Recent Articles

Had Germany Really Deployed Women Soldiers?
(The Stars and Stripes, 1919)

This paragraph was lifted from a longer article regarding the battle-savvy Native Americans of World War One and it supports the claims made in 1918 by a number of anonymous allied POW’s who reported seeing female soldiers in German machine gun crews toward the close of the war. The article appeared after the Armistice and this was a time when The Stars and Stripes editors were most likely to abstain from printing patriotic hooey.


If you would like to read another article about women combatants in W.W. II, click here.

Dogs for Defense
(American Magazine, 1943)

Dogs for Defense was a World War II organization founded by three patriotic dog enthusiasts who established the group in order to procure patriotic canines (meeting certain height and weight standards) for the U.S. Army Quartermaster Corps, that branch of the services charged with the task of training the animals. Dogs for Defense was able to provide as many as four hundred dogs a week for the U.S. Army throughout both W.W. II as well as the Korean War.

The attached article can be printed.

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Realistic Training for ALL QUIET ON THE WESTERN FRONT
(Photoplay Magazine, 1931)

Prior to reading this PHOTOPLAY article we were convinced that Oliver Stone’s Vietnam war film, PLATOON (1986) was the first production of it’s kind to actually take the effort to school all cast and extras as to the horrors of war; however it seems that this unique distinction goes to All Quiet on the Western Front.


In this interview the seven leading cast members discuss how the making of that movie disturbed each of them in profound ways:

We went into that picture a group of average wise-cracking fellows. We didn’t come out that way…


A small notice has been added that announced that the movie had been banned in Austria.

A 1929 review of the book can be read here

Realistic Training for ALL QUIET ON THE WESTERN FRONT
(Photoplay Magazine, 1931)

Prior to reading this PHOTOPLAY article we were convinced that Oliver Stone’s Vietnam war film, PLATOON (1986) was the first production of it’s kind to actually take the effort to school all cast and extras as to the horrors of war; however it seems that this unique distinction goes to All Quiet on the Western Front.


In this interview the seven leading cast members discuss how the making of that movie disturbed each of them in profound ways:

We went into that picture a group of average wise-cracking fellows. We didn’t come out that way…


A small notice has been added that announced that the movie had been banned in Austria.

A 1929 review of the book can be read here

German Paratroops
(U.S. Dept. of War, 1945)

Attached is the U.S. War Department study regarding the tactical uses of German airborne forces throughout the course of the Second World War; from the Battle of Crete to the Battle of the Bulge:

In Russia, the Balkans, and the December 1944 counteroffensive in the Ardennes, units varying in strength from a platoon to a battalion have been landed behind enemy lines to disrupt communications, to seize such key points as railroads, roadheads, bridges and power stations.

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The Popularity of War Movies
(Literary Digest, 1915)

Not surprisingly, special effects were an important box office draw during the Silent Era. This article reports on the popularity of war movies in 1915 and explains how some of the effects were created.

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Her Next Task
(Life Magazine, 1919)

An excellent cartoon that serves to illustrate the difficulty that the American suffragettes had to overcome in post World War I America. Following the demobilization of so many women who played vital roles during the course of the war, the next task at hand was to see to it that her fathers, brothers and uncles understood that these veterans of the war expected greater opportunity and would not reside gladly in the same world of low-expectations that saw them off at the docks in 1917

Artist Jacob Epstein Drafted…
(Vanity Fair Magazine, 1918)

In 1918, the London-based American expatriot sculptor Jacob Epstein was living life to the fullest and enjoying all the benefits his talents had provided him. He had no intention of joining the army of his adopted country and had successfully avoided the draft since the outbreak of the war. However in 1918, conscription caught up with him. Epstein hated the idea of joining the colors, believing that the military would kill his creative soul, but this article puts a nice spin on all that.

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John Singer Sargent in 1914
(Vanity Fair, 1914)

The attached VANITY FAIR article announced that the numero uno society portrait painter of the Gilded Age, John Singer Sargent (1856 – 1925) was swearing-off portrait commissions in order to concentrate on water color. Little did he know that he would be back at it in a few years painting whole boat-loads of general officer portraits when he was named as one of the Official British War Artists.

Salon d’Automne, Paris
(NY Times, 1911)

Among all the paintings on exhibition at the Paris Fall Salon, none is attracting so much attention as the extraordinary productions of the so-called ‘Cubist’ school. In fact, dispatches from Paris suggest that these works are easily the main feature of the exhibition.

Why Dada?
(The Century Magazine, 1922)

Why Dada? is a thoughtful essay by Sheldon Cheney (1886 – 1980), a Dada enthusiast and founder of the American monthly THEATRE ARTS MAGAZINE. This is a fine article which attempted to explain Dada to the American public and identified several American artists who subscribed to Dada principles.

…at last years exhibitions the Futurists and Cubists joined the academicians in denouncing the Dadaists as fakers, charlatans, and ignoramuses who know nothing of the laws of art and only wish to shock the public into considering them a sensation! And the Dadaists get unlimited joy out of the situation, but hold to the center of the stage…

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A New Word for the Dictionary
(NY Times, 1914)

In our era it doesn’t seem terribly odd that a fresh, exciting and highly popular industry would begin generating new words to fill our dictionaries, and 1914 was no different. The attached article introduced the readers of THE NEW YORK TIMES to a new verb contributed by the early film industry:

The verb ‘to film’ having gained currency, it must be graciously admitted to the language. It will soon be in the ‘advanced’ dictionaries and it must be recognized. The old idea of protecting the English language from invasion is extinct. To ‘film’ means to make a picture for a ‘movie’ show’.


During the past twenty years, Hollywood provided us with a whole slew of terms, such as dramedy (a combination between a comedy and a drama) and “romcom” (romantic comedy), sitcom (situation comedy) to name only a few.


Click here to read another article about the impact of film on the English language.

The Collapse of the European Aristocracy
(NY Times, 1919)

The three great military monarchies which have lately fallen to pieces – Russian, Austro-Hungarian and German – were all based upon an aristocracy of large landed properties, whereas the other European countries had become parliamentary and democratic states. Europe was thus divided between two political orders, founded on two social orders, in fact, into two different worlds between which the river Elbe was approximately the boundary…

The war proved a decisive test of the stability of the two social orders; the democratic states went through it without flinching, the monarchies which had which had engendered the war in the hope of strengthening their position have gone under; from their defeat has sprung the revolution, which is overthrowing all aristocracies.

Click here to read a 1916 VANITY FAIR article about how the war had affected the British upper class.

T.E. Lawrence
(NY Times, 1919)

One of the most romantic figures of the entire war was Thomas Lawrence, a young Oxford graduate who had specialized in archeology… To Colonel Lawrence more than any other man was due the efficient organization of the Hejaz Army. He worked in perfect harmony with King Hussein and Prince Faisal, to whom he was second in command.

The Germans and Turks alike soon discovered the presence of this young Englishman among their Arabic opponents in the desert and, realizing the menace of his mysterious and amazing successes, put a price of $5000,000 upon his head.

Blonde as a Viking, he walked about the streets of Jerusalem or other cities, in full panoply of Arab royal costume, plunged in some inner dream.

Read other articles from 1919.

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