royal costume, plunged in some inner dream.
Read other articles from 1919.
When England and France yielded to Germany in the Munich Agreement of last September, a significant change took place. The balance of power in Europe shifted from the democracies to the dictatorships… [and] the United States had to stop thinking of England and France as America’s ‘first line of defense’ in the time of a European war.
Not too long after the close of the war, exiled German author Thomas Mann (1875 – 1955) was invited to return to Germany. Walter von Molo, a German writer, who during the Nazi regime remained and worked in Germany, sent the invitation to Mann as an Open Letter in the name of German intellectuals. Attached an excerpt of the writer’s response.
The first half of this article succinctly summarizes the German political experience that took place between 1919 through 1933; the second half anticipated a new, stable beginning for Germany. The German correspondent seemed not be bothered at all about their incoming chancellor.
A similar article can be read here…
Shortly after the U.S. Congress declared war against Germany, a New York City minister named Dr. John Haynes Holmes (1879 – 1964) took to his pulpit and made a series of sound remarks as to why the United States had no business participating in the European war:
Other clergymen may pray to God for victory for our arms — I will not. In this church, if no where else in all America, the Germans will still be included in the family of God’s children. No word of hatred will be spoken against them, no evil fate will be desired upon them. I will remember the starving millions of Belgium, Servia, Poland, and Armenia, whom my countrymen may neglect for the more important business of killing Germans…
A black and white magazine illustration from the cover of SCIENTIFIC AMERICAN that appeared six months after President Wilson’s declaration of war against Germany in order to let Uncle Sam’s taxpayer’s understand what it will cost them to put a million and a half men in the field.
A telegraph from Hollywood costume designer Edith Head (1897 – 1981) to the editorial offices of PHOTOPLAY MAGAZINE listing various highlights of the 1938 Paris fashion scene. Not surprisingly, it reads like a telegram:
Paris says:
• Long waistlines, short flared skirts, fitted bodices, tweeds combines with velvet, warm colors…
• Hair up in pompadours piles of curls and fringe bangs.
• Braid and embroidery galore lace and ribbon trimmings loads of jewelry mostly massive.
• Skirts here short and not too many pleats more slim skirts with slight flare.
The great Hollywood modiste wrote in this odd, Tarzan-english for half a page, but by the end one is able to envision the feminine Paris of the late Thirties.
Recommended Reading: Edith Head: The Fifty-Year Career of Hollywood’s Greatest Costume Designer
Click here to read about physical perfection during the Golden Age of Hollywood.
In an effort to show how American thought can vary between decades, a retired pollster from the Gallup organization collected the data gleaned from various opinion polls that were launched between 1929 on up through the dawn of the Atomic Age in order to show what a different people we had become. The topics that were addressed were
• Racial tolerance
• Taxes
• Women in the work place
• Labor unions
• Women smoking
• Bathing Suits
